Author: Debra Benita Shaw
Publisher: Berg
ISBN: 1847886191
Category : Social Science
Languages : en
Pages : 226
Book Description
We live in a world where science and technology shape the global economy and everyday culture, where new biotechnologies are changing what we eat and how we can reproduce, and where email, mobiles and the internet have revolutionised the ways we communicate with each other and engage with the world outside us.Technoculture: The Key Concepts explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body. Throughout, the lively discussion of ideas is illustrated with provocative case studies - from biotech foods to life-support systems, from the Walkman and iPod to sex and cloning, from video games to military hardware. Designed to be both provocative and instructive, Technoculture: The Key Concepts outlines the place of science and technology in today's culture.
Technoculture
Author: Debra Benita Shaw
Publisher: Berg
ISBN: 1847886191
Category : Social Science
Languages : en
Pages : 226
Book Description
We live in a world where science and technology shape the global economy and everyday culture, where new biotechnologies are changing what we eat and how we can reproduce, and where email, mobiles and the internet have revolutionised the ways we communicate with each other and engage with the world outside us.Technoculture: The Key Concepts explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body. Throughout, the lively discussion of ideas is illustrated with provocative case studies - from biotech foods to life-support systems, from the Walkman and iPod to sex and cloning, from video games to military hardware. Designed to be both provocative and instructive, Technoculture: The Key Concepts outlines the place of science and technology in today's culture.
Publisher: Berg
ISBN: 1847886191
Category : Social Science
Languages : en
Pages : 226
Book Description
We live in a world where science and technology shape the global economy and everyday culture, where new biotechnologies are changing what we eat and how we can reproduce, and where email, mobiles and the internet have revolutionised the ways we communicate with each other and engage with the world outside us.Technoculture: The Key Concepts explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body. Throughout, the lively discussion of ideas is illustrated with provocative case studies - from biotech foods to life-support systems, from the Walkman and iPod to sex and cloning, from video games to military hardware. Designed to be both provocative and instructive, Technoculture: The Key Concepts outlines the place of science and technology in today's culture.
Technoculture
Author: Constance Penley
Publisher: U of Minnesota Press
ISBN: 0816619301
Category : Social Science
Languages : en
Pages : 347
Book Description
Case studies of groups including high-tech office workers, Star trek fans, Japanese technoporn producers, teenage hackers, AIDS activists, rap groups, and rock stars yield insights about the production and management of repressive technocultures, as well as new possibilities for the encouragement of technoliteracy, a requirement for the democratization of social communication. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: U of Minnesota Press
ISBN: 0816619301
Category : Social Science
Languages : en
Pages : 347
Book Description
Case studies of groups including high-tech office workers, Star trek fans, Japanese technoporn producers, teenage hackers, AIDS activists, rap groups, and rock stars yield insights about the production and management of repressive technocultures, as well as new possibilities for the encouragement of technoliteracy, a requirement for the democratization of social communication. Annotation copyrighted by Book News, Inc., Portland, OR
Technoculture
Author: Debra Benita Shaw
Publisher: Berg
ISBN: 1845202988
Category : Social Science
Languages : en
Pages : 218
Book Description
Explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body.
Publisher: Berg
ISBN: 1845202988
Category : Social Science
Languages : en
Pages : 218
Book Description
Explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body.
Times of the Technoculture
Author: Kevin Robins
Publisher: Routledge
ISBN: 1134719787
Category : Art
Languages : en
Pages : 324
Book Description
Times of the Technoculture explores the social and cultural impact of new technologies, tracing the origins of the information society from the coming of the machine with the industrial revolution to the development of mass production techniques in the early twentieth century. The authors look at how the military has controlled the development of the information society, and consider the centrality of education in government attempts to create a knowledge society. Engaging in contemporary debates surrounding the internet, Robins and Webster question whether it can really offer us a new world of virtual communities, and suggest more radical alternatives to the corporate agenda of contemporary technologies.
Publisher: Routledge
ISBN: 1134719787
Category : Art
Languages : en
Pages : 324
Book Description
Times of the Technoculture explores the social and cultural impact of new technologies, tracing the origins of the information society from the coming of the machine with the industrial revolution to the development of mass production techniques in the early twentieth century. The authors look at how the military has controlled the development of the information society, and consider the centrality of education in government attempts to create a knowledge society. Engaging in contemporary debates surrounding the internet, Robins and Webster question whether it can really offer us a new world of virtual communities, and suggest more radical alternatives to the corporate agenda of contemporary technologies.
Distributed Blackness
Author: André Brock, Jr.
Publisher: NYU Press
ISBN: 1479847224
Category : Social Science
Languages : en
Pages : 282
Book Description
Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.
Publisher: NYU Press
ISBN: 1479847224
Category : Social Science
Languages : en
Pages : 282
Book Description
Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.
Music and Technoculture
Author: René T. A. Lysloff
Publisher: Wesleyan University Press
ISBN: 0819574414
Category : Music
Languages : en
Pages : 417
Book Description
Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, René T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Théberge, Melissa West, Deborah Wong. Ebook Edition Note: Four of the 26 illustrations, and the cover illustration, have been redacted.
