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Author: Kendall H. Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Many of these works have never been published and several major paintings, exhibited in Japan during the 1920s and 1930s then lost after the war, are brought to light here for the first time in decades. This catalogue not only presents newly discovered works but also, in bringing together a broad range of objects representative of mainstream Taisho visual culture, reconstructs the styles popular from 1915 to 1935 in a celebration of Taisho Chic."--BOOK JACKET.
Author: Kendall H. Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Many of these works have never been published and several major paintings, exhibited in Japan during the 1920s and 1930s then lost after the war, are brought to light here for the first time in decades. This catalogue not only presents newly discovered works but also, in bringing together a broad range of objects representative of mainstream Taisho visual culture, reconstructs the styles popular from 1915 to 1935 in a celebration of Taisho Chic."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Art, Japanese
Languages : en
Pages : 16
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Book Description
Author: William J. Tyler
Publisher: University of Hawaii Press
ISBN: 0824863666
Category : Literary Criticism
Languages : en
Pages : 625
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Book Description
Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun’ichiro. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s. This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement’s salient features—anti-naturalism, cosmopolitanism, the concept of the double self, and actionism—and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated. Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi’s Diving, Hagiwara Sakutaro’s "Town of Cats," Ito Sei’s Streets of Fiendish Ghosts, and Kawabata’s film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction.
Author: Toby Slade
Publisher: Berg
ISBN: 1847882528
Category : Design
Languages : en
Pages : 228
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Book Description
This book examines the entire sweep of Japanese clothing history, from the sophisticated fashion systems of late-Edo period kimonos to the present day, providing possible theories of how Japan made this fashion journey and linking current theories of fashion to the Japanese example. The book is unique in that it provides the first full history of the last two hundred years of Japanese clothing. It is also the first book to include Asian fashion as part of global fashion as well as fashion theory. It adds a hitherto absent continuity to the understanding of historical and current fashion in Japan, and is pioneering in offering possible theories to account for that entire history. By providing an analysis of how that entire history changes our understanding of the way fashion works this book will be an essential text for all students of fashion and design.
Author: Gail Lee Bernstein
Publisher: Univ of California Press
ISBN: 0520939425
Category : History
Languages : en
Pages : 334
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Book Description
In this powerful and evocative narrative, Gail Lee Bernstein vividly re-creates the past three centuries of Japanese history by following the fortunes of a prominent Japanese family over fourteen generations. The first of its kind in English, this book focuses on Isami, the eleventh generation patriarch and hereditary village head. Weaving back and forth between Isami's time in the first half of the twentieth century and his ancestors' lives in the Tokugawa and Meiji eras, Bernstein uses family history to convey a broad panoply of social life in Japan since the late 1600s. As the story unfolds, she provides remarkable details and absorbing anecdotes about food, famines, peasant uprisings, agrarian values, marriage customs, child-rearing practices, divorces, and social networks. Isami's House describes the role of rural elites, the architecture of Japanese homes, the grooming of children for middle-class life in Tokyo, the experiences of the Japanese in Japan's wartime empire and on the homefront, the aftermath of the country's defeat, and, finally, the efforts of family members to rebuild their lives after the Occupation. The author's forty-year friendship with members of the family lends a unique intimacy to her portrayal of their history. Readers come away with an inside view of Japanese family life, a vivid picture of early modern and modern times, and a profound understanding of how villagers were transformed into urbanites and what was gained, and lost, in the process.
Author: Kathe Geist
Publisher: Hong Kong University Press
ISBN: 9888754173
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and new challenges for those who study him. “Kathe Geist has woven an elegantly textured tapestry in this illuminating survey of Ozu’s films and their endless sense of pattern, rhythm, and cultural renewal. Melding form, narrative, iconography, and context, the book traces old and new patterns of meaning and critical debate.”—Alastair Phillips, University of Warwick; author of the BFI Film Classic on Tokyo Story (2022) “Ozu: A Closer Look provides one of the most comprehensive and meticulous analyses so far on Ozu Yasujiro. With her great attention to small textual details, along with intertextual and contextual comparisons, Geist achieves a significant reinterpretation of the director’s work, opening up new possibilities in future Ozu studies.”—Woojeong Joo, Nagoya University; author of The Cinema of Ozu Yasujiro: Histories of the Everyday
Author: Julia C. Bullock
Publisher: University of Hawaii Press
ISBN: 0824878388
Category : Social Science
Languages : en
Pages : 314
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Book Description
Rethinking Japanese Feminisms offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. The volume is organized into sections focused on activism and activists, employment and education, literature and the arts, and boundary crossing. Some chapters shed light on ideas and practices that resonate with feminist thought but find expression through the work of writers, artists, activists, and laborers who have not typically been considered feminist; others revisit specific moments in the history of Japanese feminisms in order to complicate or challenge the dominant scholarly and popular understandings of specific activists, practices, and beliefs. The chapters are contextualized by an introduction that offers historical background on feminisms in Japan, and a forward-looking conclusion that considers what it means to rethink Japanese feminism at this historical juncture. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women’s history, Rethinking Japanese Feminisms offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. Written in language accessible to students and non-experts, it will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.
Author: Monika Bincsik
Publisher: Metropolitan Museum of Art
ISBN: 1588397521
Category : Art
Languages : en
Pages : 179
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Book Description
Japan’s engagement with Western clothing, culture, and art in the mid-nineteenth century transformed the traditional kimono and began a cross-cultural sartorial dialogue that continues to this day. This publication explores the kimono’s fascinating modern history and its notable influence on Western fashion. Initially signaling the wearer’s social position, marital status, age, and wealth, older kimono designs gave way to the demands of modernized and democratized twentieth-century lifestyles as well as the preferences of the emancipated “new woman.” Conversely, inspiration from the kimono’s silhouette liberated Western designers such as Paul Poiret and Madeline Vionnet from traditional European tailoring. Juxtaposing never-before-published Japanese textiles from the John C. Weber Collection with Western couture, this book places the kimono on the stage of global fashion history.
Author: Gennifer Weisenfeld
Publisher: Univ of California Press
ISBN: 0520271955
Category : Art
Languages : en
Pages : 414
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Book Description
Imaging Disaster is a rich social history of Japan’s Great Kanto Earthquake of 1923. Drawing on a kaleidoscopic range of images from the fine arts, magazines, cartoons, and other popular sources, Gennifer Weisenfeld has produced an original study of this catastrophic event from an art historical perspective. —Jonathan Reynolds, Barnard College Imaging Disaster is an exhaustive and illuminating study of the visual culture generated by Japan’s most devastating natural disaster. Comprehensive in scope—covering photography, cinema, painting, postcards, sketches, urban planning, and even scientific models—Weisenfeld makes a compelling point that the massive profusion of visual representations that followed the quake must itself be considered an integral part of this tragic historical event.—Seiji Lippit, UCLA
Author: Rebecca Corbett
Publisher: University of Hawaii Press
ISBN: 082487840X
Category : History
Languages : en
Pages : 205
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Book Description
The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity, Rebecca Corbett writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu from the lens of feminist and gender theory, she sheds new light on tea’s undeniable influence on the formation of modern understandings of femininity in Japan. Corbett overturns the iemoto tea school’s carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu’s theories of social and cultural capital and Norbert Elias’s “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women’s labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status. Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.
