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Author: Josephina Niggli
Publisher: Samuel French, Inc.
ISBN: 9780573625039
Category : Drama
Languages : en
Pages : 36
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Book Description
A comedy of Mexican village life. A young girl, through jealousy, breaks off with her fiance then, repentant, tries to win him back with the aid of well meaning friends who only manage to involve her in further difficulties.
Author: Josephina Niggli
Publisher: Samuel French, Inc.
ISBN: 9780573625039
Category : Drama
Languages : en
Pages : 36
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Book Description
A comedy of Mexican village life. A young girl, through jealousy, breaks off with her fiance then, repentant, tries to win him back with the aid of well meaning friends who only manage to involve her in further difficulties.
Author: Josephina Niggli
Publisher:
ISBN:
Category : Villages
Languages : en
Pages : 0
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Book Description
Author: Richard Foster
Publisher: Citadel Press
ISBN: 0806540125
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
“Scrupulously researched . . . An eloquent fan, Foster brings insight into Page’s recent revival as a sex symbol.” —Entertainment Weekly TWENTIETH ANNIVERSARY EDITION UPDATED BY THE AUTHOR WITH A NEW EPILOGUE She has been called the most photographed model in history. From her modest beginnings in Nashville to her legacy as a cult figure, here is the true story of America’s iconic pinup queen, legendary Playboy centerfold Bettie Page—including her stormy marriages, her trial for attempted murder, and her decade-long isolation in a California mental institution. During the 1950s, Bettie set hearts ablaze with her killer curves and girl-next-door smile. Yet at the height of her popularity, with a promising acting career before her, she walked away. For more than thirty years, Bettie stayed hidden from the public eye, though she lived on in her fans’ memories, much like Marilyn Monroe and James Dean. Journalist Richard Foster became the first reporter to contact Page during her long absence, and the first to tell her full story. Using interviews with those who knew her, and filled with uncommon knowledge and insights, The Real Bettie Page reveals both the fun flirt and fashion-forward counter-culture icon whose style continues to inspire today, as well as the intriguing and complex, flesh-and-blood woman behind her smiling photos. Includes classic and rare color and black-and-white photos
Author: Holly George-Warren
Publisher: Simon and Schuster
ISBN: 1476793123
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
Longlisted for the 2020 Andrew Carnegie Medals for Excellence This blazingly intimate biography of Janis Joplin establishes the Queen of Rock & Roll as the rule-breaking musical trailblazer and complicated, gender-bending rebel she was. Janis Joplin’s first transgressive act was to be a white girl who gained an early sense of the power of the blues, music you could only find on obscure records and in roadhouses along the Texas and Louisiana Gulf Coast. But even before that, she stood out in her conservative oil town. She was a tomboy who was also intellectually curious and artistic. By the time she reached high school, she had drawn the scorn of her peers for her embrace of the Beats and her racially progressive views. Her parents doted on her in many ways, but were ultimately put off by her repeated acts of defiance. Janis Joplin has passed into legend as a brash, impassioned soul doomed by the pain that produced one of the most extraordinary voices in rock history. But in these pages, Holly George-Warren provides a revelatory and deeply satisfying portrait of a woman who wasn’t all about suffering. Janis was a perfectionist: a passionate, erudite musician who was born with talent but also worked exceptionally hard to develop it. She was a woman who pushed the boundaries of gender and sexuality long before it was socially acceptable. She was a sensitive seeker who wanted to marry and settle down—but couldn’t, or wouldn’t. She was a Texan who yearned to flee Texas but could never quite get away—even after becoming a countercultural icon in San Francisco. Written by one of the most highly regarded chroniclers of American music history, and based on unprecedented access to Janis Joplin’s family, friends, band mates, archives, and long-lost interviews, Janis is a complex, rewarding portrait of a remarkable artist finally getting her due.
Author: Laura Rosek
Publisher: Xlibris Corporation
ISBN: 1514448076
Category : Biography & Autobiography
Languages : en
Pages : 365
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Book Description
Since early childhood, Laura was never allowed to express her feelings without being accused of backchatting. Her mother was suicidal, and her father liked his drink. To escape from all this, she would often daydream and go into a fantasy world of her own. Laura was often bullied at school until one day, she learnt to stick up for herself. As she grew up, she fell madly in love, only to be rejected when she was four and a half months pregnant and had to bring up her daughter on her own. She eventually made the biggest mistake of her life when she found herself trapped in a loveless marriage. Laura was divorced after three years, only to be trapped again when she met someone whom she believed could love her unconditionally.
