Author: Peter Blecha
Publisher: Hal Leonard Corporation
ISBN: 9780879307929
Category : Music
Languages : en
Pages : 228
Book Description
In this extensively researched ode to scandal, historian and musician Blecha recounts the travails of the musicians and songs that have dared to push the hot-button topics that polite society has deemed unacceptable.
Taboo Tunes
Author: Peter Blecha
Publisher: Hal Leonard Corporation
ISBN: 9780879307929
Category : Music
Languages : en
Pages : 228
Book Description
In this extensively researched ode to scandal, historian and musician Blecha recounts the travails of the musicians and songs that have dared to push the hot-button topics that polite society has deemed unacceptable.
Publisher: Hal Leonard Corporation
ISBN: 9780879307929
Category : Music
Languages : en
Pages : 228
Book Description
In this extensively researched ode to scandal, historian and musician Blecha recounts the travails of the musicians and songs that have dared to push the hot-button topics that polite society has deemed unacceptable.
CMJ New Music Monthly
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
Taboo Tunes
Author: Peter Blecha
Publisher: Hal Leonard Corporation
ISBN: 1617745111
Category : Music
Languages : en
Pages : 229
Book Description
In this extensively researched ode to scandal Peter Blecha recounts the travails of musicians who have dared to air unacceptable topics. Filled with several centuries' worth of raunchy sex ditties morbid murder ballads satanic songs paeans to intoxi
Publisher: Hal Leonard Corporation
ISBN: 1617745111
Category : Music
Languages : en
Pages : 229
Book Description
In this extensively researched ode to scandal Peter Blecha recounts the travails of musicians who have dared to air unacceptable topics. Filled with several centuries' worth of raunchy sex ditties morbid murder ballads satanic songs paeans to intoxi
Damn!
Author: Rob Chirico
Publisher: Pitchstone Publishing (US&CA)
ISBN: 1939578752
Category : Language Arts & Disciplines
Languages : en
Pages : 170
Book Description
Swearing, cussing, or cursing, out of anger, excitement, or just because, is something most of us do, at least to some degree. Turn on the television or open a magazine, and there it is. Damn! is an insightful and entertaining look at our evolving use of profanity over the last half-century or so, from a time when Gone with the Wind came under fire for using the word "damn" to an age where the f-bomb is dropped in all walks of life. Writer and artist Rob Chirico follows the course of swearing through literature, the media, and music, as well as through our daily lives. From back rooms and barracks to bookshelves and Broadway; and from precedents to presidents, the journey includes such diverse notables as George Carlin, the Simpsons, D. H. Lawrence, Ice T, Barack Obama, Nietzsche, and, of course, Lenny Bruce. If you have ever stopped and wondered WTF has happened to our American tongue, don't get out the bar of soap until you finish Damn!
Publisher: Pitchstone Publishing (US&CA)
ISBN: 1939578752
Category : Language Arts & Disciplines
Languages : en
Pages : 170
Book Description
Swearing, cussing, or cursing, out of anger, excitement, or just because, is something most of us do, at least to some degree. Turn on the television or open a magazine, and there it is. Damn! is an insightful and entertaining look at our evolving use of profanity over the last half-century or so, from a time when Gone with the Wind came under fire for using the word "damn" to an age where the f-bomb is dropped in all walks of life. Writer and artist Rob Chirico follows the course of swearing through literature, the media, and music, as well as through our daily lives. From back rooms and barracks to bookshelves and Broadway; and from precedents to presidents, the journey includes such diverse notables as George Carlin, the Simpsons, D. H. Lawrence, Ice T, Barack Obama, Nietzsche, and, of course, Lenny Bruce. If you have ever stopped and wondered WTF has happened to our American tongue, don't get out the bar of soap until you finish Damn!
Insulting Music
Author: Lily E. Hirsch
Publisher: Springer Nature
ISBN: 3031164660
Category : Music
Languages : en
Pages : 213
Book Description
Insulting Music explores insult in and around music and demonstrates that insult is a key dimension of Western musical experience and practice. There is insult in the music we hear, how we express our musical preferences, as well as our reactions to settings and sites of music and music making. More than that, when music and insult overlap, the effects can both promote social justice or undermine it, foster connection or break it apart. The coming together of music and insult shapes our sense of self and view of other people, underlining and constructing difference, often in terms of race and gender. In the last decade, music’s power dynamics have become an increasingly important concern for music scholars, critics, and fans. Studying musicians such as Frank Zappa, Nickleback, Taylor Swift, and the Insane Clown Posse, and musical phenomena such as musician jokes, the use of music to torture people, and the playing of music in restaurants, this book shows the various and contradictory ways insults are used to negotiate those existing dynamics in and around music.
Publisher: Springer Nature
ISBN: 3031164660
Category : Music
Languages : en
Pages : 213
Book Description
Insulting Music explores insult in and around music and demonstrates that insult is a key dimension of Western musical experience and practice. There is insult in the music we hear, how we express our musical preferences, as well as our reactions to settings and sites of music and music making. More than that, when music and insult overlap, the effects can both promote social justice or undermine it, foster connection or break it apart. The coming together of music and insult shapes our sense of self and view of other people, underlining and constructing difference, often in terms of race and gender. In the last decade, music’s power dynamics have become an increasingly important concern for music scholars, critics, and fans. Studying musicians such as Frank Zappa, Nickleback, Taylor Swift, and the Insane Clown Posse, and musical phenomena such as musician jokes, the use of music to torture people, and the playing of music in restaurants, this book shows the various and contradictory ways insults are used to negotiate those existing dynamics in and around music.
