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Author: Robert A Schanke
Publisher: SIU Press
ISBN: 0809335948
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
In this first book-length biography of Mercedes de Acosta, theatre historian Robert A. Schanke adroitly mines lost archival materials and mixes in his own interviews with de Acosta’ s intimates to correct established myths and at last construct an accurate, detailed, and vibrant portrait of the flamboyantly uninhibited early-twentieth-century author, poet, and playwright. Born to wealthy Spanish immigrants, Mercedes de Acosta (1893– 1968) lived in opulence and traveled in the same social circles as the Astors and Vanderbilts. Introduced to the New York theater scene at an early age, her dual loves of performance and of women informed every aspect of her life thereafter. Alice B. Toklas’ s observation, “ Say what you will about Mercedes, she’ s had the most important women in the twentieth century,” was well justified, as her romantic conquests included such internationally renowned beauties as Greta Garbo, Marlene Dietrich, Isadora Duncan, and Eva Le Gallienne as well as Alla Nazimova, Tamara Karsavina, Pola Negri, and Ona Munson. More than a record of her personal life and infamous romances, this account offers the first analysis of the complete oeuvre of de Acosta’ s literary works, including three volumes of poetry, two novels, two film scripts, and a dozen plays. Although only two of her plays were ever published during her lifetime, four of them were produced, featuring such stage luminaries as John Gielgud, Ralph Richardson, and Eva Le Gallienne. Critics praised her first volume of poetry, Moods, in 1919 and predicted her rise to literary fame, but the love of other women that fueled her writing also limited her opportunities to fulfill this destiny. Failing to achieve any lasting fame, she died in relative poverty at the age of seventy-five. De Acosta lived her desires publicly with verve and vigor at a time when few others would dare, and for that, she paid the price of marginalized obscurity. Until now. With “ That Furious Lesbian” Schanke at last establishes Mercedes de Acosta’ s rightful place as a pioneer— and indeed a champion— in the early struggle for lesbian rights in this country. Robert A. Schanke has edited a companion to this biography, Women in Turmoil: Six Plays by Mercedes de Acosta, also available from Southern Illinois University Press.
Author: Robert A Schanke
Publisher: SIU Press
ISBN: 0809335948
Category : Biography & Autobiography
Languages : en
Pages : 268
Get Book
Book Description
In this first book-length biography of Mercedes de Acosta, theatre historian Robert A. Schanke adroitly mines lost archival materials and mixes in his own interviews with de Acosta’ s intimates to correct established myths and at last construct an accurate, detailed, and vibrant portrait of the flamboyantly uninhibited early-twentieth-century author, poet, and playwright. Born to wealthy Spanish immigrants, Mercedes de Acosta (1893– 1968) lived in opulence and traveled in the same social circles as the Astors and Vanderbilts. Introduced to the New York theater scene at an early age, her dual loves of performance and of women informed every aspect of her life thereafter. Alice B. Toklas’ s observation, “ Say what you will about Mercedes, she’ s had the most important women in the twentieth century,” was well justified, as her romantic conquests included such internationally renowned beauties as Greta Garbo, Marlene Dietrich, Isadora Duncan, and Eva Le Gallienne as well as Alla Nazimova, Tamara Karsavina, Pola Negri, and Ona Munson. More than a record of her personal life and infamous romances, this account offers the first analysis of the complete oeuvre of de Acosta’ s literary works, including three volumes of poetry, two novels, two film scripts, and a dozen plays. Although only two of her plays were ever published during her lifetime, four of them were produced, featuring such stage luminaries as John Gielgud, Ralph Richardson, and Eva Le Gallienne. Critics praised her first volume of poetry, Moods, in 1919 and predicted her rise to literary fame, but the love of other women that fueled her writing also limited her opportunities to fulfill this destiny. Failing to achieve any lasting fame, she died in relative poverty at the age of seventy-five. De Acosta lived her desires publicly with verve and vigor at a time when few others would dare, and for that, she paid the price of marginalized obscurity. Until now. With “ That Furious Lesbian” Schanke at last establishes Mercedes de Acosta’ s rightful place as a pioneer— and indeed a champion— in the early struggle for lesbian rights in this country. Robert A. Schanke has edited a companion to this biography, Women in Turmoil: Six Plays by Mercedes de Acosta, also available from Southern Illinois University Press.
