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Author: Frits Scholten
Publisher: Waanders Publishers
ISBN: 9789040094750
Category : Art
Languages : en
Pages : 0
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Book Description
"Although the conditions for a flourishing art of sculpture in the Netherlands received a serious setback after the Iconoclasm and the Reformation, around 100 sculpted sepulchral monuments were nevertheless erected in the 17th century, ranging from simple memorials to completely free-standing tombs. Behind these remarkable works of art lies a world of prominent patrons and first-class sculptors, of major financial investments and costly materials, of status and personal sorrow." "The patronage of this funerary sculpture is the thread running through this book - the first detailed study of 17th-centry Dutch sculpture for more than 50 years. Who ordered these monuments and why? Who were the artists involved and how did they organise their work? What were the functions and meanings of this sepulchral sculpture? What were the costs involved in erecting the tombs, and how were they viewed by the 17th-century public? These and other questions are examined from various different angles."--BOOK JACKET.
Author: Frits Scholten
Publisher: Waanders Publishers
ISBN: 9789040094750
Category : Art
Languages : en
Pages : 0
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Book Description
"Although the conditions for a flourishing art of sculpture in the Netherlands received a serious setback after the Iconoclasm and the Reformation, around 100 sculpted sepulchral monuments were nevertheless erected in the 17th century, ranging from simple memorials to completely free-standing tombs. Behind these remarkable works of art lies a world of prominent patrons and first-class sculptors, of major financial investments and costly materials, of status and personal sorrow." "The patronage of this funerary sculpture is the thread running through this book - the first detailed study of 17th-centry Dutch sculpture for more than 50 years. Who ordered these monuments and why? Who were the artists involved and how did they organise their work? What were the functions and meanings of this sepulchral sculpture? What were the costs involved in erecting the tombs, and how were they viewed by the 17th-century public? These and other questions are examined from various different angles."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 664
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Book Description
Author: Marisa Anne Bass
Publisher: Princeton University Press
ISBN: 0691240051
Category : Architecture
Languages : en
Pages : 248
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Book Description
How today’s questions surrounding monuments and the ways we commemorate our past first arose in Rembrandt’s time Monuments occupy a controversial place in nations founded on principles of freedom and self-governance. It is no accident that when we think of monuments, we think of statues modeled on legacies of conquest, domination, and violence. The Monument’s End reveals how the artists, architects, poets, and scholars of the early modern Netherlands contended with the profound disconnect between the public monument and the ideals of republican government. Their experiences offer vital lessons about the making, reception, and destruction of monuments in the present. In the seventeenth century, the newly formed Dutch Republic dominated world trade and colonized vast overseas territories even as it sought to shed the trappings of its imperial past. Marisa Anne Bass describes the frustrated attempts by figures such as Rembrandt van Rijn and playwright and poet Joost van den Vondel to reimagine public memory for their emergent nation. She shows how the most celebrated age of Dutch art was more an age of bronze than of gold, one in which the pursuit of freedom from domination was constantly challenged by the commercial ambitions of empire. Exploring how the artists and intellectuals of this vibrant century asked questions that still resonate today, this beautifully illustrated book discusses works by contemporary artists such as Spencer Finch and Thomas Hirschhorn and offers new perspectives on monuments like the 9/11 Memorial and Museum and events such as the Unite the Right rally in Charlottesville.
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ISBN:
Category : Geography
Languages : en
Pages : 698
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Book Description
Includes the Proceedings of the Royal geographical society, formerly pub. separately.
Author: Mabel Dodge Luhan
Publisher: University of New Mexico Press
ISBN: 0826321062
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Mabel Dodge Luhan (1879-1962), the patron of the arts who put Taos, New Mexico, on the cultural map of the world, began to write her autobiography in 1924, a process that took over a decade and resulted in a four-volume opus published serially tinder the title Intimate Memories. Now almost forty years after her death Mabel has found an editor, and her remarkable autobiography is available in one readable volume for the first time. Abridged and introduced by Lois Rudnick, the author of two previous books on Luhan, Intimate Memories is the story of a woman in rebellion against "the whole ghastly social structure" under which she felt the United States had been buried since the Victorian era. Her struggle for self-expression and community took her from Buffalo to Florence to Manhattan to Taos, a journey during which she married four times, ultimately finding happiness with Antonio Luhan, a Taos Indian. Mabel was famous for assembling the movers and shakers of her time, among them such luminaries as D. H. Lawrence, Gertrude Stein, and John Reed, her Greenwich Village lover in bohemian pre -- World War I New York. Her autobiography is full of great moments: Reed swinging into her bed in her Florentine villa on a silken cord; Mabel, the impatient New Yorker, hiring a car for the last leg of her journey to New Mexico because the train seemed impossibly slow; her first encounter at Taos Pueblo with Tony Luhan, whose face she had seen in her dreams. Mabel was a great popularizer of the ideas of Sigmund Freud, and her insights into her own psychology will strike familiar chords with many readers. "That I was crossed in love -- 'unlucky in men' -- was due to my own selection, of course." shemuses, asking herself why she was drawn to "men too immature to satisfy me." From her childhood as a poor little rich girl lacking only for love to her realization on the last page of Intimate Memories that she could be happy with Tony because the Pueblo people were "not neurotic, " Mabel's story is as engrossing as any novel. By making it available at last to the wide audience it deserves, Lois Rudnick has shown that Mabel Dodge Luhan was not just a visionary hostess but a talented and important writer.
