Ten Canzonets for a single Voice, with an accompaniment for the harp or piano forte. The words chiefly by Richard Cumberland, etc

Ten Canzonets for a single Voice, with an accompaniment for the harp or piano forte. The words chiefly by Richard Cumberland, etc PDF Author: Mrs. William Cumberland
Publisher:
ISBN:
Category :
Languages : en
Pages : 26

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Ten Canzonets for a single Voice, with an accompaniment for the harp or piano forte. The words chiefly by Richard Cumberland, etc

Ten Canzonets for a single Voice, with an accompaniment for the harp or piano forte. The words chiefly by Richard Cumberland, etc PDF Author: Mrs. William Cumberland
Publisher:
ISBN:
Category :
Languages : en
Pages : 26

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Book Description


Ten Canzonets

Ten Canzonets PDF Author: William Cumberland
Publisher:
ISBN:
Category :
Languages : en
Pages : 24

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The Catalogue of Printed Music in the British Library to 1980

The Catalogue of Printed Music in the British Library to 1980 PDF Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 388

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The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Engaging Haydn

Engaging Haydn PDF Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 1107015146
Category : Literary Criticism
Languages : en
Pages : 363

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Book Description
Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.

Cyclopedia of Music & Musicians

Cyclopedia of Music & Musicians PDF Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508

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The Bible in Music

The Bible in Music PDF Author: Siobhán Dowling Long
Publisher: Rowman & Littlefield
ISBN: 0810884526
Category : Music
Languages : en
Pages : 373

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Book Description
There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.

A History of Advertising from the Earliest Times

A History of Advertising from the Earliest Times PDF Author: Henry Sampson
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 688

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Naaman-Zwillingsbrüder

Naaman-Zwillingsbrüder PDF Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648

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Mendelssohn, Time and Memory

Mendelssohn, Time and Memory PDF Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1139501364
Category : Music
Languages : en
Pages : 315

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Book Description
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.