Author: Billy J. Harbin
Publisher: University of Michigan Press
ISBN: 9780472068586
Category : Actors
Languages : en
Pages : 444
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Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Author: Lillian Faderman
Publisher: Univ of California Press
ISBN: 0520260619
Category : History
Languages : en
Pages : 458
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Book Description
Charts LA's gay history, from the first missionary encounters with Native American cross-gendered 'two spirits' to cross-dressing frontier women in search of their fortunes, and from the 1960s gay liberation movement to the creation of gay marketing in the 1990s.
Author: Robert A Schanke
Publisher: SIU Press
ISBN: 0809387433
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
Angels in the American Theater: Patrons, Patronage, and Philanthropy examines the significant roles that theater patrons have played in shaping and developing theater in the United States. Because box office income rarely covers the cost of production, other sources are vital. Angels—financial investors and backers—have a tremendous impact on what happens on stage, often determining with the power and influence of their money what is conceived, produced, and performed. But in spite of their influence, very little has been written about these philanthropists. Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures. Subjects range from millionaires Otto Kahn and the Lewisohn sisters to foundation giants Ford, Rockefeller, Disney, and Clear Channel. The first book to focus on theater philanthropy, Angels in the American Theater employs both a historical and a chronological format and focuses on individual patrons, foundations, and corporations.
Author: David A. J. Richards
Publisher: Cambridge University Press
ISBN: 1107129109
Category : Law
Languages : en
Pages : 271
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Book Description
This book tells the stories of notable historical figures whose resistance of patriarchal laws transformed ethical, political, and legal standards.
Author: Mick Brown
Publisher: Oxford University Press
ISBN: 1805260197
Category :
Languages : en
Pages : 428
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Book Description
In 1897, an Indian yogi named Bava Lachman Dass exhibited himself at the Westminster Aquarium in London, demonstrating forty-eight yoga positions to a bemused audience. Four years earlier, Hindu philosopher Swami Vivekananda had spoken at the first World Parliament of Religions in Chicago, where theosophist Annie Besant rhapsodized about 'his inborn sense of worth' and the 'exquisite beauty' of his spiritual message. The Victorians had conflicted views on the religious beliefs and practices of the Indian sub-continent, blending fascination and suspicion. But within two generations, legions of young Westerners would be following the 'hippie trail' to India, and the Beatles would be meditating at the feet of the guru Maharishi Mahesh Yogi. Journalist Mick Brown's vivid account charts the eccentric history of the West's evolving love affair with Indian religion through a curious cast of scholars, seekers, charlatans and saints. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment.
Author: Robert A Schanke
Publisher: SIU Press
ISBN: 0809325101
Category : Drama
Languages : en
Pages : 286
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Book Description
In this first publication of six plays by the flamboyantly uninhibited author, poet, and playwright Mercedes de Acosta (1893–1968), theater historian Robert A. Schanke rescues these lost theatrical writings from the dusty margins of obscurity. Often autobiographical, always rife with gender struggle, and still decidedly stageworthy, Women in Turmoil: Six Plays by Mercedes de Acosta constitutes a significant find for the canon of gay and lesbian drama. In her 1960 autobiography Here Lies the Heart, de Acosta notes that as she was contemplating marriage to a man in 1920, she was "in a strange turmoil about world affairs, my own writing, suffrage, sex, and my inner spiritual development." The voice in these plays is that of a lesbian in turmoil, marginalized and ignored. Her same-sex desires and struggles for acceptance fueled her writings, and nowhere is that more evident than in the plays contained herein. The women characters struggle with unfulfilling marriages, divorce, unrequited sexual desire, suppressed identity, and a longing for recognition. Of the six plays, only the first two were ever produced. Jehanne d’Arc (1922) premiered in Paris with de Acosta’s lover at the time, Eva Le Gallienne, starring and Norman Bel Geddes designing the set and lights. In 1934, de Acosta adapted it into a screenplay for