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Author: A. C. Spearing
Publisher: University of Notre Dame Pess
ISBN: 026809280X
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
In Medieval Autographies, A. C. Spearing develops a new engagement of narrative theory with medieval English first-person writing, focusing on the roles and functions of the “I” as a shifting textual phenomenon, not to be defined either as autobiographical or as the label of a fictional speaker or narrator. Spearing identifies and explores a previously unrecognized category of medieval English poetry, calling it "autography.” He describes this form as emerging in the mid-fourteenth century and consisting of extended nonlyrical writings in the first person, embracing prologues, authorial interventions in and commentaries on third-person narratives, and descendants of the dit, a genre of French medieval poetry. He argues that autography arose as a means of liberation from the requirement to tell stories with preordained conclusions and as a way of achieving a closer relation to lived experience, with all its unpredictability and inconsistencies. Autographies, he claims, are marked by a cluster of characteristics including a correspondence to the texture of life as it is experienced, a montage-like unpredictability of structure, and a concern with writing and textuality. Beginning with what may be the earliest extended first-person narrative in Middle English, Winner and Waster, the book examines instances of the dit as discussed by French scholars, analyzes Chaucer’s Wife of Bath’s Prologue as a textual performance, and devotes separate chapters to detailed readings of Hoccleve’s Regement of Princes prologue, his Complaint and Dialogue, and the witty first-person elements in Osbern Bokenham’s legends of saints. An afterword suggests possible further applications of the concept of autography, including discussion of the intermittent autographic commentaries on the narrative in Troilus and Criseyde and Capgrave’s Life of Saint Katherine.
Author: A. C. Spearing
Publisher: OUP Oxford
ISBN: 0191518611
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated in the linguistic fabric of their texts. Most of the poems discussed are in English, and the book includes analyses of Chaucer's Troilus and Criseyde, Man of Law's Tale, and Complaint Unto Pity, the works of the Pearl poet, Havelok the Dane, the lyric sequence attributed to Charles of Orleans (the earliest such sequence in English), and many anonymous poems. It also devotes sections to Ovid's Heroides and to poems by the troubadour Bernart de Ventadorn. For the first time, it brings to bear on medieval narratives and lyrics a body of theory which denies the supposed necessity for literary texts to have narrators or 'speakers', and in doing so reveals the implausibilities into which a dogmatic assumption of this necessity has led much of the last century's criticism.
Author: A. C. Spearing
Publisher: University of Notre Dame Pess
ISBN: 026809280X
Category : Literary Criticism
Languages : en
Pages : 360
Get Book Here
Book Description
In Medieval Autographies, A. C. Spearing develops a new engagement of narrative theory with medieval English first-person writing, focusing on the roles and functions of the “I” as a shifting textual phenomenon, not to be defined either as autobiographical or as the label of a fictional speaker or narrator. Spearing identifies and explores a previously unrecognized category of medieval English poetry, calling it "autography.” He describes this form as emerging in the mid-fourteenth century and consisting of extended nonlyrical writings in the first person, embracing prologues, authorial interventions in and commentaries on third-person narratives, and descendants of the dit, a genre of French medieval poetry. He argues that autography arose as a means of liberation from the requirement to tell stories with preordained conclusions and as a way of achieving a closer relation to lived experience, with all its unpredictability and inconsistencies. Autographies, he claims, are marked by a cluster of characteristics including a correspondence to the texture of life as it is experienced, a montage-like unpredictability of structure, and a concern with writing and textuality. Beginning with what may be the earliest extended first-person narrative in Middle English, Winner and Waster, the book examines instances of the dit as discussed by French scholars, analyzes Chaucer’s Wife of Bath’s Prologue as a textual performance, and devotes separate chapters to detailed readings of Hoccleve’s Regement of Princes prologue, his Complaint and Dialogue, and the witty first-person elements in Osbern Bokenham’s legends of saints. An afterword suggests possible further applications of the concept of autography, including discussion of the intermittent autographic commentaries on the narrative in Troilus and Criseyde and Capgrave’s Life of Saint Katherine.
