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Author: Nathan Nyquist
Publisher: Independently Published
ISBN: 9781980673606
Category :
Languages : en
Pages : 107
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Book Description
Reverb is one of the most important processors to know how to use. It's responsible for creating the entire perception of space in a mix. Without the organic sound of reverb, mixes would sound flat and lifeless. When I first started using reverb, I had no idea what I was doing. There were tons of presets to flip through, and I felt like I had to tweak everything about them. This led to lots of confusion and I ended up using reverb too much, or just avoiding it because I just wasn't confident I'd get what I was after. It took me years to discover the correct way to use reverb and the 3-Space Reverb Framework is the result of that. This reverb framework is deceptively simple and it works because it's the answer to how and why we use multiple reverbs in a mix. It's the answer to how we configure reverbs together. The framework tells us that different reverb types take up different amounts of mix real-estate. Once we know how to manage our mixing real-estate with reverb then it becomes much easier to achieve bigger, cleaner sounding mixes. This book will help you learn how to use reverb so that your mixes become more detailed. It will help you learn exactly how to combine reverbs together, and most importantly it will help you effectively shape and create the environment of your mix so that it sounds exactly the way you want.
Author: Nathan Nyquist
Publisher: Independently Published
ISBN: 9781980673606
Category :
Languages : en
Pages : 107
Get Book Here
Book Description
Reverb is one of the most important processors to know how to use. It's responsible for creating the entire perception of space in a mix. Without the organic sound of reverb, mixes would sound flat and lifeless. When I first started using reverb, I had no idea what I was doing. There were tons of presets to flip through, and I felt like I had to tweak everything about them. This led to lots of confusion and I ended up using reverb too much, or just avoiding it because I just wasn't confident I'd get what I was after. It took me years to discover the correct way to use reverb and the 3-Space Reverb Framework is the result of that. This reverb framework is deceptively simple and it works because it's the answer to how and why we use multiple reverbs in a mix. It's the answer to how we configure reverbs together. The framework tells us that different reverb types take up different amounts of mix real-estate. Once we know how to manage our mixing real-estate with reverb then it becomes much easier to achieve bigger, cleaner sounding mixes. This book will help you learn how to use reverb so that your mixes become more detailed. It will help you learn exactly how to combine reverbs together, and most importantly it will help you effectively shape and create the environment of your mix so that it sounds exactly the way you want.
Author: Nathan Nyquist
Publisher: Independently Published
ISBN: 9781980601807
Category : Sound
Languages : en
Pages : 57
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Book Description
"This book was created to clear up any confusion regarding EQ and Compression as well as to streamline your mixing process so you get better results faster and more intuitively." -- Back cover.
Author: Nathan Nyquist
Publisher: Independently Published
ISBN: 9781982917128
Category : Music
Languages : en
Pages : 150
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Book Description
In Mastering Multi-Band Compression I'm going to be giving you the step by step formula for using multiband compression. By using this formula you'll get rid of the confusion and discover the benefits of multiband compression. This isn't another wishy-washy difficult to grasp book on mixing theory. I'm not in the camp of people who will tell you "It all depends." Well actually it does depend-- it depends on the situation. And there are only 2 situations a multiband compressor deals with: Transient Control and Volume Leveling on a per-frequency band basis. By identifying whether you need Transient Control or Volume Leveling you can then literally copy/paste any of my 17 techniques and get the sound you're after. If you know anything about my mixing philosophy then you know that I'm always aiming for 70% of my instruments to blend together and 30% of my instruments to contrast against that blended backdrop. This allows me to achieve more vibrant levels of contrast and with that 70/30 split a mix becomes increasingly more spacious and clear. This is how we create depth. We like depth. Depth is in fact the exacted result of the formulaic processes I teach. In the end mixing is art and I want the act of doing art to feel simple for you. I already went through my phase of hating presets and it only slowed down my progress. Once I realized that presets are just tutorials, my skills improved geometrically. I'm telling you this because at every level of mixing my primary goal is to simplify the process with set and forget presets. Every skilled producer/engineer I've met does this to some degree. Whether we realize it or not habitual mix decisions are in fact presets. As my students have already discovered in "The 3-Space Reverb Framework" and "The Bus Compression Masterclass," some of the most difficult parts of mixing are actually very formulaic. This means they can be replicated and repeated for consistent results across many mediums. Now in this book I'm giving you everything you need to know about multiband compression before even using it. I've then gone step by step through each of the 17 ways we use multiband compression. This means I explain exactly how to do something as well as why it works. These 17 step by step techniques will blow you away with their simplicity and effectiveness. You'll experience the types of actual results you've been needing to make those mental connections and reach the final tier of mixing. So buy your copy of Mastering Multi-Band Compression and you'll never be overwhelmed by Multiband Compression again.
