Author: Lily E. Hirsch
Publisher: Indiana University Press
ISBN: 0253069971
Category : Social Science
Languages : en
Pages : 232
Book Description
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
Taking Funny Music Seriously
Author: Lily E. Hirsch
Publisher: Indiana University Press
ISBN: 0253069971
Category : Social Science
Languages : en
Pages : 232
Book Description
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
Publisher: Indiana University Press
ISBN: 0253069971
Category : Social Science
Languages : en
Pages : 232
Book Description
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
Weird Al
Author: Lily E. Hirsch
Publisher: Rowman & Littlefield
ISBN: 1538163519
Category : Music
Languages : en
Pages : 267
Book Description
This Expanded Edition features even more insights on “Weird Al” Yankovic, including his activities during a tumultuous 2020 and 2021, diving deeper into the world of the iconic man who has made a career out of making us laugh. Funny music is often dismissed as light and irrelevant, but Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. The Expanded Edition celebrates Yankovic’s vast influence on musicians, comedians, and performing artists as well as what the man has meant to fans—in a time of uncertainty, Yankovic has served as a much-needed bright spot for many. From his love of accordions and Hawaiian print shirts to his popular puns and trademark dance moves, Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s over forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.
Publisher: Rowman & Littlefield
ISBN: 1538163519
Category : Music
Languages : en
Pages : 267
Book Description
This Expanded Edition features even more insights on “Weird Al” Yankovic, including his activities during a tumultuous 2020 and 2021, diving deeper into the world of the iconic man who has made a career out of making us laugh. Funny music is often dismissed as light and irrelevant, but Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. The Expanded Edition celebrates Yankovic’s vast influence on musicians, comedians, and performing artists as well as what the man has meant to fans—in a time of uncertainty, Yankovic has served as a much-needed bright spot for many. From his love of accordions and Hawaiian print shirts to his popular puns and trademark dance moves, Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s over forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.
The Serious Goose
Author: Jimmy Kimmel
Publisher: Random House Books for Young Readers
ISBN: 0525707786
Category : Juvenile Fiction
Languages : en
Pages : 25
Book Description
Can you make the Serious Goose laugh? This playful and funny board book by Jimmy Kimmel challenges kids to make the silliest faces they can in the mirror inside—and crack up this no-nonsense goose! This board book, written, illustrated, and lettered by late-night host Jimmy Kimmel, challenges young readers to bring the silly out of a very Serious Goose. Inspired by Jimmy's nickname for his kids, The Serious Goose reminds us to be silly in a serious way. With shorter text and sturdy pages, this simplified edition is perfect for little hands! This delightful read-aloud is guaranteed to create gaggles of giggles time and time again!
Publisher: Random House Books for Young Readers
ISBN: 0525707786
Category : Juvenile Fiction
Languages : en
Pages : 25
Book Description
Can you make the Serious Goose laugh? This playful and funny board book by Jimmy Kimmel challenges kids to make the silliest faces they can in the mirror inside—and crack up this no-nonsense goose! This board book, written, illustrated, and lettered by late-night host Jimmy Kimmel, challenges young readers to bring the silly out of a very Serious Goose. Inspired by Jimmy's nickname for his kids, The Serious Goose reminds us to be silly in a serious way. With shorter text and sturdy pages, this simplified edition is perfect for little hands! This delightful read-aloud is guaranteed to create gaggles of giggles time and time again!
Seriously Funny
Author: Gerald Nachman
Publisher: Pantheon
ISBN: 0307490726
Category : Social Science
Languages : en
Pages : 688
Book Description
The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
Publisher: Pantheon
ISBN: 0307490726
Category : Social Science
Languages : en
Pages : 688
Book Description
The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
Would Everybody Please Stop?
Author: Jenny Allen
Publisher: Macmillan + ORM
ISBN: 0374709505
Category : Humor
Languages : en
Pages : 201
Book Description
Thirty-five humorous essays exploring middle age, motherhood, marriage, divorce, cancer, and other potholes along the road of life. Finalist for the Thurber Prize for American Humor In Would Everybody Please Stop?, Jenny Allen asks the tough questions: Why do people say “It is what it is”? What’s the point of fat-free half-and-half? Why don’t the women detectives on TV carry purses, and where are we supposed to think they keep all their stuff? And haven’t we heard enough about memes? Reporting from the potholes midway through life’s journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after twenty-five years, of mothering a teenager, and of living with a serious illness. She also discusses life’s everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling. Allen is a performer at heart—her one-woman show I Got Sick Then I Got Better premiered in 2009, and she regularly acts in other plays—and she brings that same spirit to these thirty-five short essays, which read like the work of a female Dave Barry. Writing on places both real (like a swag den for celebrities at Sundance and the parking lot at L.L.Bean’s flagship store) and imaginary (a Buddhist retreat attended by Martha Stewart, Elmer Fudd’s psychotherapy appointment), Allen’s wit and compassion give a fresh slant on life’s ups and downs.