Author: Philip Shaw
Publisher: Burns & Oates
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
The distance between Kant and Foucault marks out the philosophical and chronological space within which the textual studies of this book address the complex question of subjectivity in literature. Originally arising from an academic conference held at Liverpool University, these essays represent the work of a new generation of researchers in the vanguard of contemporary literary studies. Combining radical new approaches to established authors in the 'literary canon' as well as pioneering work on important contemporary writers, the subjects treated in this book include Wordsworth, the Bronte's, Wallace Stevens, George Orwell, Philip Larkin, Ray Bradbury, John Folwes, Clarice Lispector, Ian McEwan, Georges Perec and others. A post-script is provided by Professor Vincent Newey.
Author: Carolyn Ellis
Publisher: SAGE
ISBN: 9780803944978
Category : Philosophy
Languages : en
Pages : 272
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Book Description
Much has been missed by social researchers in their attempt to understand the human experience as a series of rational, cognitive choices. What comes under the rubric of "lived experience" fits no researcher's model other than, in the words of one of the volume's contributors, "one damned thing after another." Human subjectivity in lived experience, both that of the subject and of the researcher, is the topic of Investigating Subjectivity, an important corrective to the cool, disdainful stance of most previous social research. The dozen contributors examine various aspects of subject--the emotions, the gendered nature of experiences, the body-mind relationship, perceptions of time, place and setting, understanding of the self--and how these elements provide a fuller understanding of the human condition, incorporating subjectivity into research requires a new set of methods--systematic introspection, self-ethnography, staged readings, poetry, stories--many of which are demonstrated in the book. It also requires a focus on mundane (minor ailments, media images, hobbies) and extraordinary (exotic trips, earthquakes, abortion experience), elements, which make up the bulk of lived experience, and how people react to these life events. Investigating Subjectivity stands out from any other books in the field because the emphasis is on research rather than theory or conceptualization. This outstanding volume is quality reading for academicians and undergraduate and graduate students in sociology, cultural studies, qualitative methods. and communication, especially those interested in emotions, narration, textual analysis, and symbolic interaction.
Author: Renée Dickinson
Publisher: Routledge
ISBN: 1136603522
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation. Dickinson proposes that the ways Mrs. Dalloway, and The Waves by Virginia Woolf and Spleen and Fugue by Olive Moore reflect, expose and criticize physical, geographical and national bodies in the narrative and form of their texts reveal the authors’ attempts to try on new forms and experiment with new possibilities of female embodiment and subjectivity.
Author: Ruth Robbins
Publisher: Bloomsbury Publishing
ISBN: 1350309842
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Who do you think you are? In Subjectivity, Ruth Robbins explores some of the responses to this fundamental question. In readings of a number of autobiographical texts from the last three centuries, Robbins offers an approachable account of formations of the self which demonstrates that both psychology and material conditions - often in tension with one another - are the building blocks of modern notions of selfhood. Key texts studied include: - William Wordsworth's Prelude - Thomas De Quincey's Confessions of an English Opium Eater - James Joyce's A Portrait of the Artist as a Young Man - Oscar Wilde's De Profundis - Jung Chang's Wild Swans Robbins also argues that our subjectivity, far from being the secure possession of the individual, is potentially fragile and contingent. She shows that the versions of subjectivity authorized by the dominant culture are full of gaps and blindspots that undo any notion of universal human nature: subjectivity is culturally and historically specific - we are, in part, what the culture in which we live permits us to be. Concise and easy-to-follow, this introduction to the concept of subjectivity, and the theories surrounding it, shows that, in spite of the insecurity of selfhood, there is still much to be gained from the textual encounter with other selves. It is essential reading for all those studying 'autobiography' or 'autobiographical writing'.