Publisher: Wesleyan University Press
ISBN: 0819574414
Category : Music
Languages : en
Pages : 417
Book Description
Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, René T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Théberge, Melissa West, Deborah Wong. Ebook Edition Note: Four of the 26 illustrations, and the cover illustration, have been redacted.
Electronic Media and Technoculture
Author: John Thornton Caldwell
Publisher: Rutgers University Press
ISBN: 9780813527345
Category : Computers
Languages : en
Pages : 348
Book Description
Never before has the future been so systematically envisioned, aggressively analyzed, and grandly theorized as in the present rush to cyberspace and digitalization. In the mid-twentieth century, questions about media technologies and society first emerged as scholarly hand-wringing about the deleterious sweep of electronic media and information technologies in mass culture. Now, questions about new technologies and their social and cultural impact are no longer limited to intellectual soothsayers in the academy but are pervasive parts of day-to-day discourses in newspapers, magazines, television, and film. Electronic Media and Technoculture anchors contemporary discussion of the digital future within a critical tradition about the media arts, society, and culture. The collection examines a range of phenomena, from boutique cyber-practices to the growing ubiquity of e-commerce and the internet. The essays chart a critical field in media studies, providing a historical perspective on theories of new media. The contributors place discussions of producing technologies in dialogue with consuming technologies, new media in relation to old media, and argue that digital media should not be restricted to the constraining public discourses of either the computer, broadcast, motion-picture, or internet industries. The collection charts a range of theoretical positions to assist readers interested in new media and to enable them to weather the cycles of hardware obsolescence and theoretical volatility that characterize the present rush toward digital technologies. Contributors include Ien Ang, John Caldwell, Cynthia Cockburn, Helen Cunningham, Hans Magnus Enzensberger, Guillermo G=mez-Pe±a, Arthur Kroker, Bill Nichols, Andrew Ross, Ellen Seiter, Vivian Sobchack, AllucquFre Rosanne Stone, Ravi Sundaram, Michael A. Weinstein, Raymond Williams, and Brian Winston. John Thornton Caldwell is chair of the film and television department at the University of California at Los Angeles. He is a filmmaker and media artist and author of Televisuality: Style, Crisis, and Authority in American Television (also from Rutgers University Press).
Publisher: Rutgers University Press
ISBN: 9780813527345
Category : Computers
Languages : en
Pages : 348
Book Description
Never before has the future been so systematically envisioned, aggressively analyzed, and grandly theorized as in the present rush to cyberspace and digitalization. In the mid-twentieth century, questions about media technologies and society first emerged as scholarly hand-wringing about the deleterious sweep of electronic media and information technologies in mass culture. Now, questions about new technologies and their social and cultural impact are no longer limited to intellectual soothsayers in the academy but are pervasive parts of day-to-day discourses in newspapers, magazines, television, and film. Electronic Media and Technoculture anchors contemporary discussion of the digital future within a critical tradition about the media arts, society, and culture. The collection examines a range of phenomena, from boutique cyber-practices to the growing ubiquity of e-commerce and the internet. The essays chart a critical field in media studies, providing a historical perspective on theories of new media. The contributors place discussions of producing technologies in dialogue with consuming technologies, new media in relation to old media, and argue that digital media should not be restricted to the constraining public discourses of either the computer, broadcast, motion-picture, or internet industries. The collection charts a range of theoretical positions to assist readers interested in new media and to enable them to weather the cycles of hardware obsolescence and theoretical volatility that characterize the present rush toward digital technologies. Contributors include Ien Ang, John Caldwell, Cynthia Cockburn, Helen Cunningham, Hans Magnus Enzensberger, Guillermo G=mez-Pe±a, Arthur Kroker, Bill Nichols, Andrew Ross, Ellen Seiter, Vivian Sobchack, AllucquFre Rosanne Stone, Ravi Sundaram, Michael A. Weinstein, Raymond Williams, and Brian Winston. John Thornton Caldwell is chair of the film and television department at the University of California at Los Angeles. He is a filmmaker and media artist and author of Televisuality: Style, Crisis, and Authority in American Television (also from Rutgers University Press).
Technoculture and Critical Theory
Author: Simon Cooper
Publisher: Routledge
ISBN: 1134506910
Category : Social Science
Languages : en
Pages : 191
Book Description
The author explores the work of major thinkers and cultural movements that have grappled with the complex relationship between technology, politics and culture. Subjects such as the Internet, cloning, warfare, fascism and Virtual Reality are placed within a broad theoretical context which explores how humanity might, through technology, establish a more ethical relationship with the world. Examining the philosophy of writers such as Heidegger, Benjamin, Lyotard, Virilio, and Zizek, and cultural movements such as Italian Futurism, this book marks a timely intervention in critical theory debates. The broad scope of the book will be of vital interest to those in the fields of philosophy, critical theory, cultural studies, politics and communications.
