Teresa Margolles and the Aesthetics of Death PDF Download
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Author: Julia Banwell
Publisher: University of Wales Press
ISBN: 1783162503
Category : Art
Languages : en
Pages : 244
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Book Description
An extensive, in-depth study that takes in works from throughout the artist's career. The book will be useful for scholars of Margolles and of art history more generally. Margolles' work is situated within the contexts of the aesthetics and philosophy of death and their application to looking at art from inside and outside Mexico.
Author: Julia Banwell
Publisher: University of Wales Press
ISBN: 1783162511
Category : Art
Languages : en
Pages : 309
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Book Description
An extensive, in-depth study that takes in works from throughout the artist's career. The book will be useful for scholars of Margolles and of art history more generally. Margolles' work is situated within the contexts of the aesthetics and philosophy of death and their application to looking at art from inside and outside Mexico.
Author: Julia Banwell
Publisher: University of Wales Press
ISBN: 1783162503
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
An extensive, in-depth study that takes in works from throughout the artist's career. The book will be useful for scholars of Margolles and of art history more generally. Margolles' work is situated within the contexts of the aesthetics and philosophy of death and their application to looking at art from inside and outside Mexico.
Author: Christine Ross
Publisher: MIT Press
ISBN: 026204739X
Category : Art
Languages : en
Pages : 420
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Book Description
An exploration of how contemporary art reframes and humanizes migration, calling for coexistence—the recognition of the interdependence of beings. In Art for Coexistence, art historian Christine Ross examines contemporary art’s response to migration, showing that art invites us to abandon our preconceptions about the current “crisis”—to unlearn them—and to see migration more critically, more disobediently. We (viewers in Europe and North America) must come to see migration in terms of coexistence: the interdependence of beings. The artworks explored by Ross reveal, contest, rethink, delink, and relink more reciprocally the interdependencies shaping migration today—connecting citizens-on-the-move from some of the poorest countries and acknowledged citizens of some of the wealthiest countries and democracies worldwide. These installations, videos, virtual reality works, webcasts, sculptures, graffiti, paintings, photographs, and a rescue boat, by artists including Banksy, Ai Weiwei, Alejandro González Iñárritu, Laura Waddington, Tania Bruguera, and others, demonstrate art’s power to mediate experiences of migration. Ross argues that art invents a set of interconnected calls for more mutual forms of coexistence: to historicize, to become responsible, to empathize, and to story-tell. Art history, Ross tells us, must discard the legacy of imperialist museology—which dissocializes, dehistoricizes, and depoliticizes art. It must reinvent itself, engaging with political philosophy, postcolonial, decolonial, Black, and Indigenous studies, and critical refugee and migrant studies.
Author: Teresa Margolles
Publisher: Rm
ISBN: 9788492480661
Category : Education
Languages : en
Pages : 0
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Book Description
According to press reports, 2008 was the year that more bullets were fired in the recent history of Mexico. That same year, more than 5,000 people were killed in several episodes of violence and extrajudicial activity linked to drug trafficking and its repression. Teresa Margolles, who for nearly two decades has been concerned to explore the artistic possibilities of human remains, focused his participation in the Venice Biennale 2009 in a shipment conceptual, emotional and material evidence of the violence of the streets of Mexico the decadent luxury of the art world. What else could we talk?, Is much more than the documentation of the intervention Margolles in Venice. This book brings together multiple reflection (from the testimony, narrative, historical reflection and production) on a futile crusade against drugs and its pernicious effects. More than an art book is a volume that records the complex interference between violence, aesthetics and politics that emerged in Southern culture in the early twentieth century.
Author: Julia Skelly
Publisher: Bloomsbury Publishing
ISBN: 135012298X
Category : Design
Languages : en
Pages : 317
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Book Description
Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings.
Author: Arleen Ionescu
Publisher: Rowman & Littlefield
ISBN: 1786610981
Category : Social Science
Languages : en
Pages : 321
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Book Description
This book occurs at the intersection of philosophy, critical theory, psychoanalysis and the visual arts. Each chapter looks at art produced in various traumatogenic cultures: detention centres, post-Holocaust film, autobiography and many more.Other chapters look at the Juarez femicides, the production of collective memory, of makeshift memorials, acts of forgiveness and contemporary forms of trauma. The book proposes new ways of 'thinking trauma', foregrounding the possibility of healing and the task that the critical humanities has to play in this healing. Where is its place in an increasingly terror-haunted world, where personal and collective trauma is as much of an everyday occurrence as it is incomprehensible? What has become known as the 'classical model of trauma' has foregrounded the unrepresentability of the traumatic event. New, revisionist approaches seek to move beyond an aporetic understanding of trauma, investigating both intersubjective and intrasubjective psychic processes of healing. Traumatic memory is not always verbal and 'iconic' forms of communication are part of the arts of healing.
