Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 224
Book Description
9th Circuit Update
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 224
Book Description
Tempesta's Dream
Author: Vincent B. LoCoco
Publisher:
ISBN: 9780972882408
Category : Fiction
Languages : en
Pages : 272
Book Description
Tempesta's Dream is the story of an aspiring opera singer coming of age in Milan; a tender and moving love story; a testament to the bonds of friendship; and at its core, a tribute to the beauty, majesty and miracle of opera.
Publisher:
ISBN: 9780972882408
Category : Fiction
Languages : en
Pages : 272
Book Description
Tempesta's Dream is the story of an aspiring opera singer coming of age in Milan; a tender and moving love story; a testament to the bonds of friendship; and at its core, a tribute to the beauty, majesty and miracle of opera.
Tempesta
Author: Clive McClelland
Publisher: Lexington Books
ISBN: 1498568025
Category : Music
Languages : en
Pages : 257
Book Description
Tempesta is a term coined in this book applying to music that exhibits agitated or violent characteristics in order to evoke terror and chaos, involving ideas like rapid scale passages, driving rhythmic figurations, strong accents, full textures, and robust instrumentation including prominent brass and timpani. Music of this type was used for storm scenes, which in operas of the 17th and 18th centuries are almost invariably of supernatural origin, and other frightening experiences such as pursuit, madness, and rage. This ‘stormy’ music formed the ingredients of a particular style in the later 18th century that scholars in recent decades have referred to as Sturm und Drang, implying a relationship to German literature which I believe is unhelpful and misleading. Haydn’s so-called Sturm und Drang symphonies exhibit characteristics that are no different to his depictions of storms in his operas and sacred music, and there is no evidence of Haydn suffering some kind of personal crisis, or even of him responding to the ‘spirit of the age’. He was simply exploring the expressive possibilities of the style for dramatic/rhetorical effect. Scholars have been dissatisfied with the term for some time, but no-one has previously suggested an alternative. The term tempesta therefore applies to all manifestations of this kind of music, a label that acknowledges the ‘stormy’ origins of the style, but which also recognizes that it functions as a counterpart to ombra. Tempesta contributed enormously to the continued popularity of operas on supernatural subjects, and quickly migrated towards sacred music and even instrumental music, where it became part of the topical discourse. The music does not merely represent the supernatural, it instills an emotional response in the listener. Awe and terror had already been identified as sources of the sublime, notably by Edmund Burke (predating the German literary Sturm und Drang), and the latter half of the century saw the rise of Gothic literature. The supernatural remained popular in theaters and opera houses, and special music that could produce an emotional response of such magnitude was a powerful tool in the composer’s expressive armory.
Publisher: Lexington Books
ISBN: 1498568025
Category : Music
Languages : en
Pages : 257
Book Description
Tempesta is a term coined in this book applying to music that exhibits agitated or violent characteristics in order to evoke terror and chaos, involving ideas like rapid scale passages, driving rhythmic figurations, strong accents, full textures, and robust instrumentation including prominent brass and timpani. Music of this type was used for storm scenes, which in operas of the 17th and 18th centuries are almost invariably of supernatural origin, and other frightening experiences such as pursuit, madness, and rage. This ‘stormy’ music formed the ingredients of a particular style in the later 18th century that scholars in recent decades have referred to as Sturm und Drang, implying a relationship to German literature which I believe is unhelpful and misleading. Haydn’s so-called Sturm und Drang symphonies exhibit characteristics that are no different to his depictions of storms in his operas and sacred music, and there is no evidence of Haydn suffering some kind of personal crisis, or even of him responding to the ‘spirit of the age’. He was simply exploring the expressive possibilities of the style for dramatic/rhetorical effect. Scholars have been dissatisfied with the term for some time, but no-one has previously suggested an alternative. The term tempesta therefore applies to all manifestations of this kind of music, a label that acknowledges the ‘stormy’ origins of the style, but which also recognizes that it functions as a counterpart to ombra. Tempesta contributed enormously to the continued popularity of operas on supernatural subjects, and quickly migrated towards sacred music and even instrumental music, where it became part of the topical discourse. The music does not merely represent the supernatural, it instills an emotional response in the listener. Awe and terror had already been identified as sources of the sublime, notably by Edmund Burke (predating the German literary Sturm und Drang), and the latter half of the century saw the rise of Gothic literature. The supernatural remained popular in theaters and opera houses, and special music that could produce an emotional response of such magnitude was a powerful tool in the composer’s expressive armory.
La Tempesta's X-ray
Author: Tom Lowenstein
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 26
Book Description
Biography
Author: Charles Knight
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 532
Book Description
Reports of the United States Tax Court
Author: United States. Tax Court
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 550
Book Description
Reports of the Tax Court of the United States
Author: United States. Tax Court
Publisher:
ISBN:
Category : Taxation
Languages : en
Pages : 560
Book Description
Publisher:
ISBN:
Category : Taxation
Languages : en
Pages : 560
Book Description
The English Cyclopædia
Author: Charles Knight
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 532
Book Description
Dinosaurs
Author: Anna Casalis
Publisher:
ISBN: 9780689851308
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
This lift-the-flap book allows readers to see lifelike dinosaurs from all eras eating, drinking, hatching, swimming, and flying. Full-color illustrations.
Publisher:
ISBN: 9780689851308
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
This lift-the-flap book allows readers to see lifelike dinosaurs from all eras eating, drinking, hatching, swimming, and flying. Full-color illustrations.
Giorgione's Tempest
Author: Salvatore Settis
Publisher: University of Chicago Press
ISBN: 9780226748948
Category : Art
Languages : en
Pages : 214
Book Description
The Tempest is Giorgione's most enigmatic painting. It is a depiction of Giorgione's own family, of the "family of man" tale from Boccaccio, or of the myth of Apollo's birth? In this remarkable study, Salvatore Settis uses the mystery of the painting to shed light on the relationship between artist, patron, work, and critic. The result is a brilliant piece of detective work in the history and sociology of culture that stresses the function of Giorgione's art for the emerging, classically educated connoisseur elite of sixteenth-century Venice.
Publisher: University of Chicago Press
ISBN: 9780226748948
Category : Art
Languages : en
Pages : 214
Book Description
The Tempest is Giorgione's most enigmatic painting. It is a depiction of Giorgione's own family, of the "family of man" tale from Boccaccio, or of the myth of Apollo's birth? In this remarkable study, Salvatore Settis uses the mystery of the painting to shed light on the relationship between artist, patron, work, and critic. The result is a brilliant piece of detective work in the history and sociology of culture that stresses the function of Giorgione's art for the emerging, classically educated connoisseur elite of sixteenth-century Venice.