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Author: Carl Cleves
Publisher: Transit Lounge
ISBN: 1921924632
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
From the Sudan to Northern New South Wales, Tarab is an epic, mesmerising tale of high adventure and the search for meaning. Carl Cleves escapes national service in Belgium to live in South Africa at the height of the apartheid era. So begin the adventures and quests, wanderings and narrow escapes, mishaps and illuminations of a guitar-toting troubadour in his roles as young beat poet, law student, single father, relief worker in India and recording star in Brazil. Cleves’s page turning memoir is no simple music biography, but rather the travel story of an artist’s quest for tarab: a place where music and poetry bestow true bliss upon the lucky one. It’s by turns philosophical, funny, adventurous and insightful. Fully revised and expanded, this new edition of Tarab is a must read for all lovers of travel literature.
Author: Carl Cleves
Publisher: Transit Lounge
ISBN: 1921924632
Category : Biography & Autobiography
Languages : en
Pages : 284
Get Book
Book Description
From the Sudan to Northern New South Wales, Tarab is an epic, mesmerising tale of high adventure and the search for meaning. Carl Cleves escapes national service in Belgium to live in South Africa at the height of the apartheid era. So begin the adventures and quests, wanderings and narrow escapes, mishaps and illuminations of a guitar-toting troubadour in his roles as young beat poet, law student, single father, relief worker in India and recording star in Brazil. Cleves’s page turning memoir is no simple music biography, but rather the travel story of an artist’s quest for tarab: a place where music and poetry bestow true bliss upon the lucky one. It’s by turns philosophical, funny, adventurous and insightful. Fully revised and expanded, this new edition of Tarab is a must read for all lovers of travel literature.
Author: A. J. Racy
Publisher: Cambridge University Press
ISBN: 9780521316859
Category : History
Languages : en
Pages : 272
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Book Description
A.J. Racy, a scholar of ethnomusicology, provides an intimate portrayal of the Arab musical experience in this pioneering book. Racy focuses on tarab, a multifaceted concept that has no exact equivalent in English and refers to the indigenous music and the ecstasy associated with it. His book examines aspects of musical craft, including basic skills, musician's inspiration, love lyrics as tools of ecstasy, and the relationship between performers and listeners.
Author: Gilbert Rouget
Publisher: University of Chicago Press
ISBN: 0226730069
Category : Music
Languages : en
Pages : 419
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Book Description
Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context. Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ecstasy, shamanism and spirit possession, and communal and emotional trance. Music is analyzed in terms of performers, practices, instruments, and associations with dance. Each kind of trance draws strength from music in different ways at different points in a ritual, Rouget concludes. In possession trance, music induces the adept to identify himself with his deity and allows him to express this identification through dance. Forcefully rejecting pseudo-science and reductionism, Rouget demystifies the so-called theory of the neurophysiological effects of drumming on trance. He concludes that music's physiological and emotional effects are inseparable from patterns of collective representations and behavior, and that music and trance are linked in as many ways as there are cultural structures.
Author: Johnny Farraj
Publisher: Oxford University Press
ISBN: 0190658371
Category : Music
Languages : en
Pages : 272
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Book Description
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author: Dalia Abdelhady
Publisher: Taylor & Francis
ISBN: 0429561075
Category : Social Science
Languages : en
Pages : 566
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Book Description
Bringing together different strands of research on Middle Eastern diasporas, the Routledge Handbook on Middle Eastern Diasporas sheds light on diverse approaches to investigating diaspora groups in different national contexts. Asking how diasporans forge connections and means of belonging, the analyses provided turn the reader’s gaze to the multiple forms of belonging to both peoples and places. Rather than seeing diasporans as marginalised groups of people longing to return to a homeland, analyses in this volume demonstrate that Middle East diasporans, like other diasporas and citizens alike, are people who respond to major social change and transformations. Those we count as Middle Eastern diasporans, both in the region and beyond, contribute to transnational social spaces, and new forms of cultural expressions. Chapters included cover how diasporas have been formed, the ways that diasporans make and remake homes, the expressive terrains where diasporas are contested, how class, livelihoods and mobility inflect diasporic practices, the emergence of diasporic sensibilities and, finally, scholarship that draws our attention to the plurilocality of Middle Eastern diasporas. Offering a rich compilation of case studies, this book will appeal to students of Middle Eastern Studies, International Relations, and Sociology, as well as being of interest to policymakers, government departments, and NGOs.