Author: Nicolàs Kanellos
Publisher: Arte Publico Press
ISBN: 9781611921632
Category : Literary Collections
Languages : en
Pages : 422
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Book Description
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
Author: Christopher Balme
Publisher: Rodopi
ISBN: 9401210071
Category : History
Languages : en
Pages : 567
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Book Description
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convictions. As Gordon Rohlehr once presciently observed, “If one wants to see a quotidian workaday Walcott, one should go back to [his] well over five hundred articles, essays and reviews on painting, cinema, calypso, carnival, drama and lite¬rature,” articles which “reveal a rich, various, witty and scrupulous intelligence in which generous humour counterpoints acerbity.” These articles capture the vitality of Caribbean culture and shed additional light on the aesthetic preoccupations expressed in Walcott’s essays published in journals. The editors have examined the corpus of Walcott’s journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 2 are organized as follows: the performing arts; general surveys of anglophone Caribbean drama, theatre, and society; festivals, theatre companies, and productions; British and American drama; dance and music theatre; Carnival and calypso; and cinema screenings in Trinidad. Volume 2 additionally contains an exhaustive annotated and cross-referenced chronological bibliography of Walcott’s journalism up to 1990. The co-editor Christopher Balme has written a searching introductory essay on a central theme – here, a survey of West Indian theatre and Walcott’s engagement with it, particularly the idea of a ‘National Theatre’, coupled with an illustrative discussion of the playwright’s seminal dramatic spectacle Drums and Colours.
Author: Elizabeth Coonrod Martinez
Publisher: UNM Press
ISBN: 9780826342720
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
The work of one of the earliest Mexican American women writers who focused on life lived between two cultures and nations is the subject of this new literary study.
Author: Josefina Niggli
Publisher: Northwestern University Press
ISBN: 0810123401
Category : Fiction
Languages : en
Pages : 910
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Book Description
Born in Monterrey, Nuevo León, Mexico in 1910, Josefina María Niggli was one of the first Latina writers to have her work published in the United States—and thus one of the first to introduce American audiences to the culture and people flourishing along the U.S.–Mexico border. Well ahead of what is now called Chicano literature, her writings—spanning a broad range of genres, subjects, and styles—offer an insider's view of the everyday lives little known or noted outside of their native milieu. In Niggli's plays, for instance, these often invisible working class Mexicans were literally elevated to the public stage, their hidden reality given expression. A long-overdue gathering of Niggli's work, this volume showcases the writer's remarkable literary versatility, as well as the groundbreaking nature of her writing, which in many ways established a blueprint for future generations of writers and readers of Chicano literature. This collection includes Niggli's most famous and influential work, Mexican Village—a literary chronicle of Hidalgo, Mexico, which explores the distinct nature and tensions of Mexican life—along with her novel Step Down, Elder Brother, and five of her most well-known plays.
Author: Alicia Arrizón
Publisher: Indiana University Press
ISBN: 0253028159
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
A study exploring the role of Latina women in theater performance, literature, and criticism. Arrizón’s examination of Latina performance spans the twentieth century, beginning with oral traditions of corrido and revistas. She examines the soldadera and later theatrical personalities such as La Chata Noloesca and contemporary performance artist Carmelita Tropicana. Latina Performance considers the emergence of Latina aesthetics developed in the United States, but simultaneously linked with Latin America. As dramatists, performance artists, protagonists, and/or cultural critics, the women Arrizón examines in this book draw attention to their own divided position. They are neither Latin American nor Anglo, neither third- or first-world; they are feminists, but not quite “American style.” This in-between-ness is precisely what has created Latina performance and performance studies, and has made “Latina” an allegory for dual national and artistic identities. “Alicia Arrizón’s Latina Performance is a truly innovative and important contribution to Latino Studies as well as to theater and performance studies.” —Diana Taylor, New York University “Arrizón’s . . . important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent. . . . Valuable for anyone interested in theater history and criticism, cultural studies, gender studies, and ethnic studies with attention to Mexican American, Chicana/o, and Latina/o studies. Upper—division undergraduates through professionals.” —E. C. Ramirez, Choice
