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Author: W. B. Gerard
Publisher: University of Delaware
ISBN: 1611490596
Category : Literary Collections
Languages : en
Pages : 314
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Book Description
These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years. Suggesting the wide range of that career, the first eight essays offer various critical perspectives on a diverse group of eighteenth-century authors. These include a reading of Eliot in the shadow of Pope; a comparison of Gainsborough’s final paintings and Sterne’s Sentimental Journey; a study of Johnson and casuistry; a discussion of Smollett’s view of slavery in Roderick Random; a bibliographical study of a Lyttelton poem; a comparison of Swift and Nietzsche; and two essays about Fielding’s Joseph Andrews. Laurence Sterne, the primary focus of Professor New’s scholarship, is also the focus of the final five essays, which treat Sterne in contexts as disparate as the kabbalah, abolitionist discourse, local English church politics, the use of the fragment, and, finally, the culture of modernity.
Author: W. B. Gerard
Publisher: University of Delaware
ISBN: 1611490596
Category : Literary Collections
Languages : en
Pages : 314
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Book Description
These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years. Suggesting the wide range of that career, the first eight essays offer various critical perspectives on a diverse group of eighteenth-century authors. These include a reading of Eliot in the shadow of Pope; a comparison of Gainsborough’s final paintings and Sterne’s Sentimental Journey; a study of Johnson and casuistry; a discussion of Smollett’s view of slavery in Roderick Random; a bibliographical study of a Lyttelton poem; a comparison of Swift and Nietzsche; and two essays about Fielding’s Joseph Andrews. Laurence Sterne, the primary focus of Professor New’s scholarship, is also the focus of the final five essays, which treat Sterne in contexts as disparate as the kabbalah, abolitionist discourse, local English church politics, the use of the fragment, and, finally, the culture of modernity.
Author: Melvyn New
Publisher: University of Delaware
ISBN: 161149401X
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
Seventeen essays explore the complex relationships between literary intentions and theological concerns of authors writing in the second half of the eighteenth century. The diversity of literary forms and subjects, from Fielding and Richardson to Burke and Wollstonecraft, is matched by a diversity of theologies; to argue that the age “resisted secularism” is by no means to argue that that resistance was blindly doctrinal or rigidly uniform; the many ways secularism could be resisted is the subject of the collection
Author: Manfred Pfister
Publisher: Liverpool University Press
ISBN: 074630837X
Category : Literary Criticism
Languages : en
Pages : 137
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Book Description
Despite the immense popularity of Laurence Sterne's work during his lifetime, his contribution to the novel form and experimentalism has only been acknowledged since his death. His contemporaries Richardson and Goldsmith denounced his archaic methods and took offence at his playful irreverence but his oddity is never accidental nor perverse; it is the strategy of an inventive, thoughtful, comic talent. Tristram Shandy, perhaps his best loved work, defies convention at every turn, distributing narrative content across a bafflingly idiosyncratic time-scheme interrupted by digressions, authorial comments and interferences with the printed fabric of the book. This comically fragmented story line is a reaction against the linear narratives of Fielding and Richardson; aiming instead at a realistic impressionism, a shape determined by the association of ideas. This study critiques Sterne's work in the light of modern literary theory, questioning whether he was an artist before his time.
Author: Melvyn New
Publisher: Rowman & Littlefield
ISBN: 1611495717
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Sterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne derives from the Laurence Sterne Tercentenary Conference held at Royal Holloway, University of London, on July 8–11, 2013. It was attended by some eighty scholars from fourteen countries; the conference heard more than sixty papers. The organizers invited participants to submit revised versions of their contributions for this volume, and the thirteen selected exhibit, it is hoped, the defining features both of the conference and of Sterne studies at the beginning of the twenty-first century. It is worth remarking that the selected authors represent seven countries; that Sterne may well be the most internationally accepted of all eighteenth-century English authors is certainly a claim worthy of a sentimental traveler. This collection recognizes three faces of Sterne, beginning with several biographical essays examining, respectively, his celebrity status, family life, politics, and philosophy. The second face is that of Tristram, studied from vantage points provided by ethics, linguistics, gender studies, and comparative literature. The final group of essays examines the face of Yorick as the protagonist of A Sentimental Journey, beginning with an ethnographic study of relationships, moving through questions of identity, and concluding with the possible future of literary studies—a return to aesthetics.
Author: Eric McLuhan
Publisher: University of Toronto Press
ISBN: 9780802009234
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
The study establishes the nature and aims of Finnegans Wake as Menippean satire and interprets the Wake in that light. McLuhan examines Joyce's use of language, and in particular his use of ten hundred-lettered words (thunderclaps).
Author: David Pierce
Publisher: Bloomsbury Publishing
ISBN: 1847141420
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
Joyce and Company is a comparative study which encourages a way of thinking about Joyce not as an isolated figure but as someone who is best understood in the company of others whether from the past, the present or, indeed, the imagined future. Throughout, Pierce places Joyce and his time in dialogue with other figures or different historical periods or languages other than English. In this way, Joyce is seen anew in relation to other writers and contexts. The book is organised in four parts: Joyce and History, Joyce and Language, Joyce and the City, and Joyce and the Contemporary World. Pierce emphasises Joyce's position as both an Irish and a European writer and shows Joyce's continuing relevance to the twenty-first century, not least in his commitment to language, culture and a discourse on freedom.
