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Author: V. A. Kolve
Publisher: Stanford University Press
ISBN: 0804755833
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Telling Images is a study of Chaucer's narrative art and its use of symbolic images in the visual arts of his time.
Author: V. A. Kolve
Publisher: Stanford University Press
ISBN: 0804755833
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Telling Images is a study of Chaucer's narrative art and its use of symbolic images in the visual arts of his time.
Author: Shane McCausland
Publisher: Editions Scala
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Each of the 35 narrative and figure paintings selected from the Shanghai Museum and featured in this exquisite book, retell a story from Chinese legend, folklore or history. Album leaf, fan, handscroll and hanging-scroll paintings demonstrate the dynamic
Author: Shane McCausland
Publisher: Hong Kong University Press
ISBN: 9888139436
Category : Art
Languages : en
Pages : 385
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Book Description
The essays in this volume address a diverse range of issues in China’s narrative art and visual culture mainly from the Ming dynasty (1368–1644) to the present. These studies attend to the complex ways in which images circulate in pictorial media and across boundaries between ‘high art’ and popular culture—images in paintings, prints, stone engravings and posters, as well as in film and video art. In addition, the authors examine the roles of ancient exemplary stories and textual narratives, as well as their reiteration in the visual arts in early modern and modern social and political contexts. The volume is divided into three sections: Representing Paradigms, Interpreting Literary Themes and Narratives, and the Medium and Modernity. While the essays in each section deal with concerns in the field of China’s art history, an editors’ introduction serves to position the topic of narrative art and to introduce definitions and genre issues which run through the book. As a whole, the volume invites reflection on the intrinsic nature of narratives and their pictorial lives, and presents new research which challenges established views and paradigms.
Author: Lois Farfel Stark
Publisher: Greenleaf Book Group
ISBN: 1626344728
Category : Art
Languages : en
Pages : 202
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Book Description
Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.
Author: Leonard S. Marcus
Publisher: Dutton Juvenile
ISBN: 9780525464907
Category : Authors
Languages : en
Pages : 0
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Book Description
A collection of interviews with fourteen artists and writers of picture books who, regardless of their country of origin, have had a major impact in the United States.
Author: V. A. Kolve
Publisher: Stanford University Press
ISBN: 9780804713498
Category : Poetry
Languages : en
Pages : 572
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Book Description
A Stanford University Press classic.
Author: Duncan Davies
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 218
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Book Description
Profound changes are taking place in our society as our methods of communication come to depend more on pictures and images and less on words and numbers. These changes affect a wide range of fields, including science and technology, commerce and industry, medicine, education, and the media. Many commonplace activities have also been affected, from shopping and travelling to leisure and entertainment. This highly readable volume brings together the most current information on the history and impact of information technology. It explains the importance of sight and sound in human communication, the role of pictures and words, and the changes brought about by the advent of digital computers and television. The book goes on to examine the evolving forms of communication in education, science, engineering and the practice of medicine. This work will interest professionals in many disciplines along with teachers, administrators, policymakers, media workers, and all those concerned with the future of the electronic revolution.
Author: Anne Powling
Publisher: Oxford University Press, USA
ISBN: 9780198311928
Category : Juvenile Nonfiction
Languages : en
Pages : 164
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Book Description
Designed to cover the requirements of the National Curriculum, this book's features include a flexible resource for teaching the National curriculum, an integrated approach to language study at all stages, a range of authors, poets, and playwrights from different centuries and cultures. Activities help develop individual and group study skills.
Author: Ari J. Blatt
Publisher: U of Nebraska Press
ISBN: 0803238053
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The explosive proliferation of pictures in advertising and pop culture, mass media, and cyberspace following World War II, along with the profusion of critical thinking that tries to make sense of it, has had wide-ranging implications for cultural production as such. Pictures into Words explores how this proliferation of graphic images has profoundly affected narrative writing in France, especially, as Ari J. Blatt argues, the structure, content, and symbolic logic of contemporary French fiction. By examining a specific corpus of narratives by authors Claude Simon, Georges Perec, Pierre Michon, and Tanguy Viel—books that originate amid, conjure up, and indeed are essentially about pictures—Blatt addresses the most salient questions pertaining to the relationship between literature and visual culture today. Each of the novels considered here engages the work of several postwar artists, from Robert Rauschenberg, Andy Warhol, Vincent van Gogh, and Orson Welles to Jeff Koons, Joseph L. Mankiewicz, Pierre Huyghe, and Marcel Duchamp. As Blatt’s cross-disciplinary readings show, despite their gleeful raiding of the visual archive to generate and enrich their stories, many contemporary narratives that tell tales about pictures simultaneously express a cautious skepticism toward vision and visual representation. Pictures into Words examines how such novels, while seemingly complicit with the visual, simultaneously “write back” against the images they exploit, reclaiming some of literature’s lost ground in our visually inundated world.
Author: Lisa Trever
Publisher: University of Texas Press
ISBN: 1477324291
Category : Art
Languages : en
Pages : 241
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Book Description
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.
