Tannhäuser; or, the Battle of the bards ... Third edition PDF Download
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Author: Neville TEMPLE (pseud. [i.e. Hon. Julian Charles Henry Fane] and TREVOR (Edward) pseud. [i.e. Edward Robert Bulwer Lytton, Earl of Lytton.])
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ISBN:
Category :
Languages : en
Pages : 132
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Author: Neville TEMPLE (pseud. [i.e. Hon. Julian Charles Henry Fane] and TREVOR (Edward) pseud. [i.e. Edward Robert Bulwer Lytton, Earl of Lytton.])
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: Julian Henry Charles Fane (Hon.)
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 128
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Book Description
Author: Julian Henry Charles Fane (Hon.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 130
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Book Description
Author: Neville Temple (pseud. [i.e. Hon. Julian Charles Henry Fane])
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
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Book Description
Author: Julian Henry Charles Fane (Hon.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Julian Henry Charles Fane
Publisher:
ISBN:
Category :
Languages : en
Pages : 117
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Book Description
Author: Paul Bertagnolli
Publisher: Routledge
ISBN: 1351553038
Category : Music
Languages : en
Pages : 388
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Book Description
The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal Saint-Sa Holm Faur Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to
Author: Owen Meredith
Publisher: BoD – Books on Demand
ISBN: 3752554738
Category : Fiction
Languages : en
Pages : 354
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Book Description
Reprint of the original, first published in 1866.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 582
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Author: Joan Tasker Grimbert
Publisher: Routledge
ISBN: 1136745572
Category : Literary Criticism
Languages : en
Pages : 644
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Book Description
A substantial introduction traces the Tristan and Isolde legend from the twelfth century to the present, emphasizing literary versions, but also surveying the legend's sources and its appearance in the visual arts, music and film. The nineteen essays are a mix of new, new English, revised, and 'classic'. It contains an extensive bibliography.
