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Author: Carol Becker
Publisher: Rowman & Littlefield
ISBN: 9780742509207
Category : Art
Languages : en
Pages : 184
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Book Description
Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
Author: Carol Becker
Publisher: Rowman & Littlefield
ISBN: 9780742509207
Category : Art
Languages : en
Pages : 184
Get Book Here
Book Description
Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
Author: Tony Reinke
Publisher: Crossway
ISBN: 1433563827
Category : Religion
Languages : en
Pages : 137
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Book Description
We live in a world full of shiny distractions, faced with an onslaught of viral media constantly competing for our attention and demanding our affections. These ever-present visual “spectacles” can quickly erode our hearts, making it more difficult than ever to walk through life actively treasuring that which is most important and yet invisible: Jesus Christ. In a journalistic style, Tony Reinke shows us just how distracting these spectacles in our lives have become and calls us to ask critical questions about what we’re focusing on. The book offers us practical steps to redirect our gaze away from the addictive eye candy of the world and onto the Ultimate Spectacle—leading to the joy and rest our souls crave.
Author: Guy Debord
Publisher: Verso Books
ISBN: 1844676722
Category : Social Science
Languages : en
Pages : 105
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Book Description
First published in 1967, Guy Debord’s stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord’s pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today’s age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the “integrated spectacle” was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord’s Comments convey the revolutionary impulse atthe heart of situationism.
Author: Anselm Jappe
Publisher: Univ of California Press
ISBN: 9780520212053
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent attempts to set Debord up as a "postmodern" icon, arguing that he was a social theorist in the Hegelian-Marxist tradition—not a precursor of Jean Baudrillard but an heir of the young Georg Lukács of History and Class Consciousness (1923). Neither hagiographical nor sectarian, Guy Debord places its subject squarely in his historical context: the politicizing Letterist and Situationist "anti-artists" who, in the European aftermath of World War II, sought to criticize and transcend the Surrealist legacy. The book offers a lively, critical, and unusually reliable account of Debord's "last avant-garde" on its way from radical bohemianism to revolutionary theory. Jappe also discusses Debord's films, which are largely inaccessible at present. This English language edition of the book has been revised by the author and features an updated critical bibliography of Debord and the Situationists.
Author: Brad Evans
Publisher: City Lights Books
ISBN: 0872866580
Category : Political Science
Languages : en
Pages : 300
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Book Description
A dazzling exploration of the seduction of violence and spectacle in politics, culture, entertainment and everyday life
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1844676900
Category : Art
Languages : en
Pages : 401
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Book Description
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.
Author: Carol Becker
Publisher: Routledge
ISBN: 1136642897
Category : Art
Languages : en
Pages : 279
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Book Description
In The Subversive Imagination , professional writers, artists and cultural critics from around the world offer their views on the issue of the artist's responsibility to society. The contributors look beyond censorship and free speech issues and instead emphasize the subject of freedom. More specifically, the contributors question the ethical, mutual responsibilities between artists and the societies in which they live. The original essays address an eclectic range of subjects: censorship, multiculturalism, the transition from communism to capitalism in Eastern Europe, postmodernism, Salman Rushdie, and young black filmmakers' responsibility to the black community.
Author: Joanna Grabski
Publisher: Indiana University Press
ISBN: 0253026229
Category : Art
Languages : en
Pages : 329
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Book Description
“Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an “art world city.” “In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban environment and the sites of art production, exhibition, and sale imbricate one another to constitute Dakar as an Art World City.” —Mary Jo Arnoldi, Curator, Anthropology, National Museum of Natural History, Smithsonian “A valuable addition to the anthropology of cities and of art worlds. It stretches and revises the notion of art world to include multiple scales, and illustrates how the city enables simultaneous engagement for artists with local, national, Pan-African, and global discourses and platforms.” —City & Society “A beautiful book. The photographs, most of which are by the author, are stunning.” —College Art Association Reviews
Author: Douglas Kellner
Publisher: Routledge
ISBN: 1134493959
Category : Social Science
Languages : en
Pages : 207
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Book Description
During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.
Author: Mehdi Belhaj Kacem
Publisher: Bloomsbury Publishing
ISBN: 147252862X
Category : Political Science
Languages : en
Pages : 265
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Book Description
A contemporary philosopher of Tunisian origin, Mehdi Belhaj Kacem is here published in English for the first time. His new book, Transgression and the Inexistent: A Philosophical Vocabulary, is a comprehensive foray into Kacem's elaborate philosophical system in twenty-seven discreet chapters, each dedicated to a single concept. In each chapter, he explicates a critical re-thinking of ordinary lived experiences - such as desire, irony, play - or traditional philosophical ideas – such as catharsis, mimesis, techne – in light of 'the spirit of nihilism' that marks the contemporary human condition. Kacem gained notoriety in the domain of critical theory amid his controversial break with his mentor and leading contemporary philosopher, Alain Badiou. Transgression and the Inexistent lays out the essential concepts of his philosophical system: it is the most complete and synthetic book of his philosophical work, as well as being one of the most provocative in its claims. As a Francophone author engaging with contemporary world thought, he is able to develop novel philosophical perspectives that reach beyond the Middle East or the Continental, and the East/West binary. This is the book's first publication in any language, constituting a much-awaited first translation of Kacem into English.
