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Author: Richard Winfield
Publisher: Taylor & Francis
ISBN: 1040050530
Category : Philosophy
Languages : en
Pages : 206
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Book Description
First published in 1995, this book aims at rehabilitating systematic aesthetics. To this end, it attempts to show how metaphysical, transcendental, and systematic aesthetics comprise the fundamental options for the philosophy of art, how metaphysical and transcendental aesthetics internally undermine themselves, and, finally, how their dilemmas are overcome by systematic aesthetics It discusses themes like critique of metaphysical aesthetics; impasse of transcendental aesthetics; individuality of beauty; the existence of beauty in the work of art; the extreme reality of the work of art and the reception of art. This is a must read for scholars and researchers of philosophy of art and philosophy in general.
Author: Richard Winfield
Publisher: Taylor & Francis
ISBN: 1040050530
Category : Philosophy
Languages : en
Pages : 206
Get Book
Book Description
First published in 1995, this book aims at rehabilitating systematic aesthetics. To this end, it attempts to show how metaphysical, transcendental, and systematic aesthetics comprise the fundamental options for the philosophy of art, how metaphysical and transcendental aesthetics internally undermine themselves, and, finally, how their dilemmas are overcome by systematic aesthetics It discusses themes like critique of metaphysical aesthetics; impasse of transcendental aesthetics; individuality of beauty; the existence of beauty in the work of art; the extreme reality of the work of art and the reception of art. This is a must read for scholars and researchers of philosophy of art and philosophy in general.
Author: Richard Dien Winfield
Publisher:
ISBN: 9780813013688
Category : Philosophy
Languages : en
Pages : 241
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Book Description
"A closely reasoned account defining, arranging, and systematically explicating some of the major concepts of aesthetics. Winfield's system has range and power such that it will invite a variety of commentary and discussion among those scholars who take a serious interest in the concepts analyzed in this kind of philosophical endeavor."--David A. White, DePaul University "A clear and comprehensive exposition, critical analysis, and defense of Hegel's aesthetics in relation to some of its most significant competitors in the history of Western thought."--Robert E. Wood, University of Dallas Systematic Aesthetics rehabilitates and develops the approach to aesthetics pioneered by Hegel, showing how it overcomes the dilemmas undermining the two other basic options in aesthetic theory, the metaphysical (pioneered by Plato and Aristotle) and the transcendental (initiated by Hume and Kant and dominating contemporary theory). By demonstrating the pitfalls of these other approaches, Winfield frees aesthetics from the appeal to privileged givens and determining processes of reception that obscure the individuality underlying all aspects of fine art. Systematic Aesthetics provides a thorough account of the concept of beauty, of the type of truth suited for artistic construal, and of the special transfiguration of content in art--how the unity of meaning and configuration affects the physical being of the artwork and its relation to its audience, how artistic creation operates, and how the reception of art involves both catharsis and aesthetic judgment--without succumbing to arbitrary interpretation. In the course of providing an independent theory of his own, Winfield engages in a critical dialogue with classic and contemporary figures in the philosophy of art, from Plato, Aristotle, Hume, Kant, Hegel, and Heidegger to Luk�cs, Szondi, Derrida, Goodman, and Danto. Both in the breadth of debate that it enters and in the scope of the issues that it addresses, Systematic Aesthetics stands apart. Paving the way for further exploration of particular art forms, Winfield presents a radical challenge to the dogmas of tradition and of postmodernism alike. Richard Dien Winfield is professor of philosophy at the University of Georgia. His previous books include The Just Economy; Reason and Justice; Overcoming Foundations; Freedom and Modernity; and Law in Civil Society.
Author: R. Winfield
Publisher: Springer
ISBN: 1137442387
Category : Philosophy
Languages : en
Pages : 346
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Book Description
Hegel and the Future of Systematic Philosophy critically rethinks and extends Hegel's project for systematic philosophy without foundations, engaging the most important contemporary debates concerning logic, epistemology, metaphysics, nature, mind, economic justice, political freedom, globalization, and literary theory.
Author: Jonathan King
Publisher: Lexham Press
ISBN: 1683590597
Category : Religion
Languages : en
Pages : 452
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Book Description
Why is God's beauty often absent from our theology? Rarely do theologians take up the theme of God's beauty—even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord, Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics.
Author: Jo Ann Davidson
Publisher: University Press of America
ISBN: 9780761839477
Category : Religion
Languages : en
Pages : 228
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Book Description
Over the centuries, theological studies have grappled with the comprehension of Truth and Goodness. However, theology, unlike philosophy, has neglected serious scrutiny of the study of Beauty or Aesthetics. Jo Ann Davidson's Toward a Theology of Beauty investigates this omission. Why should aesthetic dimensions be ignored in theology's quest for ultimate truth? Davidson convincingly states that these would contribute to the ongoing search for a more comprehensive perception of the divine. This book contends that theology is incomplete and impoverished without fundamental deliberations within aesthetic values. A survey of the literature up to the present currently reveals that theological studies, by and large, do not yet realize the extent to which it might be enriched by the biblical aesthetic. God's own nature, His Word in both Testaments including narratives, poetry, literary structures, and vocabulary are all embedded in aesthetic expressions. A systematic study of the biblical aesthetic is one that calls for attention and this book offers a solid and thought-provoking beginning.