Author: Sherifa Zuhur
Publisher: American Univ in Cairo Press
ISBN: 9789774246074
Category : Art
Languages : en
Pages : 484
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Book Description
In this companion volume to the successful Images of Enchantment: Visual and Performing Arts of the Middle East (AUC Press, 1998), historian and ethnomusicologist Sherifa Zuhur has once again commissioned and edited authoritative essays from noteworthy scholars from around the globe that explore the visual and performing arts in the Middle East. What differentiates this volume from its predecessor is its investigation of theater, from the early modern period to the contemporary. Topics include race and national identity in Egyptian theater, early writing in the Arab theater in North America, Persian-language theater from its origins through the twentieth century, Palestinian nationalist theater, and a survey of the work of noted Egyptian playwright Yusuf Idris. Other aspects of the arts are not neglected, of course, as further avenues of dance, music, and the visual arts are explored. Marked by interesting and fresh perspectives, Colors of Enchantment is another vital contribution to scholarship on the arts of the Middle East. Contributors: Najwa Adra, Wijdan Ali, Sami Asmar, Clarissa Burt, Michael Frishkopf, M. R. Ghanoonparvar, Tori Haring-Smith, Kathleen Hood, Deborah Kapchan, Neil van der Linden, Samia Mehrez, Mona Mikhail, Sami A. Ofeish, 'Ali Jihad Racy, Rashad Rida, Tonia Rifaey, Edward Said, Lori Anne Salem, Philip D. Schuyler, Selim Sednaoui, Reuven Snir, James Stone, Eve Troutt Powell, and Sherifa Zuhur.
Author:
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Languages : en
Pages : 436
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Category : Zoology
Languages : en
Pages : 450
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Book Description
Author: Dominic Parviz Brookshaw
Publisher: Bloomsbury Publishing
ISBN: 1786735881
Category : Poetry
Languages : en
Pages : 392
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Book Description
Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.
Author: Kristina Nelson
Publisher: American Univ in Cairo Press
ISBN: 9789774245947
Category : Religion
Languages : en
Pages : 282
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Book Description
For the Muslim faithful, the familiar sound of the Qur'anic recitation is the predominant and most immediate means of contact with the Word of God. Heard day and night, on the street, in taxis, in shops, in mosques, and in homes, the sound of recitation is far more than the pervasive background music of daily life in the Arab world. It is the core of religious devotion, the sanctioning spirit of much cultural and social life, and a valued art form in its own right. Participation in recitation, as reciter or listener, is itself an act of worship, for the sound is basic to a Muslim's sense of religion and invokes a set of meanings transcending the particular occasion. For the most part, Westerners have approached the Qur'an much as scriptural scholars have studied the Bible, as a collection of written texts. The Art of Reciting the Qur'an aims at redirecting that focus toward a deeper understanding of the Qur'an as a fundamentally oral phenomenon. Focusing on the Egyptian context, and examining Muslim attitudes toward the Qur'an, the institutions that regulate its recitation, and performer-audience expectations and interaction. Kristina Nelson, a trained Arabist and musicologist, casts new light on the significance of Qur'anic recitation within the world of Islam today. This new edition of a landmark study, with a new postscript, will be welcomed by all scholars and students of the modern Middle East, as well as by ethnomusicologists, anthropologists, linguists, folklorists, and religious scholars. ''This is an important book--a book of cultural translation in the best sense of the word: it translates meaning.'' --Regula Burckhardt Qureshi, Ethnomusicology ''Quite simply, the book changes the way one understands the Qur'an, and it changes the way one listens.'' --Philip D. Schuyler, MESA Bulletin