Greta Garbo, then her lover, but it was never filmed. Portraying rampant anti-Semitism in a small New England town, Jacob Slovak (1923) was performed both on Broadway and in London, with the London production starring John Gielgud and Ralph Richardson. The Mother of Christ (1924) is a long one-act play written for the internationally known actress Eleonora Duse. After Duse’s death, several other actresses including Eva Bartok, Jeanne Eagels, and Lillian Gish explored productions of the play. Igor Stravinsky wrote a score, Norman Bel Geddes designed a set, and Gladys Calthrop designed costumes. However, the play was never produced. Her most autobiographical play, World Without End (1925), and her most sensational play, The Dark Light (1926), both unfold through plots of sibling rivalry, incest, and suicide. With overtones of Ibsen, Illusion (1928) continues the themes of de Acosta’s previous plays with her rough and seedy cast of characters, but here the playwright’s drama grows to incorporate a yearning for belonging as well as strong elements of class conflict. What notoriety remains associated with de Acosta has less to do with her writing than with her infamous romances with the likes of Greta Garbo, Marlene Dietrich, Isadora Duncan, Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson. Through this collection of six powerfully poignant dramas, editor Robert A. Schanke strives to correct myths about Mercedes de Acosta and to restore both her name and her literary achievements to their proper place in history. Robert A. Schanke has authored the original biography, “That Furious Lesbian:” The Story of Mercedes de Acosta, also available from Southern Illinois University Press.
Author: John Morán González
Publisher: Cambridge University Press
ISBN: 1107044928
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
This Companion presents key texts, authors, themes, and contexts of Latina/o literature and highlights its increasing significance in world literature.
Author: Amy Jeffrey
Publisher: Routledge
ISBN: 1000594483
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Space and Irish Lesbian Fiction offers an original and much-needed study of Irish Lesbian fiction. Evaluating a wide body of Irish lesbian fiction ranging from the Victorian era to the contemporary age, this book advocates for women writers who have been largely ignored in Irish literary history and criticism. This volume examines the use and applications of space in Irish lesbian fiction. In recent years, it can be argued that Irish society has created a new ‘space’ for LGBT or queer people. The concept of space is, thus, important both symbolically and physically for lesbian literature. In asking, if Irish women writers have moved ‘out of the shadows’ so to speak, what space is open to the Irish lesbian author? How is spatiality reflected in lesbian representation throughout Irish literary history? Space and Irish Lesbian Fiction examines a diverse range of writers from the nineteenth century to the contemporary age, evaluating the contributions of largely unknown authors who have been overlooked alongside more established voices within Irish literature. The concept of liminality that this volume takes as its theme and focus engage with notions of intersectionality, thresholds, crossings and transitions. In suggesting the overlap between the indeterminate threshold of the liminal space and its ambiguously queer potentiality to examine the dynamics of space and its relationship to lesbianism, this ground-breaking project both locates and charts spaces of queer liminality in Irish lesbian fiction.
Author: Anna Pulley
Publisher: Macmillan
ISBN: 1250072646
Category : Humor
Languages : en
Pages : 161
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Book Description
Lesbian sex has been confounding people since the dawn of time. What is it that two women do together exactly? The Lesbian Sex Haiku Book (with Cats!) is a humorous guide to lesbian sex, dating rituals, and relationships, and aims to dispel all myths. Haiku paired with hilarious watercolor illustrations of cats in various stages of sexual awkwardness will enlighten, demystify, remystify, and most importantly entertain as you learn about all the aspects involved in girl-on-girl action. From lesbian pick-up lines: Pronounce Annie Proulx's name correctly—watch lady's cargo pants fall off. To icebreaker haiku for first dates: It has been MANY years, but I'm not done griping about The L Word. To, of course, the mechanics of lesbian sex: It's like straight sex but afterwards we ask ourselves, "We just had sex, right?" Lesbian sex is like water polo—no one really knows the rules. This laugh-out-loud book is the perfect gift to amuse and educate your friends, loved ones, and lovers.
