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Author: Bruce Vermazen
Publisher: Oxford University Press
ISBN: 0190290226
Category : Music
Languages : en
Pages : 320
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Book Description
Today, the saxophone is an emblem of "cool" and the instrument most closely associated with jazz. Yet not long ago it was derided as the "Siren of Satan," and it was largely ignored in the United States for well over half a century after its invention. When it was first widely heard, it was often viewed as a novelty noisemaker, not a real musical instrument. In only a few short years, however, saxophones appeared in music shops across America and became one of the most important instrumental voices. How did the saxophone get from comic to cool? Bandleader Tom Brown claimed that it was his saxophone sextet, the Six Brown Brothers, who inaugurated the craze. While this boast was perhaps more myth than reality, the group was indisputably one of the most famous musical acts on stage in the early twentieth century. Starting in traveling circuses, small-time vaudeville, and minstrel shows, the group trekked across the United States and Europe, bringing this new sound to the American public. Through their live performances and groundbreaking recordings--the first discs of a saxophone ensemble in general circulation--the Six Brown Brothers played a crucial role in making this new instrument familiar to and loved by a wide audience. In That Moaning Saxophone, author and cornet player Bruce Vermazen sifts fact from legend in this craze and tells the remarkable story of these six musical brothers--William, Tom, Alec, Percy, Vern, and Fred. Vermazen traces the brothers' path through minstrelsy, the circus, burlesque, vaudeville, and Broadway musical comedy. Cleverly weaving together biographical details and the context of the burgeoning entertainment business, the author draws fascinating portraits of the pre-jazz world of American popular music, the theatrical climate of the period, and the long, slow death of vaudeville. Delving into the career of one of the key popularizers of the saxophone, That Moaning Saxophone not only illuminates the history of this novel instrument, but also offers a witty and vivid portrayal of these forgotten musical worlds.
Author: Bruce Vermazen
Publisher: Oxford University Press
ISBN: 0190290226
Category : Music
Languages : en
Pages : 320
Get Book Here
Book Description
Today, the saxophone is an emblem of "cool" and the instrument most closely associated with jazz. Yet not long ago it was derided as the "Siren of Satan," and it was largely ignored in the United States for well over half a century after its invention. When it was first widely heard, it was often viewed as a novelty noisemaker, not a real musical instrument. In only a few short years, however, saxophones appeared in music shops across America and became one of the most important instrumental voices. How did the saxophone get from comic to cool? Bandleader Tom Brown claimed that it was his saxophone sextet, the Six Brown Brothers, who inaugurated the craze. While this boast was perhaps more myth than reality, the group was indisputably one of the most famous musical acts on stage in the early twentieth century. Starting in traveling circuses, small-time vaudeville, and minstrel shows, the group trekked across the United States and Europe, bringing this new sound to the American public. Through their live performances and groundbreaking recordings--the first discs of a saxophone ensemble in general circulation--the Six Brown Brothers played a crucial role in making this new instrument familiar to and loved by a wide audience. In That Moaning Saxophone, author and cornet player Bruce Vermazen sifts fact from legend in this craze and tells the remarkable story of these six musical brothers--William, Tom, Alec, Percy, Vern, and Fred. Vermazen traces the brothers' path through minstrelsy, the circus, burlesque, vaudeville, and Broadway musical comedy. Cleverly weaving together biographical details and the context of the burgeoning entertainment business, the author draws fascinating portraits of the pre-jazz world of American popular music, the theatrical climate of the period, and the long, slow death of vaudeville. Delving into the career of one of the key popularizers of the saxophone, That Moaning Saxophone not only illuminates the history of this novel instrument, but also offers a witty and vivid portrayal of these forgotten musical worlds.
Author: Stephen Cottrell
Publisher: Yale University Press
ISBN: 0300190956
Category : Music
Languages : en
Pages : 449
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Book Description
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
Author: Jed Rasula
Publisher: Oxford University Press
ISBN: 0192570722
Category : Music
Languages : en
Pages : 479
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Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Author: Bruce Vermazen
Publisher: Oxford ; Toronto : Oxford University Press
ISBN: 0195165926
Category : Biography & Autobiography
Languages : en
Pages : 317
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Book Description
After its invention in France in 1838, the saxophone, Vermazen argues, was finally brought to the American public by the Six Brown Brothers, one of the most famous musical stage acts of the early 20th century. This title explores how they turned an instrument once derided as the "Siren of Satan", into the crowning symbol of jazz.
Author: Kurt Bertels
Publisher: Leuven University Press
ISBN: 9462703973
Category : Music
Languages : en
Pages : 192
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Book Description
The saxophone is a globally popular instrument, often closely associated with renowned players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of women saxophonists in the nineteenth century, shortly after the instrument’s invention. Elise Hall (1853–1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career’s profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant mark on the history of the instrument. Yet these contributions have been historically undervalued, largely due to gender bias. This collection of essays, written by mainly women saxophonists/scholars, re-evaluates Elise Hall’s legacy beyond a discrete history, updating the narrative by highlighting the ways in which her identity and the saxophone itself have influenced historical accounts. By analyzing the sociocultural factors surrounding this innovative musician through a contemporary lens, the contributors challenge previously held narratives shaped by patriarchal structures and collectively affirm her place as one of the pioneers in the history of the saxophone.