Author: Nathan Nyquist
Publisher:
ISBN: 9781981060757
Category :
Languages : en
Pages : 117
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Book Description
What if there was a simple way to give your mixes a professional sound before doing any real mixing. What if you could add instruments to a session and have them automatically sound like they belong. In The Bus Compression Framework you''re going to learn a big secret that mastering engineers keep to themselves. We''ve all had the experience of mixes sounding dull, lifeless and flat. For me this hadn''t been a problem for years, but I never really gave a second thought to how I solved it. That''s because after setting up this system I never really had to mess with it again. It wasn''t until I showed a student how to do this that I realized how powerful this system really is. I remember trying to help my student who was going through the phase of overly clean mixes. As it goes with overly clean mixes, his mixes were so clean, they were lifeless and sterile. I showed the student my bus compression setup--the exact numerical values, everything that I explain in this book. A couple days later he sent me an email with the before and after versions of his track. The difference between them was night and day. I was convinced he had gone through and remixed the entire track, but when he told me "No, all I did was use the formula you gave me, and oh ya, I cut a little from the pads," I was blown away. Now this student''s mix had been so clean that it had a glaringly digital feel to it. If the prescription wasn''t more cowbell then it was certainly going to be more additive EQ. Yet here he was following my 5-Bus setup and getting divine results and STILL feeling the need to EQ cut more from his mix. That was pretty much the moment I realized I had a pretty cool technique to share with you. By using the set and forget techniques inside the Bus Compression Framework you''ll achieve the kind of rich and vibrant analog sound we typically associate with expensive mastering. Not only will your mixes sound richer and more vibrant, but the 5-bus setup I''m going to show you will literally multiply the space and magnitude of your mixes. The Bus Compression Framework does this by using a combination of restrictive and open compression settings to create more contrast within your mixes. As you increase the amount of contrast in your mixes you get increasing levels of perceived depth. But like anything, if you utilize too much contrast you''ll end up with a poorly balanced mix that sounds all over the place. What''s awesome about this technique is that it''s a step by step formula for guaranteeing your mix has a professional sound. Now not all mixing is formulaic, but my students have said that the formulaic techniques in this book coupled with The 3-Space Reverb Framework literally upgraded the sound of their mixes by leaps and bounds. Not only will your mixes become more expansive but instruments will play together like they were meant to. Now when I say this technique gives your mixes a perfectly analog sound I mean all the benefits of analog. That means you get the organically pleasing sound of analog while avoiding the pitfalls of emulating analog within a DAW. It''s easy to tell when people fail at emulating analog. Their mixes are too colored, overly murky and they lack detail because they''ve used too much saturation. If you keep adding harmonics everywhere then they''ll eventually clog up your mix. As you read this book, I''ll be showing you how to infuse your mixes with analog richness while also maintaining the type of clarity expected from modern recordings. By using The Bus Compression Framework your mixes will naturally come together. Mixing will feel much more organic and you''ll actually have fun mixing instead of feeling like you''re solving problem after problem. Now if you want an immediately professional, radio ready sound, then pick up your copy of The Bus Compression Framework.
Author: Bjorgvin Benediktsson
Publisher: R. R. Bowker
ISBN: 9781733688802
Category :
Languages : en
Pages : 156
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Book Description
The 2nd Edition of the #1 Amazon Best-Seller For Home Studio Musicians Looking to Skyrocket Their Mixing Skills...Learn a Proven Step By Step Mixing Process That's Helped Thousands of Musicians Like Yourself Make Amazing Mixes in Their Home Studio, Using Only EQ, Compression, Reverb, Delay, and Saturation"This is the NO BS guide to taking your mixes to the next level! Björgvin has been teaching and writing about recording for a decade, and really understands that stuff that we all struggle with in the home studio. Step By Step Mixing takes you through the full process of making sure your mixes rock from ruff to radio ready!"-Lij Shaw, Award winning Producer and Podcaster of Recording Studio Rockstars Let Me Ask You This: Do you fight to make all your instruments fit together in a busy mix? Do you struggle to EQ each instrument to sit in their frequency range without getting in the way of everything else? Do you tear your hair out finding the right compression setting for each track? Do you have a hard time using reverb and delay without cluttering up your mix? Do you get confused by saturation and how to use it to get a warmer sounding mix? If you answered yes to one of those questions - don't worry - you're not alone.If you want to make better mixes immediately in your home studio that translate to every speaker system, whether you're working on demos for your band of mixing records for your clients, grab Step By Step Mixing right now.Here's What You'll Learn Inside: Learn to get organized and simplify your mixing process to create more mixes that sound better in less time Learn practical EQ tips to make all of your instruments fit in your mix Learn to use compression to create punchy and tight mixes Learn to use reverb and delay to add space and depth to your mixes without cluttering up the song and making yourself sound like an amateur Learn everything you need to know about saturation to add that secret sauce to your songs that make people take notice of your skills Learn an invaluable process to getting your mix to translate to any speaker or sound system Step by Step Mixing covers the theory behind each processor while giving you simple to use, practical audio tips you can use to improve your mixes.Every chapter is broken down as such: Explanations on the theory behind what the plug-ins do and how to use them: You'll get a thorough walkthrough of the various regions of the frequency spectrum. You'll understand exactly how to use your compressors. You'll learn all about the various reverb and delay settings (some reverbs are just too complex!) and you'll get very familiar with using saturation (without overloading and distorting your mixes!). Common Problems and Their Practical Solutions: After you understand how each processor works we'll talk about some real world scenarios. I'll give you some practical and easy to use tips to make your mixes jump out of the speakers. Once you've mastered these five processors above you'll be ready to make a killer mix in your home studio, whether you're working on demos for your band or mixing records for your friends and clients.Step By Step Mixing is For You If... You're exhausted with your trial and error process that keeps you second-guessing yourself about whether your music sounds any good. If you're tired of individual tricks and wished you had a clear set of instructions on how to make your mixes sound like the professional records you love so much, then Step By Step Mixing is your clear and concise reference guide for better sounding music in your home studio. Add Step By Step Mixing to your cart and get better mixing results immediately.
