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Author: Carole Miller Genshaft
Publisher: Harry N. Abrams
ISBN: 9780810945050
Category : Art
Languages : en
Pages : 0
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Book Description
For me, there is no distinction between life and art. Folk art has to do with families and communities. It's timeless. It permeates the soul. It's the way people do things that's passed from generation to generation.
Author: Carole Miller Genshaft
Publisher: Harry N. Abrams
ISBN: 9780810945050
Category : Art
Languages : en
Pages : 0
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Book Description
For me, there is no distinction between life and art. Folk art has to do with families and communities. It's timeless. It permeates the soul. It's the way people do things that's passed from generation to generation.
Author: Michael Allis
Publisher: Boydell & Brewer
ISBN: 1783275286
Category : Music
Languages : en
Pages : 382
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Book Description
The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
Author: Robert Quebbeman
Publisher:
ISBN: 9781622774869
Category : Symphonic poems
Languages : en
Pages : 244
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Book Description
"Conceived as a sequel to the eminent twentieth-century text The Symphony and the Symphonic Poem, Robert Quebbeman's Symphonic Works Analyzed offers in-depth analysis of over sixty works from additional standard orchestral genres, including the overture, incidental pieces, and works for orchestra and chorus. With repertoire spanning the Classical period to the twentieth century, each analysis provides detailed, easy-to-follow charts outlining the structure and form for each work or movement--complete with music examples showing all the important themes, discussions of the significant details of each composition, and the instrumentation required for performance. Ideal for conducting professionals and students alike, this resource facilitates both the visual and aural components of score study, illuminating the intricacies of each work for efficient assimilation. This book is an essential reference for any orchestral conductor."--
Author: Joanne Cormac
Publisher: Cambridge University Press
ISBN: 1107181410
Category : Music
Languages : en
Pages : 381
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Book Description
A fresh evaluation of Liszt's symphonic poems, based on contextual, philosophical and musical evidence.
Author: Keith T. Johns
Publisher: Pendragon Press
ISBN: 9780945193401
Category : Juvenile Nonfiction
Languages : en
Pages : 190
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Book Description
"Each symphonic poem is discussed in terms of its melodic and harmonic organization, origins in surviving sketches and manuscript drafts, and reception by critics in major German cities, as well as in Paris, London, and New York. The volume is illustrated with ... facsimiles and full-page musical examples"--Publisher.
Author: Kenneth Hamilton
Publisher: Cambridge University Press
ISBN: 1139825755
Category : Music
Languages : en
Pages : 367
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Book Description
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1924
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1164
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Book Description
Author: Andreas Otte
Publisher: Springer Nature
ISBN: 3031066715
Category : Medical
Languages : en
Pages : 180
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Book Description
The life and death, but also the creative work of famous musicians is closely linked to their personal medical histories. In "Famous Composers – Diseases Reloaded" these case histories are vividly reconstructed on the basis of authentic biographical testimonies and closely linked to the personalities of the musicians. The latest research findings on the pathophysiology of these composers will be woven into the overall picture. Was Paganini's "devilishness" caused by a hereditary disease? Did Scarlatti have strange signs of illness on his fingers? What did Bach really die of? How did "Christel" from a dubious milieu change Schumann's entire life? What aggravated Ravel's underlying illness so that he did not complete a single composition in the last five years before his death? How did Tárrega manage to play the guitar again after his stroke with hemiplegia? Did the Brazilian Villa-Lobos' worldwide reputation help him live longer thanks to the best treatment available to him? Andreas Otte, physician and musician, has incorporated the latest medical history research into the composers' pathographies. This book is an exciting and "well-tempered" reading experience not only for physicians, music lovers, musicologists and musicians, but for all readers who want to develop a basic understanding of the pathophysiology and life scores of these great masters under current conditions from today's perspective.
Author: Denis Daniel
Publisher: Page Publishing Inc
ISBN: 1662402856
Category : Biography & Autobiography
Languages : en
Pages : 339
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Book Description
Bidú Sayao was a renowned, world-famous opera singer in the midtwentieth century. In his meticulously researched biography Bidú Sayao: Passion and Determination, Denis Allan Daniel provides a fascinating insight into this Brazilian operatic star with never-before-revealed details about her life. It is stated that "she was not pleased with any biography about her and therefore decided to write her autobiography but this never materialized." This book admirably supplies the definitive biography of this diminutive diva. The first chapter explains her family background in Rio de Janeiro and how and why she began having singing lessons. Chapter two deals with the exact date and place of Bidú's birth. Painstaking research eventually discovered a birth certificate to end any conjecture. The third chapter details her travels abroad, designed to perfect her singing voice and to gain the experience required of singing in operas. Chapter four concerns her early reviews and triumphs abroad. In 1936, she signs a contract with the Metropolitan Opera. However, when returning to Brazil, she is booed at the Theatro Municipal in Rio de Janeiro. Brazilians, at the time, liked their stars to remain in Brazil and not become "Americanized." The fifth chapter illustrates the influence of Toscanini and how he supported her in gaining roles at the Met and how she won over the severe New York critics. Chapter six provides detailed accounts of some of these reviews. In Jussi Bjorling, the Swedish tenor, she found her perfect partner for several roles at the Met. The seventh chapter includes more reviews of this highly successful period. Returning to her private life, chapter eight provides an insight on her two marriages, both with older men, who "resembled my father, helped me with my career and protected me." The ninth chapter deals with her resentments, grief, and disillusions. In Brazil, she was often unfairly describes as being unpatriotic. The actions taken by the authorities that so upset her are recorded in detail. Chapter ten concerns her postcareer struggles. In the span of three years, in the 1960s, she lost her second husband and her mother. "I almost died with her. I think I did die a little. It was horrible. The worst time in my life. I had money but no happiness. I began to have heart problems, irregular heartbeats, palpitations and cold sweats." An interesting anecdote about the power of redemption closes the chapter. The eleventh chapter is about her love for Brazil and her pride of being Brazilian. She once said, "I am a Brazilian from the bottom of my heart and it deeply offends me to hear that I am antipatriotic." The next chapter covers her vanity, distinctions, and honors. Bidú used whatever vanity she had for the benefit of her art. She felt and acted as a true star should feel and act. The distinctions and honors that she was awarded are listed chronologically. Chapter thirteen concerns her American citizenship even though she always maintained her Brazilian citizenship. The next chapter discusses her relationship with Villa-Lobos, whose Bachianas No. 5 was definitively performed by Bidú. This became the greatest world success of both of their careers. It became the best-selling record in the United States of America for two consecutive years. The fifteenth chapter relates her successful return to Rio to appear as the star of the Beija-Flor samba school parade, at the age of ninety-two! Her death two years later is described in the next chapter with a full description of her last will and testament. It ends with quotations by Bidú about her life and opera. In conclusion, the author explains how she had to overcome enormous obstacles and the basic limitation of a fine light soprano voice and that her exceptional human and professional qualities, as a leading star of the opera world, should never be forgotten. As one critic wrote, "This was a voice such as one doesn't often hear in this world. Pure and effortless it ranged from a silver trickle to a golden torrent. Sometimes her voice soared to almost unbelievable heights and hung there--hung there like a skylark pouring its heart out in the sky." Finally, the addenda provide extensive details of reviews of Bidú's performances abroad, at the Theatro Municipal of Rio de Janeiro, operas sang by Bidú at the Met, at the San Francisco Opera, a bibliography, a comprehensive discography, and finally, a list of compositions by Villa-Lobos. This book, a labor of love by the author, is undoubtedly now the definitive biography of Bidú Sayao. Her life has finally been given the due attention it has always deserved.