Author: J.C. Thomas
Publisher: Doubleday
ISBN: 0307820327
Category : Biography & Autobiography
Languages : en
Pages : 342
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Book Description
He was always elusive, on and off the stand; like his music, he was constantly moving, incessantly changing. Just as Charlie Parker stood astride the jazz world of the late 40s and 50s, so did John Coltrane in the late 50s and 60s. Trane was a giant of the saxophone and a major composer. His music also influenced rock and classical musicians, such as Roger McGuinn and David Amram. Yet he was more than a musician; there was a mystical quality, a profound melancholy that emanated from this quiet, self-contained man and moved listeners, some of whom knew little of music but heard something beyond music’s boundaries from the sounds his saxophone created. Many even had their lives changed as a result. J. C. Thomas traces John Coltrane’s life and career from his North Carolina childhood through his apprenticeship under Dizzy Gillespie, Thelonious Monk, and Miles Davis, culminating in the saxophonist’s classic quartet that played to steadily increasing audiences throughout America, England, and Japan. The author has drawn on the recollections of those who knew Coltrane best—boyhood friends, band members like Elvin Jones, spiritual mentors like Ravi Shankar, and the women who loved him. Chasin’ The Trane is the story of a man who struggled against drug addiction, studied African and Eastern music and philosophy, admired Einstein’s expanding universe and the shimmering sounds a harp makes, and left behind the enduring legacy of a master musician who was also a beautiful man.
Author: Claude McKay
Publisher: Aegitas
ISBN: 0369411420
Category : Fiction
Languages : en
Pages : 164
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Book Description
Home to Harlem is a groundbreaking novel written by Claude McKay, a prominent figure of the Harlem Renaissance. Published in 1928, it is considered as one of the earliest works of the Harlem Renaissance movement, which sought to celebrate African American culture and identity through literature, art, and music. McKay's novel is a powerful and thought-provoking depiction of the lives of African Americans living in the urban city of Harlem during the 1920s. The novel follows the story of Jake Brown, a young black man who returns to Harlem after serving in World War I. Through Jake's eyes, McKay portrays the vibrant and complex world of Harlem, with its jazz clubs, speakeasies, and bustling streets. The city is a melting pot of different cultures, with people from all walks of life coexisting and struggling to survive in a society that is hostile towards them. One of the main themes of the novel is the search for identity and belonging. Jake, like many other African Americans, is torn between his rural Southern roots and the urban lifestyle of Harlem. He is constantly trying to find his place in a city that is both alluring and rejecting, facing the dilemma of whether to conform to societal expectations or embrace his true self. This struggle is further highlighted through the character of Ray, Jake's friend, who is trying to pass as white to gain acceptance and privilege in society. McKay's writing is raw and unapologetic, as he fearlessly addresses issues of race, class, and gender. He exposes the harsh realities of racism and discrimination faced by African Americans, both in the North and the South. The novel also delves into the complexities of relationships, particularly between men and women, and the impact of societal expectations on them. Moreover, Home to Harlem is a celebration of African American culture and traditions. McKay effortlessly weaves in elements of jazz, blues, and folklore into the narrative, giving readers a glimpse into the rich and vibrant culture of Harlem. He also highlights the resilience and strength of the African American community, who despite facing numerous challenges, continue to thrive and create their own spaces of freedom and joy. In addition to its literary significance, Home to Harlem is also a social commentary on the limitations and restrictions placed on African Americans during the 1920s. McKay's novel is a call for social and political change, urging readers to challenge the status quo and fight for equality and justice. Home to Harlem is a powerful and thought-provoking novel that provides a unique and authentic perspective on the African American experience during the Harlem Renaissance. It is a timeless classic that continues to inspire and educate readers about the struggles and triumphs of a community that fought for their place in American society.
Author:
Publisher: BRILL
ISBN: 1848882327
Category : Philosophy
Languages : en
Pages : 148
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Book Description
This volume was first published by Inter-Disciplinary Press in 2013. The chapters within this volume expose a need to discuss and challenge both the practise of evil and the judgement of acts and persons as being ‘evil.’ The reader will find a diverse and intriguing selection of representative texts and themes, including: discussions of the monstrous, the consideration of evil objects, a reading of the wicked language of lying and ‘bullshitting’, and investigations of madness. A range of literature from medieval to contemporary texts, including poetry, novels, television and cinema, are considered and analysed through cultural and historical contexts in the hopes to extend the discussion that intrigues many of us: what is evil?
Author: Brian Rust
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 992
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 466
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Book Description
