Symphony no. 5 in E-flat major, op. 82

Symphony no. 5 in E-flat major, op. 82 PDF Author: Jean Sibelius
Publisher: Courier Corporation
ISBN: 048641695X
Category : Music
Languages : en
Pages : 145

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Book Description
Distinguished by a simplicity and lucidity that has made it one of Sibelius’ most popular works, the Fifth Symphony, according to Grove's, "is simply in its most characteristic manifestations, unlike any other music." Popular with concert audiences for its rich, deeply stirring score, the work is reprinted here unabridged from the original 1921 full-score edition.

Symphony no. 5 in E-flat major, op. 82

Symphony no. 5 in E-flat major, op. 82 PDF Author: Jean Sibelius
Publisher: Courier Corporation
ISBN: 048641695X
Category : Music
Languages : en
Pages : 145

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Book Description
Distinguished by a simplicity and lucidity that has made it one of Sibelius’ most popular works, the Fifth Symphony, according to Grove's, "is simply in its most characteristic manifestations, unlike any other music." Popular with concert audiences for its rich, deeply stirring score, the work is reprinted here unabridged from the original 1921 full-score edition.

Symphony no. 5 in E-flat major, op. 82

Symphony no. 5 in E-flat major, op. 82 PDF Author: Jean Sibelius
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Symphonie no. 5, op. 82

Symphonie no. 5, op. 82 PDF Author: Jean Sibelius
Publisher:
ISBN:
Category : Symphonies
Languages : de
Pages : 144

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Book Description


Ten Masterpieces of Music

Ten Masterpieces of Music PDF Author: Harvey Sachs
Publisher: Liveright Publishing
ISBN: 1631495194
Category : Music
Languages : en
Pages : 384

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Book Description
Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.

Symphony no. 6 in B minor, op. 74

Symphony no. 6 in B minor, op. 74 PDF Author: Peter Ilich Tchaikovsky
Publisher: Courier Corporation
ISBN: 0486299546
Category : Music
Languages : en
Pages : 178

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Book Description
The composer's final symphony is a masterwork of lush orchestration and deep melancholy. This miniature score, an unabridged reproduction from an authoritative source, is a handy and inexpensive volume.

Nineteenth-Century Piano Music

Nineteenth-Century Piano Music PDF Author: R. Larry Todd
Publisher: Routledge
ISBN: 1136731288
Category : Music
Languages : en
Pages : 488

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Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Daniels' Orchestral Music

Daniels' Orchestral Music PDF Author: David Daniels
Publisher: Rowman & Littlefield
ISBN: 1442275219
Category : Music
Languages : en
Pages : 1464

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Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.

The University Musical Society

The University Musical Society PDF Author: University of Michigan. University Musical Society
Publisher: UM Libraries
ISBN:
Category : Concerts
Languages : en
Pages : 184

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Book Description


Ludwig van Beethoven

Ludwig van Beethoven PDF Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 553

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Book Description


Contemporary Orchestration

Contemporary Orchestration PDF Author: R.J. Miller
Publisher: Routledge
ISBN: 1317806247
Category : Music
Languages : en
Pages : 786

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Book Description
Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.