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Author: Frederic Field Bullard
Publisher:
ISBN:
Category : Fraternity songs
Languages : en
Pages : 144
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Author: Frederic Field Bullard
Publisher:
ISBN:
Category : Fraternity songs
Languages : en
Pages : 144
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Book Description
Author: Frederic Field Bullard
Publisher:
ISBN:
Category : Students' songs
Languages : en
Pages : 132
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Book Description
Author:
Publisher:
ISBN:
Category : Technology
Languages : en
Pages : 762
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Author: Rhinegold Publishing Limited
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226752
Category :
Languages : en
Pages : 144
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Author: Ola Johansson
Publisher: Springer Nature
ISBN: 9811527369
Category : Social Science
Languages : en
Pages : 184
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Book Description
Songs from Sweden shows how Swedish songwriters and producers are the creative forces behind much of today’s international pop music. As Ola Johansson reveals, the roots of this “music miracle” can be found in Sweden’s culture, economy, and thriving music industry, concentrated in Stockholm. While Swedish writer-producers developed early global recognition for making commercially successful pop music, new Swedish writer-producers have continuously emerged during the last two decades. Global artists travel to Stockholm to negotiate, record, and co-write songs. At the same time, Swedish writer-producers are part of a global collaborative network that spans the world. In addition to concrete commercial accomplishments, the Swedish success is also a result of the acquisition of reputational capital gained through positive associations that the global music industry holds about Swedish music. Ultimately, pop songs from Sweden exhibit a form of cultural hybridity, drawing from both local and global cultural expressions.
Author: Nick Prior
Publisher: SAGE
ISBN: 1473934168
Category : Social Science
Languages : en
Pages : 230
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Book Description
From shifts in format, through the effects on circulation and ownership, to the rise of digitally-produced genres, the ways we create, share and listen to music have changed fundamentally. In Popular Music, Digital Technology and Society, Nick Prior explores the social, cultural and industrial contexts in which these shifts have taken place. Both accessible and authoritative, the book: Clarifies key concepts such as assemblage, affordance, mediation and musicking and defines new concepts such as playsumption and digital vocalities Considers the impact of music production technologies such as MIDI, sampling, personal computing and smartphone apps Looks at the ways in which the internet shapes musical consumption, from viral marketing to streaming services Examines the effects of mobile audio devices on everyday social interactions Opens up new ways to think and write about the personal experience of making and performing digital music This book is an invaluable resource for anyone who wants to understand the place of popular music in contemporary culture and society. It will be fascinating reading for students and researchers across media and communication studies, sociology, cultural studies and the creative industries.
Author: Worcester Polytechnic Institute
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
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Author: Laurie Pasiuk
Publisher: Vault Inc.
ISBN: 158131339X
Category : High technology industries
Languages : en
Pages : 256
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Book Description
Provides business profiles, hiring and workplace culture information at more than 40 top employers including such businesses as Microsoft.
Author: Timothy D. Taylor
Publisher: University of Chicago Press
ISBN: 022631202X
Category : Music
Languages : en
Pages : 236
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Book Description
Timothy D. Taylor “deeply reveals the social organization of capitalism and its profound impact on music” (Jocelyne Guilbault, author of Governing Sound). iTunes. Spotify. Pandora. With these brief words one can map the landscape of music today, but these aren’t musicians, songs, or anything else actually musical—they are products and brands. In Music and Capitalism, ethnomusicologist Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry’s shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries. Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why. “Taylor convincingly argues we can’t properly look at music in a vacuum that doesn’t consider economics, and provides a framework for understanding the big pictures and unseen hands driving the industry and the people who work within it.” —PopMatters
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 872
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Book Description
