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Author: Jonathan Lake Crane
Publisher: SAGE Publications
ISBN: 1452253927
Category : Language Arts & Disciplines
Languages : en
Pages : 193
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Book Description
He persuasively demonstrates that horror films are not merely a manifestation of the solitary, unconscious ′I′ or cultural abjection. . . . This well-crafted, insightful, and devilishly witty study brings horror out from under the psychoanalytic rock to let it scurry and bleed in the daylight of everyday life. The detailed endnotes are scintillating gems in and of themselves. --Choice "Terror and Everyday Life is an important, well-conceived, and well-executed work. Crane′s treatment of the topic is unusual; he clearly positions himself as a fan of the contemporary horror film. Consequently, there are moments that seem to revel in the disgusting details of murder and mayhem. However, this approach is appropriate; as Crane makes perfectly clear, this is what the genre is about, so to ignore it would be to misrepresent its effects and--for horror fans--its pleasures. This is a complex scholarly work, exceptionally original." --Charles R. Acland, Communication Department, The University of Calgary, Alberta, Canada How does horror in film relate to the horror we experience in everyday life? This is one of the key questions addressed in this new examination of the horror film genre. Terror and Everyday Life argues that today′s horror films have broken away from the genre′s tradition to embrace far more violent imagery, images that are in keeping with the escalating violence in our society. By examining the horror film, its history, and its current trends, Jonathan Lake Crane furthers our understanding of the genre′s meaning in today′s culture and our fascination with violence. An important supplement for courses in popular culture, media studies, and film; Terror and Everyday Life′s unique approach on the nature of horror in our society will also be of interest in a wide range of disciplines.
Author: Jonathan Lake Crane
Publisher: SAGE Publications
ISBN: 1452253927
Category : Language Arts & Disciplines
Languages : en
Pages : 193
Get Book Here
Book Description
He persuasively demonstrates that horror films are not merely a manifestation of the solitary, unconscious ′I′ or cultural abjection. . . . This well-crafted, insightful, and devilishly witty study brings horror out from under the psychoanalytic rock to let it scurry and bleed in the daylight of everyday life. The detailed endnotes are scintillating gems in and of themselves. --Choice "Terror and Everyday Life is an important, well-conceived, and well-executed work. Crane′s treatment of the topic is unusual; he clearly positions himself as a fan of the contemporary horror film. Consequently, there are moments that seem to revel in the disgusting details of murder and mayhem. However, this approach is appropriate; as Crane makes perfectly clear, this is what the genre is about, so to ignore it would be to misrepresent its effects and--for horror fans--its pleasures. This is a complex scholarly work, exceptionally original." --Charles R. Acland, Communication Department, The University of Calgary, Alberta, Canada How does horror in film relate to the horror we experience in everyday life? This is one of the key questions addressed in this new examination of the horror film genre. Terror and Everyday Life argues that today′s horror films have broken away from the genre′s tradition to embrace far more violent imagery, images that are in keeping with the escalating violence in our society. By examining the horror film, its history, and its current trends, Jonathan Lake Crane furthers our understanding of the genre′s meaning in today′s culture and our fascination with violence. An important supplement for courses in popular culture, media studies, and film; Terror and Everyday Life′s unique approach on the nature of horror in our society will also be of interest in a wide range of disciplines.
Author: Jonathan Lake Crane
Publisher: SAGE
ISBN: 9780803958494
Category : Language Arts & Disciplines
Languages : en
Pages : 196
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Book Description
How does the horror in film relate to the horror we experience in everyday life? This is one of the questions addressed in this examination of the genre of horror film. The author argues that horror films today have broken with the tradition of the genre to embrace far more violent imagery, images that are in keeping with the escalating violence in society. By examining the horror film, its history and its current trends, the author hopes to further our understanding of the meaning of the genre in today's culture and our fascination with violence.
Author: Leonard Wolf
Publisher:
ISBN: 9781557042149
Category : Horror
Languages : en
Pages : 0
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Book Description
This anthology of 41 gothic tales includes spine-tingling stories by Joyce Carol Oates, Ursula K. Le Guin, Roald Dahl, H.G. Wells, Jorge Luis Borges, Guy de Maupassant, Bram Stoker, Nathaniel Hawthorne, H.P. Lovecraft, and many others.