Author: John P. Anderson
Publisher: Universal-Publishers
ISBN: 1599428105
Category : Literary Criticism
Languages : en
Pages : 463
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Book Description
This fourth in a series continues this non-academic author's ground-breaking word by word analysis of James Joyce's Finnegans Wake. This volume covers all of chapters 1.7, 1.8 and 2.1 with the intent to explore them as art objects. In chapters 1.7 and 1.8 Aesthetics meets Theosophy meets Metaphysics. Together they share a common subject-how one part or whole treats another part. These two chapters move from shun to share, hurt to help, male to female. In aesthetics, from bad art to good art. In theosophy, from TZTZ god to ES god. In metaphysics a la Arthur Schopenhauer, from male to female aspects of Will. Featuring an all male cast, chapter 1.7 is a stinging criticism of Shem by Shaun-brother against brother. Chapter 1.7 is intentionally bad art. In aesthetic terms, the whole of the chapter is at odds with the parts and the parts at odds with other parts. With an all female cast, chapter 1.8 features a young washerwoman and old washerwoman washing clothes and talking together across a river. The main point is that they are working together, and Old shares knowledge of the eternal feminine with Young. Sharing replaces shunning. Part helps part. Chapter 1.8 is intentionally divine art. Chapter 2.1 starts Part II that features the Earwicker children, the human expression of the death defying new. As children, they come with the potential for new possibilities. Initially, however, their realization is limited by youth, when they are more under instinct-based and parental control than under self-control. Chapter 2.1 features a children's game fueled by immature sexual intoxication and loss of self-control. Joyce presents this come-on game in the rhythms and rhymes of children's stories, poems and songs, that is in children's art limited by the purpose to please a young mind. Chapter 2.1 takes the form of a play. The action in the play is the children's game. It is a play about play. With drama in the structure, Joyce weaves Macbeth into the chapter and like Shakespeare's bearded witches, boils the pot with male and female. Hermetic magic supplies the metaphors and concepts for chapter 2.1. Hermetic magic is the art of accessing the celestial force field known as the Astral Light. In order to have strong magic the magus must be in equilibrium and must know him or herself. Magus Joyce notes that these same requirements are necessary for the highest art.
Author: John Owen Havard
Publisher: Oxford University Press
ISBN: 0192569546
Category : Literary Criticism
Languages : en
Pages : 471
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Book Description
Disaffected Parties reveals how alienation from politics effected crucial changes to the shape and status of literary form. Recovering the earliest expressions of grumbling, irritability, and cynicism towards politics, this study asks how unsettled partisan legacies converged with more recent discontents to forge a seminal period in the making of English literature, and thereby poses wide-ranging questions about the lines between politics and aesthetics. Reading works including Laurence Sterne's Tristram Shandy, James Boswell's Life of Johnson, the novels of Maria Edgeworth and Jane Austen, and the satirical poetry of Lord Byron in tandem with print culture and partisan activity, this book shows how these writings remained animated by disaffected impulses and recalcitrant energies at odds with available party positions and emerging governmental norms—even as they sought to imagine perspectives that looked beyond the divided political world altogether. 'No one can be more sick of-or indifferent to politics than I am' Lord Byron wrote in 1820. Between the later eighteenth century and the Romantic age, disaffected political attitudes acquired increasingly familiar shapes. Yet this was also a period of ferment in which unrest associated with the global age of revolutions (including a dynamic transatlantic opposition movement) collided with often inchoate assemblages of parties and constituencies. As writers adopted increasingly emphatic removes from the political arena and cultivated familiar stances of cynicism, detachment, and retreat, their estrangement also promised to loop back into political engagement-and to make their works 'parties' all their own.
Author: Archibald Edward Malloch
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773506626
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Literature and Ethics presents an original definition of the relation between literature and ethics at a time when the whole concept of ethical literary criticism is being widely reconsidered. The book focuses on ethical conditions that are presupposed in literary communication between authors and readers, rather than on ethical themes within literature.
Author: Melvyn New
Publisher: Penn State Press
ISBN: 0271094311
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
This collection presents fourteen essays on annotating eighteenth-century literature. Authored by editors and annotators of current standard editions—such as California’s Works of John Dryden, the Florida Edition of the Works of Laurence Sterne, and the Yale Edition of the Works of Samuel Johnson—this book explores theoretical perspectives on critical editing and the practical work of annotation. Through examples from their own editorial work, the contributors illuminate the personal dilemmas and decisions confronting the annotator of texts: What information in the text needs annotation? When does one stop annotating? How does one manage the annotation-versus-interpretation problem? Brimming with erudition, Notes on Footnotes showcases the precision and attentiveness of some of the world’s foremost editors and annotators. The book is necessary reading—not only for scholars of the eighteenth century but also for scholarly editors of texts of all historical periods, book historians, and book lovers in general. In addition to the editors, the contributors include Kate Bennett, Robert DeMaria Jr., Michael Edson, Robert D. Hume, Stephen Karian, Elizabeth Kraft, Thomas Lockwood, William McCarthy, Maximillian E. Novak, Shef Rogers, Robert G. Walker, and Marcus Walsh.
