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Author: Martica Sawin
Publisher: MIT Press (MA)
ISBN: 9780262692014
Category : Art
Languages : en
Pages : 466
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Book Description
Sawin's rich year-by-year narrative documents the cultural transfer that took place when the greater part of the prewar Surrealist group was transplanted to the Western Hemisphere.
Author: Martica Sawin
Publisher: MIT Press (MA)
ISBN: 9780262692014
Category : Art
Languages : en
Pages : 466
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Book Description
Sawin's rich year-by-year narrative documents the cultural transfer that took place when the greater part of the prewar Surrealist group was transplanted to the Western Hemisphere.
Author: Frances Richard
Publisher: University of California Press
ISBN: 0520299094
Category : Art
Languages : en
Pages : 534
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Book Description
Bringing a poet’s perspective to an artist’s archive, this highly original book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. He is celebrated for his “anarchitectural” environments and performances, and the films, photographs, drawings, and sculptural fragments with which his site-specific work was documented. In studies of his career, the artist’s provocative and vivid language is referenced constantly. Yet the verbal aspect of his practice has not previously been examined in its own right. Blending close readings of Matta-Clark’s visual and verbal creations with reception history and critical biography, this extensively researched study engages with the linguistic and semiotic forms in Matta-Clark’s art, forms that activate what he called the “poetics of psycho-locus” and “total (semiotic) system.” Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. Gordon Matta-Clark: Physical Poetics explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
Author: Roy Kotynek
Publisher: McFarland
ISBN: 078643709X
Category : History
Languages : en
Pages : 263
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Book Description
Artistic vanguards plot new aesthetic movements, print controversial magazines, hold provocative art shows, and stage experimental theatrical and musical performances. These revolutionaries have often helped create America's countercultural movements, from the early romantics and bohemians to the beatniks and hippies. This work looks at how experimental art and the avant-garde artists' lifestyles have influenced, and at times transformed, American culture since the mid-nineteenth century. The work will introduce readers to these artists and rebels, making a careful distinction between the worlds of the high modern artist (salons and galleries) and the bohemian.
Author: Charles Darwent
Publisher: Thames & Hudson
ISBN: 0500778973
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
An absorbing group biography revealing how exiles from war-torn France brought surrealism to America, sparking the movement that became abstract expressionism. In 1957 the American artist Robert Motherwell made an unexpected claim: "I have only known two painting milieus well … the Parisian Surrealists, with whom I began painting seriously in New York in 1940, and the native movement that has come to be known as 'abstract expressionism,' but which genetically would have been more properly called 'abstract surrealism.'" Motherwell’s bold assertion, that abstract expressionism was neither new nor local, but born of a brief liaison between America and France, verged on the controversial. Surrealists in New York tells the story of this "liaison" and the European exiles who bought Surrealism with them—an artistic exchange between the Old World and the New—centering on taciturn printmaker Stanley William Hayter and the legendary Atelier 17 print studio he founded. Here artists’ experiments literally pushed the boundaries of modern art. It was in Hayter’s studio that Jackson Pollock found the balance of freedom and control that would culminate in his distinctive drip paintings. The impact of Max Ernst, André Masson, Louise Bourgeois and other noted émigrés on the work of Motherwell, Pollock, Mark Rothko, and the American avant-garde has for too long been quietly written out of art history. Drawing on first-hand documents, interviews, and archive materials, Charles Darwent brings to life the events and personalities from this crucial encounter, revealing a fascinating new perspective on the history of the art of the twentieth century.
Author: Sandra Zalman
Publisher: Routledge
ISBN: 1351571095
Category : Art
Languages : en
Pages : 237
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Book Description
Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States. Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism?s multi-faceted circulation as both elite and popular. Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism?s intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography. As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.
Author: Roger Copeland
Publisher: Routledge
ISBN: 1135889090
Category : Art
Languages : en
Pages : 307
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Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Joanna Pawlik
Publisher: Univ of California Press
ISBN: 0520309049
Category : Art
Languages : en
Pages : 295
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Book Description
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
Author: Andy Marino
Publisher: Macmillan
ISBN: 9780312267674
Category : Biography & Autobiography
Languages : en
Pages : 460
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Book Description
Varian Fry, an American war correspondent, set up a secret refuge escape system in Marseilles to get leading artists and intellectuals out of occupied France.
Author:
Publisher: BRILL
ISBN: 9004711287
Category : Art
Languages : en
Pages : 418
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Book Description
This volume, edited by Éva Forgács, with contributions from art historians from across Europe and the Americas, analyzes the artistic initiatives of the short time span between the end of World War II and the onset of the Cold War. In this moment, a new internationalism was anticipated by retrieving pre-war modernism, as well as creating the new era's new artistic lingua franca. The chapters include in-depth case studies that analyze the complex, often interconnected, projects throughout the world—South America and Eastern and Western Europe—that were soon ended by the Cold War.
Author: Robert Cozzolino
Publisher: Chazen Museum of Art
ISBN: 9780932900005
Category : Art
Languages : en
Pages : 190
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Book Description
This exhibition catalogue focuses on the art and friendships of the American artists Gertrude Abercrombie (1909-1977), Sylvia Fein (b. 1919), Marshall Glasier (1902-1988), Dudley Huppler (1917-1988), Karl Priebe (1914-1976), and John Wilde (b. 1919). The first intensive study of this close-knit group explores the artistic and personal relationships they shared. Cozzolino provides insight into a figurative branch of postwar American modernism that has been often neglected in favor of abstract expressionism. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