Author: Eric A Johnson
Publisher: Basic Books
ISBN: 0786722002
Category : History
Languages : en
Pages : 354
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Book Description
The horrors of the Nazi regime and the Holocaust still present some of the most disturbing questions in modern history: Why did Hitler's party appeal to millions of Germans, and how entrenched was anti-Semitism among the population? How could anyone claim, after the war, that the genocide of Europe's Jews was a secret? Did ordinary non-Jewish Germans live in fear of the Nazi state? In this unprecedented firsthand analysis of daily life as experienced in the Third Reich, What We Knew offers answers to these most important questions. Combining the expertise of Eric A. Johnson, an American historian, and Karl-Heinz Reuband, a German sociologist, What We Knew is the most startling oral history yet of everyday life in the Third Reich.
Author: Jonathan Lake Crane
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
This dissertation aims to locate the power and popularity of contemporary horror films in terms of a response to post-modernity. Present-day horror films only make sense, can only be enjoyed, when read as spectacularly excessive productions overtly concerned with the everyday experience of post-modernity. The body of research done on the horror film genre has been based on psycho-analytic/transcendental models which are inappropriate starting points, if the slasher film and others of its infamous ilk, are to be read as measures of change in everyday life. Consequently, after a brief overview detailing the nature of contemporary existence, the dissertation begins with a critique of transcendental/psycho-analytic approaches to understanding cinematic horror. Following the survey of alternatives to post-modern film reviewing, the dissertation offers readings of four classic films in horror history: Nosferatu (1921), Frankenstein (1931), Them! (1954), and Friday the 13th (1980). As everyday life changed and continues to be transformed, these readings demonstrate where and when the meaning and apprehension of horror also mutated. These texts also demonstrate where psycho-analytic/transcendental models of the audience member, fail to explain horror films fascination with events located outside the purview of psychic drives. The dissertation concludes with the argument that, as post-modernity and post-modernism define how we live and think, horror films offer a clear and bleak avenue to understanding everyday life.
Author: Blair Kamin
Publisher: University of Chicago Press
ISBN: 0226423123
Category : Architecture
Languages : en
Pages : 316
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Book Description
Collects the best of Kamin's writings for the Chicago Tribune from the past decade.
Author: Clay Routledge
Publisher: Academic Press
ISBN: 0128118458
Category : Psychology
Languages : en
Pages : 648
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Book Description
Handbook of Terror Management Theory provides an overview of Terror Management Theory (TMT), including critical research derived from the theory, recent research that has expanded and refined the theory, and the many ways the theory has been utilized to understand domains of human social life. The book uses TMT as a lens to help understand human relationships to nature, cultural worldviews, the self, time, the body, attachment, group identification, religion and faith, creativity, personal growth, and the brain. The first section reviews theoretical and methodological issues, the second focuses on basic research showing how TMT enhances our understanding of a wide range of phenomena, and the third section, Applications, uses TMT to solve a variety of real world problems across different disciplines and contexts, including health behavior, aging, psychopathology, terrorism, consumerism, the legal system, art and media, risk-taking, and communication theory. Examines the three critical hypotheses behind Terror Management Theory (TMT) Distinguishes proximal and distal responses to death-thoughts Provides a practical toolbox for conducting TMT research Covers the Terror Management Health Model Discusses the neuroscience of fear and anxiety Identifies how fear motivates consumer behavior Relates fear of death to psychopathologies
Author: Jac Jemc
Publisher: Macmillan + ORM
ISBN: 0374720428
Category : Fiction
Languages : en
Pages : 164
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Book Description
"Combines the otherworldliness of Jeff VanderMeer’s “Annihilation,” the menacing irony of Shirley Jackson and the cold feminist fury of Margaret Atwood" --The New York Times Book Review Named a Fall Read by The Boston Globe and the Chicago Tribune The mundane becomes sinister in a disquieting story collection from the author of The Grip of It In Jac Jemc’s dislocating second story collection, False Bingo, we watch as sinister forces—some supernatural, some of this earth, some real and some not—work their ways into the mundanity of everyday life. In “Strange Loop,” an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in “Delivery,” a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. “Don’t Let’s” finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts. Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. “This is not a morality tale about the goodness of one character triumphing over the bad of another,” the sadistic narrator of “Pastoral” announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231556152
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
Author: Andrew Strathern
Publisher: Pluto Press (UK)
ISBN:
Category : Political Science
Languages : en
Pages : 272
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Book Description
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