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Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296298
Category : Drama
Languages : en
Pages : 238
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Book Description
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296298
Category : Drama
Languages : en
Pages : 238
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Book Description
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author: Frantisek Deak
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
"Frantisek Deak's Symbolist Theater is a welcome and fundamental contribution to the re-evaluation of European avant-garde theatre. Deak's analysis of symbolist theatre rebuts earlier approaches which concluded, as Haskell Block did in the 1969 Reader's Encyclopedia of World Drama, that attempts to stage symbolist plays were "doomed to failure," because of "an inherent opposition between symbolist premises and the demands of sustained theatrical elaboration." These earlier critiques analyzed symbolist theatre from the viewpoint of literary criticism, but Deak's book employs different methods by taking "as a premise that theater exists in performance" (7). Symbolist Theater leans conceptually on Czech structuralists and Russian formalists as it makes "theater criticism based on the reconstruction of the semantic gesture of the production;" criticism which "takes the text into consideration as one aspect of the structure" (10), and sees the symbolist theatre project as an effort to re-define the "signifying process" in general (132). Despite its title, however, Symbolist Theater is not an analysis of the whole symbolist theatre movement, but instead a focus on French symbolist theatre alone".
Author: Arthur Symons
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 448
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Book Description
Author: Ronald E. Peterson
Publisher: John Benjamins Publishing
ISBN: 9027215340
Category : History
Languages : en
Pages : 269
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Book Description
The era of Russian Symbolism (1892-1917) has been called the Silver Age of Russian culture, and even the Second Golden Age. Symbolist authors are among the greatest Russian authors of this century, and their activities helped to foster one of the most significant advances in cultural life (in poetry, prose, music, theater, and painting) that has ever been seen there. This book is designed to serve as an introduction to Symbolism in Russia, as a movement, an artistic method, and a world view. The primary emphasis is on the history of the movement itself. Attention is devoted to what the Symbolists wrote, said, and thought, and on how they interacted. In this context, the main actors are the authors of poetry, prose, drama, and criticism, but space is also devoted to the important connections between literary figures and artists, philosophers, and the intelligentsia in general. This broad, detailed and balanced account of this period will serve as a standard reference work an encourage further research among scholars and students of literature.
Author: Terry Hodgson
Publisher: New Amsterdam Books
ISBN: 1461721571
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
This comprehensive reference work is designed to be a single source to which readers may turn for guidance on dramatic theory and practice. It therefore concentrates on critical and technical concepts and terms rather than on theatre history or biography. The book contains some 1300 entries varying in length from a few words to several hundred. The terms included relate to the forms of drama (e.g. epic, mime, farce, comedy of manners, tragi-comedy, etc.); to different kinds of stage (thrust, picture-frame, arena, etc.); to technical stage terms (tabs, proscenium arch, sightlines, etc.); to acting terms, including colloquialisms (fluff, corpse-as well as duologue, soliloquy, cross below, upstage, etc.) They also include the critical terms of important theoreticians (e.g. superobjective, magic 'if', throughline, alienation, montage) and the obvious foreign terms (hamartia, peripeteia, etc.). Dramatic movements and styles are described (naturalism, expressionism, neo-classical, Jacobean, etc.), together with terms relating to costume (e.g. buskins), character types (of, say, the Commedia dell'Arte) and dramatic structure (climax, curtain, pace and tempo, episode, chorus, etc.). The entries are fully cross-referenced, and are supported by ample suggestions for further reading and a selection of line drawings illustrating key points in the text.
Author: Edward Lucie-Smith
Publisher:
ISBN: 9780500181317
Category : Art, Modern
Languages : en
Pages : 216
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Book Description
Symbolic art - Romanticism and Symbolism - Symbolist movement in France - Gustave Moreau - Redon and Bresdin - Puvis de Chavannes and Carriere - Gauguin, Pont-Aven and the Nabis - Edvard Munch.
Author: Allison Morehead
Publisher: Penn State Press
ISBN: 027107938X
Category : Art
Languages : en
Pages : 467
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Book Description
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices. Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature’s experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body—extended from the scientific realm into the world of art, underpinned artists’ solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange. Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature’s Experiments and the Search for Symbolist Form demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.
Author: Frederick J. Marker
Publisher: University of Toronto Press
ISBN: 9780802082060
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Author: Margaret Rose
Publisher: Edizioni Unicopli
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Author: Andrei Pop
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
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Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