Political Rock
Author: Kristine Weglarz
Publisher: Routledge
ISBN: 1317078691
Category : Music
Languages : en
Pages : 267
Book Description
Political Rock features luminary figures in rock music that have stood out not only for their performances, but also for their politics. The book opens with a comparative, cultural history of artists who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art. The artists and authors show that rock retains a critical strain, continuing a tradition of rock politics that matters to fans, activists, and movements alike.
Publisher: Routledge
ISBN: 1317078691
Category : Music
Languages : en
Pages : 267
Book Description
Political Rock features luminary figures in rock music that have stood out not only for their performances, but also for their politics. The book opens with a comparative, cultural history of artists who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art. The artists and authors show that rock retains a critical strain, continuing a tradition of rock politics that matters to fans, activists, and movements alike.
The Fierce Urgency of Now
Author: Daniel Fischlin
Publisher: Duke University Press
ISBN: 0822354780
Category : Music
Languages : en
Pages : 327
Book Description
The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected; they insist that they must be connected. Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.
Publisher: Duke University Press
ISBN: 0822354780
Category : Music
Languages : en
Pages : 327
Book Description
The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected; they insist that they must be connected. Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.
The History of the Kiss!
Author: M. Danesi
Publisher: Springer
ISBN: 1137376856
Category : Social Science
Languages : en
Pages : 186
Book Description
How and when did the kiss become a vital sign of romance and love? In this wide-ranging book, pop culture expert Marcel Danesi takes the reader on a fascinating journey through the history of the kiss, from poetry and painting to movies and popular songs, and argues that its romantic incarnation signaled the birth of popular culture.
Publisher: Springer
ISBN: 1137376856
Category : Social Science
Languages : en
Pages : 186
Book Description
How and when did the kiss become a vital sign of romance and love? In this wide-ranging book, pop culture expert Marcel Danesi takes the reader on a fascinating journey through the history of the kiss, from poetry and painting to movies and popular songs, and argues that its romantic incarnation signaled the birth of popular culture.
Popular Music Censorship in Africa
Author: Martin Cloonan
Publisher: Routledge
ISBN: 1317078063
Category : Music
Languages : en
Pages : 263
Book Description
In Africa, tension between freedom of expression and censorship in many contexts remains as contentious, if not more so, than during the period of colonial rule which permeated the twentieth century. Over the last one hundred years popular musicians have not been free to sing about whatever they wish to, and in many countries they are still not free to do so. This volume brings together the latest research on censorship in colonial and post-colonial Africa, focusing on the attempts to censor musicians and the strategies of resistance devised by musicians in their struggles to be heard. For Africa, the twentieth century was characterized first and foremost by struggles for independence, as colonizer and colonized struggled for territorial control. Throughout this period culture was an important contested terrain in hegemonic and counter-hegemonic struggles and many musicians who aligned themselves with independence movements viewed music as an important cultural weapon. Musical messages were often political, opposing the injustices of colonial rule. Colonial governments reacted to counter-hegemonic songs through repression, banning songs from distribution and/or broadcast, while often targeting the musicians with acts of intimidation in an attempt to silence them. In the post-independence era a disturbing trend has occurred, in which African governments have regularly continued to practise censorship of musicians. However, not all attempts to silence musicians have emanated from government, nor has all contested music been strictly political. Religious and moral rationale has also featured prominently in censorship struggles. Both Christian and Muslim fundamentalism has led to extreme attempts to silence musicians. In response, musicians have often sought ways of getting their music and message heard, despite censorship and harassment. The book includes a special section on case studies that highlight issues of nationality.
Publisher: Routledge
ISBN: 1317078063
Category : Music
Languages : en
Pages : 263
Book Description
In Africa, tension between freedom of expression and censorship in many contexts remains as contentious, if not more so, than during the period of colonial rule which permeated the twentieth century. Over the last one hundred years popular musicians have not been free to sing about whatever they wish to, and in many countries they are still not free to do so. This volume brings together the latest research on censorship in colonial and post-colonial Africa, focusing on the attempts to censor musicians and the strategies of resistance devised by musicians in their struggles to be heard. For Africa, the twentieth century was characterized first and foremost by struggles for independence, as colonizer and colonized struggled for territorial control. Throughout this period culture was an important contested terrain in hegemonic and counter-hegemonic struggles and many musicians who aligned themselves with independence movements viewed music as an important cultural weapon. Musical messages were often political, opposing the injustices of colonial rule. Colonial governments reacted to counter-hegemonic songs through repression, banning songs from distribution and/or broadcast, while often targeting the musicians with acts of intimidation in an attempt to silence them. In the post-independence era a disturbing trend has occurred, in which African governments have regularly continued to practise censorship of musicians. However, not all attempts to silence musicians have emanated from government, nor has all contested music been strictly political. Religious and moral rationale has also featured prominently in censorship struggles. Both Christian and Muslim fundamentalism has led to extreme attempts to silence musicians. In response, musicians have often sought ways of getting their music and message heard, despite censorship and harassment. The book includes a special section on case studies that highlight issues of nationality.
The Beatles
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 1919
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 1919
Book Description