The 5-part consort music ; Vol. 1: og 17-18 Fantasia ; Che fia lasso di me ; Ardo ; Seconda parte ; Alte parole PDF Download
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Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Canons, fugues, etc. (Viols (5))
Languages : en
Pages : 94
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Book Description
Thomas Lupo (1571-1627). The complete five-part consort music volume 2. Fantasias 19-35, for viol consort, edited by Richard Charteris. Parts available direct from the publisher. Published in 1998.
Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Canons, fugues, etc. (Viols (5))
Languages : en
Pages : 94
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Book Description
Thomas Lupo (1571-1627). The complete five-part consort music volume 2. Fantasias 19-35, for viol consort, edited by Richard Charteris. Parts available direct from the publisher. Published in 1998.
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
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Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Author: EDWARD. HUTTON
Publisher:
ISBN: 9781033082737
Category :
Languages : en
Pages : 0
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Book Description
Author: Johann Sebastian Bach
Publisher: Chanterelle
ISBN:
Category : Music
Languages : en
Pages :
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Book Description
An arrangement for guitar duo, without the orchestra part of Bach's immortal and perenialy popular double violin concerto BWV 1034.This makes a welcome addition to guitar duo repertoire; presented here in a performing score with a live CD performance by guitarists Wolfgang Lendle and Alberto Mesirca.
Author: Jonathan P. Wainwright
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 520
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Book Description
After a short biography of Hutton and history of his family, some of the most important music collectors in 17th-century England, Wainwright (music, U. of York) describes the survival and dispersal of his extensive collection; his copyists John Lilly and Stephen Bing; the family steward George Jeffr
Author: James Coover
Publisher: Information Coordinators, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 140
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Book Description
Author: Stanford University
Publisher:
ISBN:
Category : Students' songs
Languages : en
Pages : 43
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Book Description
Author: E. Zuccato
Publisher: Springer
ISBN: 0230584438
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
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Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Author: Charlotte Smith
Publisher: Oxford University Press
ISBN: 0195344766
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Charlotte Smith (1749-1806) was the author of ten novels, a play, and a host of innovative educational books for children, as well as several volumes of poetry that helped set priorities and determine the tastes of the culture of early Romanticism. Her Elegiac Sonnets sparked the sonnet revival in English Romanticism; The Emigrants initiated its passion for lengthy meditative introspection; and Beachy Head lent its poetic engagement with nature a uniquely telling immediacy. Smith was a woman, Wordsworth remarked a quarter century after her death, "to whom English verse is under greater obligations than are likely to be either acknowledged or remembered." True to his prediction, Smith's poetry has virtually dropped from sight and thus from cultural consciousness. This, the first edition of Smith's collected poems, will restore to all students of English poetry a distinctive, compelling voice. Likewise, the recovery of Smith to her rightful place among the Romantic poets must spur the reassessment of the place of women writers within that culture.