Publisher: Routledge
ISBN: 1134506910
Category : Social Science
Languages : en
Pages : 191
Book Description
The author explores the work of major thinkers and cultural movements that have grappled with the complex relationship between technology, politics and culture. Subjects such as the Internet, cloning, warfare, fascism and Virtual Reality are placed within a broad theoretical context which explores how humanity might, through technology, establish a more ethical relationship with the world. Examining the philosophy of writers such as Heidegger, Benjamin, Lyotard, Virilio, and Zizek, and cultural movements such as Italian Futurism, this book marks a timely intervention in critical theory debates. The broad scope of the book will be of vital interest to those in the fields of philosophy, critical theory, cultural studies, politics and communications.
Technoculture and Critical Theory
Author: Simon Cooper
Publisher: Routledge
ISBN: 1134506902
Category : Social Science
Languages : en
Pages : 357
Book Description
The author explores the work of major thinkers and cultural movements that have grappled with the complex relationship between technology, politics and culture. Subjects such as the Internet, cloning, warfare, fascism and Virtual Reality are placed within a broad theoretical context which explores how humanity might, through technology, establish a more ethical relationship with the world. Examining the philosophy of writers such as Heidegger, Benjamin, Lyotard, Virilio, and Zizek, and cultural movements such as Italian Futurism, this book marks a timely intervention in critical theory debates. The broad scope of the book will be of vital interest to those in the fields of philosophy, critical theory, cultural studies, politics and communications.
Publisher: Routledge
ISBN: 1134506902
Category : Social Science
Languages : en
Pages : 357
Book Description
The author explores the work of major thinkers and cultural movements that have grappled with the complex relationship between technology, politics and culture. Subjects such as the Internet, cloning, warfare, fascism and Virtual Reality are placed within a broad theoretical context which explores how humanity might, through technology, establish a more ethical relationship with the world. Examining the philosophy of writers such as Heidegger, Benjamin, Lyotard, Virilio, and Zizek, and cultural movements such as Italian Futurism, this book marks a timely intervention in critical theory debates. The broad scope of the book will be of vital interest to those in the fields of philosophy, critical theory, cultural studies, politics and communications.
Representations of Technoculture in Don DeLillo’s Novels
Author: Laila Sougri
Publisher: Taylor & Francis
ISBN: 1000928853
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
This book is the first to explore technoculture in all of Don DeLillo’s novels. From Americana (1971) to The Silence (2020), the American author anatomizes the constantly changing relationship between culture and technology in overt and layered aspects of the characters’ experiences. Through a tendency to discover and rediscover technocultural modes of appearance, DeLillo emphasizes settings wherein technological progress is implicated in cultural imperatives. This study brings forth representations of such implication/interaction through various themes, particularly perception, history, reality, space/architecture, information, and the posthuman. The chapters are based on a thematic structure that weaves DeLillo’s novels with the rich literary criticism produced on the author, and with the various theoretical frameworks of technoculture. This leads to the formulation and elaboration on numerous objects of research extracted from DeLillo's novels, namely: the theorization of DeLillo’s "radiance in dailiness," the investigation of various uses of technology as an extension, the role of image technologies in redefining history, the reconceptualization of the ethical and behavioral aspects of reality, the development of tele-visual and embodied perceptions in various technocultural spaces, and the involvement of information technologies in reconstructing the beliefs, behaviors, and activities of the posthuman. One of the main aims of the study is to show how DeLillo’s novels bring to light the constant transformation of technocultural everydayness. It is argued that though such transformation is confusing or resisted at times, it points to a transitional mode of being. This transitional state does not dehumanize DeLillo’s characters; it reveals their humanity in a continually changing world.
Publisher: Taylor & Francis
ISBN: 1000928853
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
This book is the first to explore technoculture in all of Don DeLillo’s novels. From Americana (1971) to The Silence (2020), the American author anatomizes the constantly changing relationship between culture and technology in overt and layered aspects of the characters’ experiences. Through a tendency to discover and rediscover technocultural modes of appearance, DeLillo emphasizes settings wherein technological progress is implicated in cultural imperatives. This study brings forth representations of such implication/interaction through various themes, particularly perception, history, reality, space/architecture, information, and the posthuman. The chapters are based on a thematic structure that weaves DeLillo’s novels with the rich literary criticism produced on the author, and with the various theoretical frameworks of technoculture. This leads to the formulation and elaboration on numerous objects of research extracted from DeLillo's novels, namely: the theorization of DeLillo’s "radiance in dailiness," the investigation of various uses of technology as an extension, the role of image technologies in redefining history, the reconceptualization of the ethical and behavioral aspects of reality, the development of tele-visual and embodied perceptions in various technocultural spaces, and the involvement of information technologies in reconstructing the beliefs, behaviors, and activities of the posthuman. One of the main aims of the study is to show how DeLillo’s novels bring to light the constant transformation of technocultural everydayness. It is argued that though such transformation is confusing or resisted at times, it points to a transitional mode of being. This transitional state does not dehumanize DeLillo’s characters; it reveals their humanity in a continually changing world.