Author: Andrew Bowie
Publisher: Manchester University Press
ISBN: 1847795129
Category : History
Languages : en
Pages : 358
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. New, completely revised and re-written edition. Offers a detailed, but asccesible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Ficthe and Holderlin, the early Romantis, Schelling, Hegel, Scleimacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensible read
Author: Michael F. Marra
Publisher: University of Hawaii Press
ISBN: 9780824823993
Category : Philosophy
Languages : en
Pages : 424
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Book Description
This collection of essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources (monographs, journals, catalogues), the essays cover topics related to the study of beauty in art and nature. The translations are organized into four parts. The first, "The Introduction of Aesthetics," traces the formation of notions of "beauty," "culture," and "art" in Japan. It includes discussion of the creation of the museum in Japan and the frenetic efforts of Nishi Amane, Okakura Tenshin, Ernest Fenollosa, and Mori Ogai to introduce German, British, and French aesthetic thought to the Japanese. This is followed by three sections that examine the transformation of the aesthetic field into an academic discipline that flourished at three major Japanese universities. "Aesthetics at Waseda University" begins with an essay on the spiritualism and idealism of Onishi Hajime and continues with essays on the impact of German Lebensphilosophie ("philosophy of life") on Shimamura Hogetsu and Takayama Chogyu, and work by the major Waseda aesthetician of the twentieth century, Aizu Yaichi. Thinkers of the Tokyo School adopted a "scientific" method in the study of art theory. Part 3, "Aesthetics at the University of Tokyo," focuses on the ideas of Otsuka Yasuji (holder of the world’s first Chair of Aesthetics), Onishi Yoshinori, Watsuji Tetsuro, Abe Jiro, Takeuchi Toshio, and Imamichi Tomonobu. The section concludes with a look at the contemporary philosopher Sakabe Megumi. The last section, "Aesthetics at the University of Kyoto," includes essays on Nakagawa Shigeki and Fukada Yasukazu, pioneers in the field of aesthetics, and on the philosophy of art of the "Kyoto School," which was deeply inspired by the thought of Nishida Kitaro. Finally the work of Kuki Shuzo, an influential teacher of Western philosophy at the University of Kyoto, is examined. A History of Modern Japanese Aesthetics is a companion volume to Modern Japanese Aesthetics: A Reader (UH Press, 1999).
Author: Wu, Jie
Publisher: IGI Global
ISBN: 1799817040
Category : Philosophy
Languages : en
Pages : 301
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Book Description
The methodologies of aesthetic thought have always had a deep, historic foundation and serve as a staple of philosophy. Researchers have begun re-examining the structure and levels of aesthetics by tracing the history of this practice and studying European and Asian traditions. This systematic perspective is an emerging topic of exploration yet requires an appropriate level of research that further investigates the recent discoveries of systemic aesthetics in today’s modern world. New Aesthetic Thought, Methodology, and Structure of Systemic Philosophy is an essential reference source that discusses the organic connection between philosophy, mathematics, and aesthetics, as well as its application to other fields of human sciences. This book analyzes the history of aesthetics and studies the contemporary laws and function of beauty and nature. Featuring research on topics such as fundamental principles, mathematical methods, and humanistic logic, this book is ideally designed for philosophers, physicians, scientific researchers, mathematicians, systems engineers, complexity professionals, anthropologists, art designers, academicians, and students seeking coverage on the structure of artistic beauty through a systematic approach.
Author: Mazhar Hussain
Publisher: Routledge
ISBN: 1351883364
Category : Philosophy
Languages : en
Pages : 280
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Book Description
Comparative aesthetics is the branch of philosophy which compares the aesthetic concepts and practices of different cultures. The way in which cultures conceive of the aesthetic dimension of life in general and art in particular is revelatory of profound attitudes and beliefs which themselves make up an important part of the culture in question. This anthology of essays by internationally recognised scholars in this field brings into one volume some of the most important research in comparative aesthetics, from classic early essays to previously unpublished contemporary pieces. Ranging across cultures and time periods as diverse as ancient Greece, India and China and the modern West and Japan, the essays reveal both similarities and deep differences between the aesthetic traditions concerned. In the course of these expositions and comparisons there emerges the general conclusion that no culture can be fully grasped if its aesthetic ideas are not understood.
Author: Frederick C. Beiser
Publisher: Oxford University Press
ISBN: 0192563238
Category : Philosophy
Languages : en
Pages : 416
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Book Description
This book is the first complete intellectual biography of Hermann Cohen (1842-1918) and the only work to cover all his major philosophical and Jewish writings. Frederick C. Beiser pays special attention to all phases of Cohen's intellectual development, its breaks and its continuities, throughout seven decades. The guiding goal behind Cohen's intellectual career, he argues, was the development of a radical rationalism, one committed to defending the rights of unending enquiry and unlimited criticism. Cohen's philosophy was therefore an attempt to defend and revive the Enlightenment belief in the authority of reason; his critical idealism an attempt to justify this belief and to establish a purely rational worldview. According to this interpretation, Cohen's thought is resolutely opposed to any form of irrationalism or mysticism because these would impose arbitrary and artificial limits on criticism and enquiry. It is therefore critical of those interpretations which see Cohen's philosophy as a species of proto-existentialism (Rosenzweig) or Jewish mysticism (Adelmann and Köhnke). Hermann Cohen: An Intellectual Biography attempts to unify the two sides of Cohen's thought, his philosophy and his Judaism. Maintaining that Cohen's Judaism was not a limit to his radical rationalism but a consistent development of it, Beiser contends that his religion was one of reason. He concludes that most critical interpretations have failed to appreciate the philosophical depth and sophistication of his Judaism, a religion which committed the believer to the unending search for truth and the striving to achieve the cosmopolitan ideals of reason.
