Texas Rhythm, Texas Rhyme PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Texas Rhythm, Texas Rhyme PDF full book. Access full book title Texas Rhythm, Texas Rhyme by Larry Willoughby. Download full books in PDF and EPUB format.
Author: Larry Willoughby
Publisher: Marion Koogler McNay Art Museum
ISBN: 9780890158029
Category : Music
Languages : en
Pages : 165
Get Book Here
Book Description
Author: Larry Willoughby
Publisher: Marion Koogler McNay Art Museum
ISBN: 9780890158029
Category : Music
Languages : en
Pages : 165
Get Book Here
Book Description
Author: Larry Willoughby
Publisher:
ISBN:
Category : Country music
Languages : en
Pages : 164
Get Book Here
Book Description
Texas Rhythm, Texas Rhyme tells the story of both a musical melting pot and a century and a half of entertainment.
Author: Rick Koster
Publisher: Macmillan
ISBN: 9780312254254
Category : Music
Languages : en
Pages : 416
Get Book Here
Book Description
Provides information on the history of Texas music from the 1920s to the present.
Author: Gary Hartman
Publisher: Texas A&M University Press
ISBN: 1603443940
Category : History
Languages : en
Pages : 322
Get Book Here
Book Description
"The richly diverse ethnic heritage of the Lone Star State has brought to the Southwest a remarkable array of rhythms, instruments, and musical styles that have blended here in unique ways and, in turn, have helped shape the music of the nation and the world." "Historian Gary Hartman writes knowingly and lovingly of the Lone Star State's musical traditions. In the first thorough survey of the vast and complex cultural mosaic that has produced what we know today as "Texas music," he paints a broad, panoramic view, offers analysis of the origins of and influences on specific genres, profiles key musicians, and provides guidance to additional sources for further information." "A musician himself, Hartman draws on both academic and non-academic sources to give a more complete understanding of the state's remarkable musical heritage. He combines scholarly training in music history and ethnic community studies with his first-hand knowledge of how important music is as a cultural medium through which human beings communicate information, ideas, emotions, values, and beliefs, and bond together as friends, families, and communities." "The History of Texas Music incorporates a selection of well-chosen photographs of both prominent and less-well-known artists and describes not only the ethnic origins of much of Texas music but also the cross-pollination among various genres. Today, the music of Texas - which includes Native American music, gospel, blues, ragtime, swing, jazz, rhythm and blues, conjunto, Tejano, cajun, zydeco, western swing, honky tonk, polkas, schottisches, rock & roll, rap, hip hop, and more - reflects the unique cultural dynamics of the Southwest."--Jacket
Author: Laurie E. Jasinski
Publisher: Texas A&M University Press
ISBN: 0876112971
Category : Music
Languages : en
Pages : 2008
Get Book Here
Book Description
The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z!
Author: Jeffrey J. Lange
Publisher: University of Georgia Press
ISBN: 9780820326238
Category : Music
Languages : en
Pages : 340
Get Book Here
Book Description
Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as “hillbilly music.” In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music’s transformation from a rural, southern folk art form to a national phenomenon. In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music’s expanding appeal. As he analyzes the recordings and comments of each of the subgenre’s most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability. Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from “hillbilly” music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.
Author: Barry Shank
Publisher: Wesleyan University Press
ISBN: 0819572675
Category : Music
Languages : en
Pages : 315
Get Book Here
Book Description
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."
Author: Alan Burton
Publisher: Texas Tech University Press
ISBN: 9780896723702
Category : Humor
Languages : en
Pages : 194
Get Book Here
Book Description
Texans—never shy when singing the praises of the Lone Star State—sound an especially loud, approving chorus for their rich musical heritage. Small wonder! Bob Wills, Buddy Holly, Van Cliburn, Roy Orbison, Janis Joplin, Tanya Tucker, Willie Nelson . . . the list goes on.More than four hundred quotes in Rave On, volume three of the Classic Texas Quotes Series, bring you a fresh view of the lively, diverse, boisterous world of the Texas musical scene.
Author: Lloyd Sachs
Publisher: Twenty-First Century Books ™
ISBN: 151245270X
Category : Juvenile Nonfiction
Languages : en
Pages : 67
Get Book Here
Book Description
A singer belts out a lonesome song. A guitarist plucks out a twangy lead. A fiddle player brings out a sweet melody. These are the sounds of country. Country music rose out of the folk songs that immigrants brought to the United States. The music spread from the American South to all over the country, capturing the hopes and the struggles of everyday people. In the twenty-first century, fans enjoy all sorts of wild, upbeat, and moving styles of country music. Find out what inspired the country's most memorable songs. Discover the stories of outlaw musicians and Nashville legends. And learn more about superstars such as Hank Williams, Patsy Cline, Johnny Cash, and Taylor Swift.
Author: Jean A. Boyd
Publisher: University of Texas Press
ISBN: 0292783213
Category : Music
Languages : en
Pages : 300
Get Book Here
Book Description
They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.