Publisher: Macmillan + ORM
ISBN: 0374709505
Category : Humor
Languages : en
Pages : 201
Book Description
Thirty-five humorous essays exploring middle age, motherhood, marriage, divorce, cancer, and other potholes along the road of life. Finalist for the Thurber Prize for American Humor In Would Everybody Please Stop?, Jenny Allen asks the tough questions: Why do people say “It is what it is”? What’s the point of fat-free half-and-half? Why don’t the women detectives on TV carry purses, and where are we supposed to think they keep all their stuff? And haven’t we heard enough about memes? Reporting from the potholes midway through life’s journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after twenty-five years, of mothering a teenager, and of living with a serious illness. She also discusses life’s everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling. Allen is a performer at heart—her one-woman show I Got Sick Then I Got Better premiered in 2009, and she regularly acts in other plays—and she brings that same spirit to these thirty-five short essays, which read like the work of a female Dave Barry. Writing on places both real (like a swag den for celebrities at Sundance and the parking lot at L.L.Bean’s flagship store) and imaginary (a Buddhist retreat attended by Martha Stewart, Elmer Fudd’s psychotherapy appointment), Allen’s wit and compassion give a fresh slant on life’s ups and downs.
On the Track
Author: Fred Karlin
Publisher: Routledge
ISBN: 113594802X
Category : Music
Languages : en
Pages : 564
Book Description
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
Publisher: Routledge
ISBN: 113594802X
Category : Music
Languages : en
Pages : 564
Book Description
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
Be Funny or Die
Author: Joel Morris
Publisher: Unbound Publishing
ISBN: 1800183119
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Comedy is a game that all humans play. There are big social prizes if you win, but it is easy to end up with custard pie on your face... or worse. Comedy can soothe our pain, vent our anger, make us feel less alone and provide the answer to life’s most difficult questions, such as, ‘What do you call a man with a seagull on his head?’* It’s a social glue but it can also be divisive, and the joke is on us if we don’t understand how it works. So, what are the rules? How does comedy do its magic and why does it matter? Join professional comedy writer Joel Morris on a hilarious journey into the hidden world of shared laughter where he reveals the mechanisms that make jokes work and what comedy can teach us about ourselves. Offering astute analysis of everything from stand-up to slapstick and sitcom to spoof, Morris examines comedic patterns, rhythms and dynamics to uncover the algorithms that secretly underpin comedy. Packed with gags and examples of comedy at its best – plus some invaluable tips on how to master that b’dum tish timing – Be Funny or Die is a fascinating investigation into how our species has developed and mastered this essential art form where laughter is the universal language and only the funniest survive. *Cliff.
Publisher: Unbound Publishing
ISBN: 1800183119
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Comedy is a game that all humans play. There are big social prizes if you win, but it is easy to end up with custard pie on your face... or worse. Comedy can soothe our pain, vent our anger, make us feel less alone and provide the answer to life’s most difficult questions, such as, ‘What do you call a man with a seagull on his head?’* It’s a social glue but it can also be divisive, and the joke is on us if we don’t understand how it works. So, what are the rules? How does comedy do its magic and why does it matter? Join professional comedy writer Joel Morris on a hilarious journey into the hidden world of shared laughter where he reveals the mechanisms that make jokes work and what comedy can teach us about ourselves. Offering astute analysis of everything from stand-up to slapstick and sitcom to spoof, Morris examines comedic patterns, rhythms and dynamics to uncover the algorithms that secretly underpin comedy. Packed with gags and examples of comedy at its best – plus some invaluable tips on how to master that b’dum tish timing – Be Funny or Die is a fascinating investigation into how our species has developed and mastered this essential art form where laughter is the universal language and only the funniest survive. *Cliff.
The Emotional Power of Music
Author: Tom Cochrane
Publisher: OUP Oxford
ISBN: 0191504955
Category : Psychology
Languages : en
Pages : 392
Book Description
How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology
Publisher: OUP Oxford
ISBN: 0191504955
Category : Psychology
Languages : en
Pages : 392
Book Description
How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology
That Reminds Me: Finding the Funny in a Serious World
Author: Michael Close
Publisher: Lulu.com
ISBN: 1435706463
Category : Humor
Languages : en
Pages : 220
Book Description
Michael Close is an inveterate joke teller whose stories have brought gales of laughter from audiences around the world. For more than twenty years, Michael's friends and colleagues have eagerly awaited a collection of jokes from his enormous repertoire. "That Reminds Me" is that compilation - more than 250 of the best clean (and not so clean) jokes you've ever read. But this is much more than a joke book. Michael shares heartfelt reminiscences of the funny people who have enriched his life, stories of crazy personal experiences, and thoughts on the importance of "finding the funny" in your own life. This is the perfect book for anyone who needs a good laugh. Foreword by Penn Jillette [The jokes in this collection range from squeaky clean to R-rated. Words that you can't use on network television appear occasionally. If such language offends you, please don't purchase this book.]
Publisher: Lulu.com
ISBN: 1435706463
Category : Humor
Languages : en
Pages : 220
Book Description
Michael Close is an inveterate joke teller whose stories have brought gales of laughter from audiences around the world. For more than twenty years, Michael's friends and colleagues have eagerly awaited a collection of jokes from his enormous repertoire. "That Reminds Me" is that compilation - more than 250 of the best clean (and not so clean) jokes you've ever read. But this is much more than a joke book. Michael shares heartfelt reminiscences of the funny people who have enriched his life, stories of crazy personal experiences, and thoughts on the importance of "finding the funny" in your own life. This is the perfect book for anyone who needs a good laugh. Foreword by Penn Jillette [The jokes in this collection range from squeaky clean to R-rated. Words that you can't use on network television appear occasionally. If such language offends you, please don't purchase this book.]
The Palgrave Handbook of Music in Comedy Cinema
Author: Emilio Audissino
Publisher: Springer Nature
ISBN: 3031334221
Category : Music
Languages : en
Pages : 792
Book Description
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.
Publisher: Springer Nature
ISBN: 3031334221
Category : Music
Languages : en
Pages : 792
Book Description
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.