Author: Maria Nikolajeva
Publisher: Routledge
ISBN: 1135238235
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Looking at key works from the eighteenth-century to the present, Nikolajeva explores topics such as genre, gender, crossvocalization, species, and picturebook images in order to demonstrate how a balance is maintained between the two opposite inherent goals of children’s literature: to empower and to educate the child.
Author: Christine Wilkie-Stibbs
Publisher: Routledge
ISBN: 1136699929
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book builds upon and contributes to the growing academic interest in feminism within the field of children's literature studies. Christie Wilkie-Stibbs draws upon the work of Luce Irigaray, Helene Cixous, Julia Kristeva, and Jacques Lacan in her analysis of particular children's literature texts to demonstrate how a feminist analysis opens up textual possibilities that may be applied to works of children's fiction in general, extending the range of textual engagements in children's literature through the application of a new poststructural critical apparati.
Author: Claude J Summers
Publisher: Routledge
ISBN: 1317972260
Category : Fiction
Languages : en
Pages : 233
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Book Description
This new book significantly contributes to an increased understanding of the gay and lesbian experience as it illuminates important works of literature and clarifies the status of same-sex desire in English literature from 1500--1760. Homosexual themes can be found throughout the literature of the English Renaissance and Enlightenment, but only rarely are they direct and unambiguous. The essays here are engaged in a vital and necessary process of re-historicizing and re-contextualizing literature. Utilizing a variety of critical methods and proceeding from several different theoretical and ideological presuppositions, these essays raise important questions about the methodology of gay studies, about the conception of same-sex desire, about the depiction of homoerotics, and about the relationship of sexuality and textuality, even as they shed new light on the homosexual import of a number of significant works of literature. Among the authors studied are Christopher Marlowe, William Shakespeare, John Donne, Lady Mary Wroth, Katherine Philips, Aphra Behn, John Cleland, and Thomas Gray. The collection attests both the current intellectual ferment in gay studies and the richness of English Renaissance and eighteenth-century literary representations of homosexuality. Homosexuality in Renaissance and Enlightenment England provides numerous insights into important works of literature and into significant theoretical issues implicit in the process of discerning and defining homosexuality in texts of earlier ages. All the contributors locate their texts in carefully delineated cultural and historical milieux. But they are not unduly constrained by either the tyranny of theory or the anxieties of anachronism. Rather than proceeding from hidebound or fashionably current ideologies, they sift the texts they study for the concrete evidence from which theories of sexuality might be constructed or modified. Hence, the collection will be valuable both for its practical criticism and for its theoretical contributions. It vividly illustrates the variety of gay studies in literature, especially as applied to works of earlier ages.
Author: Pierluigi Barrotta
Publisher: John Benjamins Publishing
ISBN: 9027294259
Category : Philosophy
Languages : en
Pages : 424
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Book Description
This collective volume focuses on two closely connected issues whose common denominator is the embattled notion of the subject. The first concerns the controversies on the nature of the subject and related notions, such as the concepts of ‘I’ and ‘self’. From both theoretical and historical viewpoints, several of the contributors show how different and incompatible perspectives on the subject can help us understand today’s world, its habits, style, power relations, and attitudes. For this purpose, use is made of insights in a broad range of disciplines, such as sociology, psychoanalysis, pragmatics, intellectual history, and anthropology. This interdisciplinary approach helps to clarify the multifaceted character of the subject and the role it plays nowadays as well as over the centuries. The second issue concerns the subject in inter-personal as well as in intra-personal controversies. The enquiry here focuses on the ways in which different aspects of the subject and subjective differences affect the conduct, content, and rationality of controversies with others as well as within oneself on a variety of topics. Among such aspects, the contributors analyse the subject’s emotions, cognitive states, argumentative practices, and individual and collective identity. The interaction between the two issues, the controversies on the subject and the subject of controversies, sheds new light on the debate on modernity and its alleged crisis.