Author: Mara Polgovsky Ezcurra
Publisher: University of Texas Press
ISBN: 1477327622
Category : Art
Languages : en
Pages : 337
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Book Description
"In this edited volume, Polgovsky Ezcurra and her contributors look at the rise in the creation of community-focused art projects, from public cinema, to off-stage dance and theatre, and to the creation of anti-monuments that have redefined what public art is and how people have engaged with it within Mexico City in particular, as well as other regions of Mexico, since the 1980s. With a mixture of in-depth studies and artist dossiers, the manuscript is organized into five main sections: Historical Return, Infra-Political Art, the Infrastructures of Commoning, Forensic Publics, and Grassroots Memorials and Distributed Publics"--
Author: Lucy Bollington
Publisher: University Press of Florida
ISBN: 1683401778
Category : History
Languages : en
Pages : 325
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Book Description
This volume explores works from Latin American literary and visual culture that question what it means to be human and examine the ways humans and nonhumans shape one another. In doing so, it provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman. Contributors identify posthumanist themes across a range of different materials, including an anecdote about a plague of rabbits in Historia de las Indias by Spanish historian Bartolomé de las Casas, photography depicting desert landscapes at the site of Brazil’s War of Canudos, and digital and installation art portraying victims of state-sponsored and drug violence in Colombia and Mexico. The essays illuminate how these cultural texts broach the limits between life and death, human and animal, technology and the body, and people and the environment. They also show that these works use the category of the human to address issues related to race, gender, inequality, necropolitics, human rights, and the role of the environment. Latin American Culture and the Limits of the Human demonstrates that by focusing on the boundary between the human and nonhuman, writers, artists, and scholars can open up new dimensions to debates about identity and difference, the local and the global, and colonialism and power. Contributors: Natalia Aguilar Vásquez | Emily Baker | Lucy Bollington | Liliana Chávez Díaz | Carlos Fonseca | Niall H.D. Geraghty | Edward King | Rebecca Kosick | Nicole Delia Legnani | Paul Merchant | Joanna Page | Joey Whitfield
Author: Joan Marter
Publisher: Yale University Press
ISBN: 0300208421
Category : Art
Languages : en
Pages : 217
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Book Description
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Author: Leah Modigliani
Publisher: Taylor & Francis
ISBN: 100092436X
Category : Science
Languages : en
Pages : 191
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Book Description
Through analyses of public artworks that have taken the form of blockades and barricades since the 1990s, this book theorises artists’ responses to global inequities as cultural manifestations of counter-revanchism in diverse urban centres. This book is the first to analyse artworks as forms of counter-revanchism in the context of the rise of the global city. How do artists channel the global spatial conflicts of the 21st century through their behaviours, actions, and constructions in and on the actually existing conditions of the street? What does it mean for artists—the very symbol of freedom of personal expression—to shut down space? To refuse entry? To block others’ passage? The late critical geographer Neil Smith’s influential writing on the revanchist city is used as a theoretical frame for understanding how contemporary artists engender the public sphere through their work in public urban spaces. Each chapter is a case study that analyses artworks that have taken the form of walls and barricades in China, USA, UK, Ukraine, and Mexico. In doing so, the author draws upon diverse fields including art history, geography, philosophy, political science, theatre studies, and urban studies to situate the art in a broader context of the humanities with the aim of modelling interdisciplinary research grounded in an ethics of solidarity with global social justice work. Collectively these case studies reveal how artists’ local responses to urban revanchism since the end of the Cold War are productive reorientations of social relations and harbingers of worlds to come. By using plain language and avoiding excessive academic jargon, the book is accessible to a wide variety of readers. It will appeal to scholars and graduate students in the fields of studio art, modern and contemporary art history, performance studies, visual culture, and visual studies; especially in relation to those interested in conceptual practices, performance art, site-specificity, public art, political activism, and socially engaged art. Cultural geographers and urban theorists interested in the social and political ramifications of temporary and everyday urbanism will also find the analysis of artworks relevant to their own studies.
