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Author: Annely Juda Fine Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Author: Annely Juda Fine Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Author: Isabel Wünsche
Publisher: Böhlau Köln
ISBN: 3412525650
Category : Art
Languages : en
Pages : 277
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Book Description
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Author: LONDON : ANNELY JUDA.
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Art, Abstract
Languages : en
Pages : 175
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Author: David Marshall Lang
Publisher: Routledge
ISBN: 1000515036
Category : History
Languages : en
Pages : 237
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Book Description
When this was originally published in 1959 it was the first full-length biography of Alexander Radishchev published outside Russia and was based on hitherto unpublished material, memoir literature and Radishchev’s own writings. Radishchev occupies a notable position in the history of European social thought, as the first writer to apply the criteria of the Western Age of Reason to conditions in Tsarist Russia. Sentenced to death on the orders of Catherine the Great and subsequently exiled in Siberia, Radishchev stands out as the first great figure of the Russian radical intelligentsia and the first literary victim of Tsarist official intolerance.
Author: United States Department of State
Publisher:
ISBN:
Category : Lithuania
Languages : en
Pages : 32
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Author: Peter Gatrell
Publisher: Routledge
ISBN: 1317881397
Category : History
Languages : en
Pages : 340
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Book Description
The story of Russia’s First World War remains largely unknown, neglected by historians who have been more interested in the grand drama that unfolded in 1917. In Russia’s First World War: A Social and Economic History Peter Gatrell shows that war is itself ‘revolutionary’ – rupturing established social and economic ties, but also creating new social and economic relationships, affiliations, practices and opportunities. Russia’s First World War brings together the findings of Russian and non-Russian historians, and draws upon fresh research. It turns the spotlight on what Churchill called the ‘unknown war’, providing an authoritative account that finally does justice to the impact of war on Russia’s home front
Author: Rip Bulkeley
Publisher: Springer Nature
ISBN: 3030595463
Category : History
Languages : en
Pages : 331
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Book Description
This book looks at the different ways in which Russian historians and authors have thought about their country’s first Antarctic expedition (1819-21) over the past 200 years. It considers the effects their discussions have had on Russia’s Antarctic policy and may yet have on Antarctica itself. In particular, it examines the Soviet decision in 1949, in line with the cultural policies of late Stalinism, to revise the traditional view of the expedition in order to claim that it was Russian seamen that first sighted the Antarctic mainland in January 1820; this claim remains the official position in Russia today. The author illustrates, however, that the case for such a claim has never been established, and that attempts to make it damaged the work of successive Russian historians. Providing a timely assessment of Russian historiography of the Bellingshausen expedition and examining the connections between the priority claim and national policy goals, this book represents an important contribution to the history of the Antarctic.
Author:
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 666
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Book Description
Author: Amy Skinner
Publisher: Bloomsbury Publishing
ISBN: 1474284442
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.
