Author: Grace Ann Hovet
Publisher: Xlibris Corporation
ISBN: 1462817793
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Grace Ann Hovet contends in this study of novels written by middle-class white American women from 1850 to the contemporary period that their portrayals of the development of female identity adds a great deal of supporting evidence to the assertion of several influential psychologists, social scientists, and philosophers that, while identity is surely shaped in part by culture and social structures, it is also unique to each individual. In the words of Mark Tappan in Narratives and Story Telling, an inner self defines itself through an ongoing dialogue between the internally persuasive discourse of individual consciousness and the authoritarian enforced discourse of the dominant culture and institutions (1991, 18). In the novels considered here, much of the inner discourse is performed. The female protagonist understands that she is expected to act out the accepted feminine role. As a consequence, the inner self expresses itself through the conscious manipulation of the image. For this reason, Professor Hovet argues that tableaux vivants provide an apt central metaphor for the development of female identity in these novels. These living pictures consist of individuals, usually women, carefully costumed and posed to replicate famous scenes from history and the arts. In the nineteenth century, these tableaux evolved in the United States into an extremely popular parlor game or entertainment interlude in middle-class social gatherings. In the novels, Lily Barts portrayal of Joshua Reynoldss Mrs. Lloyd in Edith Whartons The House of Mirth provides the most vivid example. But the novels also make it clear that tableaux vivants were a part of everyday life as young women learned to pose before others as the model of feminine beauty or as the angel in the house. This study adds to those of Susan Fraiman, Lori Merish, and Nancy Armstrong that describe the relationship of novels to the development of middle-class subjectivity. In particular, it explains the process by which a female subjectivity evolved in the United States from the mid-nineteenth to late-twentieth century. Employing a historical continuum, Professor Hovet selected for study novels that she saw as most influential in the culture of the United States because of their ongoing popularity and continued presence in the culture. Literary historians consider Susan Warners The Wide, Wide World (1850) to be Americas first best seller. Little Women (1869) has been one of the most read and loved novels, at least among young female readers, for more than a century and has been made into at least four well-known movies with stars the caliber of Katherine Hepburn and Winona Ryder. Harriet Beecher Stowes My Wife and I (1871) was hugely successful in an intensely competitive serial fiction market. Kate Chopins The Awakening (1899) has become a mainstay in literature and womens studies classrooms and has been made into at least two movies, End of August and Grand Isle. Edith Whartons The House of Mirth (1905) was not only popular among middle-class readers of the time but has become known to mass culture through the 2000 movie version. Margaret Mitchells Gone with the Wind (1936) and its movie version generated the term blockbuster. Harper Lees To Kill a Mockingbird has been one of the most widely read books of the twentieth century, and the movie starring Gregory Peck is now a cultural icon. Marilyn Frenchs The Womens Room (1977) remains a cause celebre, and Mona Simpsons Anywhere But Here (1986) was reprinted six times within two months of its publication and became a movie starring Susan Sarandon. The study also tries to show how depictions of female identity surfaced tensions and anxieties in the dominant social discourse. All the novels in this analysis are so-called crossover novels. The term crossover has become common in culture studies, particularly in analyses of the way some works reach a large enough audience to breach the walls that t
Author: James H. Head
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 134
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Book Description
"Home Pastimes; or Tableaux Vivants" by James H. Head. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Brigitte Peucker
Publisher: Stanford University Press
ISBN: 9780804754316
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
Author: Rika Burnham
Publisher: Getty Publications
ISBN: 1606060589
Category : Art
Languages : en
Pages : 182
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Book Description
Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].
Author: Kirsten Gram Holmström
Publisher: Stockholm : Almqvist & Wiksell
ISBN:
Category : Acting
Languages : en
Pages : 292
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Book Description
Author: Richard Daniel Altick
Publisher: Harvard University Press
ISBN: 9780674807310
Category : Business & Economics
Languages : en
Pages : 580
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Book Description
History of London entertainment from 1600 to the end of the 1850's.
