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Author: Kerry Robin McCarthy
Publisher:
ISBN: 0190635215
Category : Biography & Autobiography
Languages : en
Pages : 281
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Book Description
Thomas Tallis spent more than fifty years composing music in the volatile world of Tudor England. Tallis is a clear, readable biography of a great Renaissance musician, which places the composer's music in its rich historical, cultural, and architectural context.
Author: Kerry Robin McCarthy
Publisher:
ISBN: 0190635215
Category : Biography & Autobiography
Languages : en
Pages : 281
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Book Description
Thomas Tallis spent more than fifty years composing music in the volatile world of Tudor England. Tallis is a clear, readable biography of a great Renaissance musician, which places the composer's music in its rich historical, cultural, and architectural context.
Author: Suzanne Cole
Publisher: Boydell Press
ISBN: 9781843833802
Category : History
Languages : en
Pages : 242
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Book Description
A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.
Author: Nicola Tallis
Publisher: Michael O'Mara Books
ISBN: 1782437517
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
The first biography of Lettice Knollys, one of the most prominent women of the Elizabethan era, also examines the relationship between Elizabeth and Lettice's husband, Robert Dudley, 1st Earl of Leicester, within the context of his third marriage.
Author: John Harley
Publisher: Routledge
ISBN: 1317010361
Category : Music
Languages : en
Pages : 296
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Book Description
John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
Author: Jeremy L. Smith
Publisher: Boydell & Brewer
ISBN: 1837650454
Category : History
Languages : en
Pages : 285
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Book Description
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 374
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Book Description
Author: Ralph Vaughan Williams
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 34
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Book Description
Author: William Gaspey
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 262
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: F. R. Tallis
Publisher: Simon and Schuster
ISBN: 1605987247
Category : Fiction
Languages : en
Pages : 189
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Book Description
In the scorching summer of 1976—the hottest since records began—Christopher Norton, his wife Laura and their young daughter Faye settle into their new home in north London. The faded glory of the Victorian house is the perfect place for Norton, a composer of film soundtracks, to build a recording studio of his own. But soon in the long, oppressively hot nights, Laura begins to hear something through the crackle of the baby monitor. First, a knocking sound. Then come the voices.For Norton, the voices mark an exciting opportunity. Putting his work to one side, he begins the project of a lifetime—a grand symphony incorporating the voices±—and becomes increasingly obsessed with one voice in particular. Someone who is determined to make themselves heard . . .