Author: Mixerman
Publisher: Mixerman Publishes
ISBN: 0960040560
Category : Music
Languages : en
Pages : 281
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Book Description
Mixing is an Attitude
When I think back to my best mixes—regardless of their commercial success—in each and every case, I can only describe the experience as one in which I was working from deep within, outside of any external forces. I wasn't thinking; I was doing. I wasn't scared of what anyone would think. I wasn't scared of failure. All my decisions were made with confidence, and once a judgment was made, I didn't second-guess myself. I allowed the music to guide me, and I based all of my mix decisions on nothing more than one simple criterion: Are the song and production doing what they're supposed to be doing?
That sounds nice, huh? I mean, that's the headspace you want to be in when you're mixing! The problem is, you can't get there if you're focused on all the wrong things, and we're all susceptible to distraction and self-doubt. Great mixing involves trusting yourself, first and foremost. And I can promise you, that trust is downright infectious to everyone on your project.
Who Am I?
I'm Mixerman, a gold and multi-platinum mixer, producer, and recordist. I've been mixing professionally and at a high level for over three decades now., and I can assure you, great mixing isn't about manipulating sound. It's about the decisions you make in regards to the music, the balances, and how you use the arrangement to push the listener forward through the song. This is accomplished thought concrete strategies and techniques, that I'm uniquely qualified to offer you.
Boost Your Confidence Now
You can spend the next decade mixing two songs a day to get there. Or you can get Zen & the Art of MIXING 2021, and I'll explain the thinking behind great mixing. And then watch your confidence soar.
There's a reason why this is my most popular work, to date. Enjoy, Mixerman
Author: Andy Farnell
Publisher: MIT Press
ISBN: 0262014416
Category : Computers
Languages : en
Pages : 689
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Book Description
A practitioner's guide to the basic principles of creating sound effects using easily accessed free software. Designing Sound teaches students and professional sound designers to understand and create sound effects starting from nothing. Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free software. Readers use the Pure Data (Pd) language to construct sound objects, which are more flexible and useful than recordings. Sound is considered as a process, rather than as data—an approach sometimes known as “procedural audio.” Procedural sound is a living sound effect that can run as computer code and be changed in real time according to unpredictable events. Applications include video games, film, animation, and media in which sound is part of an interactive process. The book takes a practical, systematic approach to the subject, teaching by example and providing background information that offers a firm theoretical context for its pragmatic stance. [Many of the examples follow a pattern, beginning with a discussion of the nature and physics of a sound, proceeding through the development of models and the implementation of examples, to the final step of producing a Pure Data program for the desired sound. Different synthesis methods are discussed, analyzed, and refined throughout.] After mastering the techniques presented in Designing Sound, students will be able to build their own sound objects for use in interactive applications and other projects
Author: David Gibson
Publisher: Routledge
ISBN: 1351252208
Category : Technology & Engineering
Languages : en
Pages : 531
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Book Description
David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.
Author: Michel Chion
Publisher: Columbia University Press
ISBN: 9780231078993
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Deals with issue of sound in audio-visual images
Author: Mark Mynett
Publisher: Taylor & Francis
ISBN: 1317611055
Category : Music
Languages : en
Pages : 880
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Book Description
Metal Music Manual shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory, and a comprehensive array of illustrations, photos, and screen grabs, Metal Music Manual is the essential guide to achieving professional production standards. The extensive companion website features multi-track recordings, final mixes, processing examples, audio stems, etc., so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers, who share their expertise, experience, and insight into the processes involved: Fredrik Nordström (Dimmu Borgir, At The Gates, In Flames) Matt Hyde (Slayer, Parkway Drive, Children of Bodom) Ross Robinson (Slipknot, Sepultura, Machine Head) Logan Mader (Gojira, DevilDriver, Fear Factory) Andy Sneap (Megadeth, Killswitch Engage, Testament) Jens Bogren (Opeth, Kreator, Arch Enemy) Daniel Bergstrand (Meshuggah, Soilwork, Behemoth) Nick Raskulinecz (Mastodon, Death Angel, Trivium) Quotes from these interviews are featured throughout Metal Music Manual, with additional contributions from: Ross "Drum Doctor" Garfield (one of the world’s top drum sound specialists, with Metallica and Slipknot amongst his credits) Andrew Scheps (Black Sabbath, Linkin Park, Metallica) Maor Appelbaum (Sepultura, Faith No More, Halford)
