Collected Vocal Works: Masses. Cantiones sacrae (1575) PDF Download
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Author: William Byrd
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 304
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Book Description
Author: William Byrd
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 304
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Book Description
Author: Jeremy L. Smith
Publisher: Boydell & Brewer
ISBN: 1783270829
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
The author offers close examination of the English-language songs of Byrd published in the late 1580s, looking at the music, texts, politics, and other aspects of the songs.
Author: Rebecca Herissone
Publisher: Boydell & Brewer Ltd
ISBN: 1843837404
Category : Art
Languages : en
Pages : 374
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Book Description
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.
Author: Jeremy L. Smith
Publisher: Boydell & Brewer
ISBN: 1837650454
Category : History
Languages : en
Pages : 285
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Book Description
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.
Author: Katelijne Schiltz
Publisher: Peeters Publishers
ISBN: 9789042916814
Category : Art
Languages : en
Pages : 546
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Book Description
Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.
Author: Paul Walker
Publisher:
ISBN: 0190056193
Category : Music
Languages : en
Pages : 385
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Book Description
Examining the roots of the classical fugue pre-Bach, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period--motet, ricercar, and canonza--through musical examples and close analysis.
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
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Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Author: John Harley
Publisher: Routledge
ISBN: 135153694X
Category : Music
Languages : en
Pages : 332
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Book Description
This is the first comprehensive study of William Byrds life (1540-1623) and works to appear for sixty years, and fully takes into consideration recent scholarship. The biographical section includes many newly discovered facts about Byrd and his family, while in the chapters dealing with his music an attempt is made for the first time to outline the chronology of all his compositions. The book begins with a detailed account of Byrd's life, based on a completely fresh examination of original documents, which are quoted extensively. Several previously known documents have now been identified as being in Byrds hand, and some fresh holographs have been discovered. A number of questions such as his parentage and date of birth have been conclusively settled. The book continues with a survey of Byrds music which pays particular attention to its chronological development, and links it where possible to the events and background of his life. A series of appendices includes additional texts of important documents, and a summary catalogue of works. A bibliography and index complete the book. Besides musical illustrations there is a series of plates illustrating documents and places associated with Byrd.
Author: John Morehen
Publisher: Cambridge University Press
ISBN: 9780521544085
Category : Foreign Language Study
Languages : en
Pages : 266
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Book Description
These nine essays consider for the first time the day-to-day performing practice of English composers of choral music of the period 1440-1650.
Author: Jeremy L. Smith
Publisher: Oxford ; Toronto : Oxford University Press
ISBN: 0195139054
Category : History
Languages : en
Pages : 242
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Book Description
"In Thomas East and Music Publishing in Renaissance England, Jeremy Smith not only tells the story of this influential player in early English music publishing, but also offers a vivid portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. From this lively market, beset as it was by monopolies and lawsuits, a prototype of today's copyright system emerged."--Jacket.