Author: Alexandra Lange
Publisher: Chronicle Books
ISBN: 1616890533
Category : Architecture
Languages : en
Pages : 194
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Book Description
Extraordinary architecture addresses so much more than mere practical considerations. It inspires and provokes while creating a seamless experience of the physical world for its users. It is the rare writer that can frame the discussion of a building in a way that allows the reader to see it with new eyes. Writing About Architecture is a handbook on writing effectively and critically about buildings and cities. Each chapter opens with a reprint of a significant essay written by a renowned architecture critic, followed by a close reading and discussion of the writer's strategies. Lange offers her own analysis using contemporary examples as well as a checklist of questions at the end of each chapter to help guide the writer. This important addition to the Architecture Briefs series is based on the author's design writing courses at New York University and the School of Visual Arts. Lange also writes a popular online column for Design Observer and has written for Dwell, Metropolis, New York magazine, and The New York Times. Writing About Architecture includes analysis of critical writings by Ada Louise Huxtable, Lewis Mumford, Herbert Muschamp, Michael Sorkin, Charles Moore, Frederick Law Olmsted, and Jane Jacobs. Architects covered include Marcel Breuer, Diller Scofidio + Renfro, Field Operations, Norman Foster, Frank Gehry, Frederick Law Olmsted, SOM, Louis Sullivan, and Frank Lloyd Wright.
Author: Jasmine Becket-Griffith
Publisher:
ISBN: 9780738743219
Category : Art
Languages : en
Pages : 0
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Book Description
Shares reproductions of the artist's fantasy-themed paintings along with personal insights and a discussion of her characters' histories.
Author: Benjamin McArthur
Publisher: Yale University Press
ISBN: 0300122322
Category : Biography & Autobiography
Languages : en
Pages : 458
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Book Description
The most beloved American comedic actor of the nineteenth century, Joseph Jefferson made his name as Washington Irving's Rip Van Winkle. In this book, a compelling blend of biography and theatrical and cultural history, Benjamin McArthur chronicles Jefferson's remarkable career and offers a lively and original account of the heroic age of the American theatre. Joe Jefferson's entire life was spent on the stage, from the age of Jackson to the dawn of motion pictures. He extensively toured the United States as well as Australia and Great Britain. An ever-successful career (including acclaim as painter and memoirist) put him in the company of the great actors, artists, and writers of the day, including Edwin Forrest, Edwin Booth, John Singer Sargent, and William Dean Howells. This book rescues a brilliant figure and places him, appropriately enough, on center stage of a pivotal time for American theatre. McArthur explores the personalities of the period, the changing theatrical styles and their audiences, the touring life, and the wide and varied culture of theatre. Through the life of Jefferson, McArthur is able to illuminate an era.
Author: Aura Satz
Publisher: Peter Lang
ISBN: 9783039107476
Category : Art
Languages : en
Pages : 304
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Book Description
How do objects 'speak' to us? What happens to authorship when voice is projected into inanimate objects? How can one articulate an object into speech? Is the inarticulate body necessarily silent? These are just some of the questions brought up by this unique and unusual collection of essays, which presents subjects and categories often overlooked by the disciplines of art history, visual culture, theatre history and comparative literature. Drawing from and expanding upon the 'Performing Objects, Animating Images' academic session run by the Henry Moore Institute at the Association of Art Historians conference, held in London in 2003, this book presents thirteen essays that bring together a multidisciplinary approach to the animated object. Contributions range from literal accounts of magic lanterns, tableaux vivants, puppets and ventriloquist dummies, to the more abstract notions of voice displacement in audio art and authorship projection in writing machines. The contributors come from diverse backgrounds in art history, cultural history, comparative literature, and artistic, theatrical and curatorial practice, and all tackle the issue of 'articulate objects' from a range of lively and unexpected perspectives.
