Author: Claudia Hopkins
Publisher: Routledge
ISBN: 1000061698
Category : Art
Languages : en
Pages : 836
Book Description
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990
Author: Claudia Hopkins
Publisher: Routledge
ISBN: 1000061698
Category : Art
Languages : en
Pages : 836
Book Description
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.
Publisher: Routledge
ISBN: 1000061698
Category : Art
Languages : en
Pages : 836
Book Description
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.
Hans Hartung
Author: Hans Hartung
Publisher: Metropolitan Museum of Art
ISBN: 0870991450
Category : Artists
Languages : en
Pages : 88
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870991450
Category : Artists
Languages : en
Pages : 88
Book Description
Europa de postguerra, 1945-1965
Author: Fundació "La Caixa" (Barcelona, Spain)
Publisher:
ISBN:
Category : Art, European
Languages : es
Pages : 566
Book Description
Kunst i efterkrigstidens Europa 1945-1965
Publisher:
ISBN:
Category : Art, European
Languages : es
Pages : 566
Book Description
Kunst i efterkrigstidens Europa 1945-1965
World Collectors Annuary
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 672
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 672
Book Description
Gerardo Rueda's poetics and tradition in modern art
Author: Gerardo Rueda
Publisher:
ISBN:
Category : Art, Modern
Languages : es
Pages : 302
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : es
Pages : 302
Book Description
Desde Sala Mateu
Author: José Mateu
Publisher: Consell Valencia de Cultura
ISBN:
Category : Art, Modern
Languages : es
Pages : 672
Book Description
Publisher: Consell Valencia de Cultura
ISBN:
Category : Art, Modern
Languages : es
Pages : 672
Book Description
La pintura valenciana des de la postguerra fins al Grup Parpalló (1939 - 1956)
Author: Sala Parpalló
Publisher:
ISBN:
Category : Painting, Spanish
Languages : ca
Pages : 376
Book Description
Publisher:
ISBN:
Category : Painting, Spanish
Languages : ca
Pages : 376
Book Description
Soulages
Author: Pierre Soulages
Publisher:
ISBN:
Category : Painting
Languages : un
Pages : 36
Book Description
Publisher:
ISBN:
Category : Painting
Languages : un
Pages : 36
Book Description
Avant-Garde, Internationalism, and Politics
Author: Andrea Giunta
Publisher: Duke University Press
ISBN: 082238969X
Category : Art
Languages : en
Pages : 445
Book Description
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
Publisher: Duke University Press
ISBN: 082238969X
Category : Art
Languages : en
Pages : 445
Book Description
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
Josef Albers: To Open Eyes
Author: Frederick A. Horowitz
Publisher: Phaidon Press
ISBN: 9780714849652
Category : Art
Languages : en
Pages : 0
Book Description
A fascinating study of the revolutionary painter and teacher, Josef Albers.
Publisher: Phaidon Press
ISBN: 9780714849652
Category : Art
Languages : en
Pages : 0
Book Description
A fascinating study of the revolutionary painter and teacher, Josef Albers.