Author: Angela Vanhaelen
Publisher: Penn State Press
ISBN: 0271091908
Category : Art
Languages : en
Pages : 487
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Book Description
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.
Author: Edith Wharton
Publisher: Delphi Classics
ISBN: 1908909331
Category : Fiction
Languages : en
Pages : 5371
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Book Description
The Pulitzer Prize-winning author Edith Wharton created a diverse body of works, featuring innovative novels, short stories, poetry and non-fiction, demonstrating her inimitable wit and psychological insight. This comprehensive eBook offers readers the most complete edition of Wharton’s works possible in the US, with rare works, numerous images and the usual Delphi bonus material. Features: * the most complete collection possible for US readers * illustrated with many images relating to Wharton’s life and works * annotated with concise introductions to the novels, novellas and other works * 10 novels each with contents tables * images of how the novels first appeared, giving your EReader a taste of the original texts * ALL the pre-1923 short story collections, with RARE uncollected tales available nowhere else * separate chronological and alphabetical contents tables for the short stories – find that special story easily! * the war novella THE MARNE, first time in digital print * EVEN includes Wharton’s rare non-fiction texts, including THE DECORATION OF HOUSES, her groundbreaking manual on interior design – fully illustrated * ALSO includes Wharton’s European and African travel books, with numerous original illustrations * includes Wharton’s play THE JOY OF LIVING, translated from German * features the complete poetry, with rare poems available for the first time in digital print * scholarly ordering of texts into chronological order and literary genres, allowing easy navigation around Wharton’s immense oeuvre * UPDATED with two new works now available in public domain: 'A Son at the Front' and 'Old New York' Please note: we aim to provide the most comprehensive author collections available to eReader readers. To comply with US copyright restrictions, seven novels, six short story collections and Wharton’s autobiography are not in this US version. Once later works enter the US public domain, they will be added to the eBook as a free update. Please visit www.delphiclassics.com to browse our other titles The Novels THE VALLEY OF DECISION SANCTUARY THE HOUSE OF MIRTH THE FRUIT OF THE TREE ETHAN FROME THE REEF THE CUSTOM OF THE COUNTRY SUMMER THE AGE OF INNOCENCE THE GLIMPSES OF THE MOON The Novellas THE TOUCHSTONE MADAME DE TREYMES THE MARNE The Short Story Collections THE GREATER INCLINATION CRUCIAL INSTANCES THE DESCENT OF MAN AND OTHER STORIES THE HERMIT AND THE WILD WOMAN AND OTHER STORIES TALES OF MEN AND GHOSTS UNCOLLECTED EARLY SHORT STORIES XINGU AND OTHER STORIES The Short Stories LIST OF STORIES IN CHRONOLOGICAL ORDER LIST OF STORIES IN ALPHABETICAL ORDER The Play THE JOY OF LIVING The Poetry ARTEMIS TO ACTAEON AND OTHER VERSES UNCOLLECTED POETRY ALPHABETICAL LIST OF THE COMPLETE POEMS The Non-Fiction THE DECORATION OF HOUSES ITALIAN VILLAS AND THEIR GARDENS ITALIAN BACKGROUNDS A MOTOR-FLIGHT THROUGH FRANCE FRANCE, FROM DUNKERQUE TO BELFORT FRENCH WAYS AND THEIR MEANING IN MOROCCO * * * * Visit www.delphiclassics.com for more information and our other Great Writers collections!
Author: Michiel van Groesen
Publisher: University of Pennsylvania Press
ISBN: 0812293452
Category : History
Languages : en
Pages : 273
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Book Description
In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony. The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. Amsterdam's Atlantic puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe.
Author: Elie Faure
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 578
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Book Description
Author:
Publisher: Stanford University Press
ISBN: 9780804765763
Category :
Languages : en
Pages : 288
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Book Description
This book focuses on the literature of exoticism at the turn of the last century and how it foreshadows our own fin de siècle. Earlier writers of exoticism had turned away from the West and its modernity, rejecting the social changes caused by industrialization and displacing onto 'savage' or 'primitive' cultures their aspirations for political freedom. By the turn of the century, however, European nations had reduced vast areas of the globe to colonial status: this global exportation of Western cultural norms and economic systems had a critical effect on the literature of exoticism. In concentrating on writers from the age of the New Imperialism (1880-1920), this book reveals an important contradiction at the heart of the exoticist impulse: the very expansion that enabled European writers to go in search of exotic Others ensured the eventual disappearance of the exotic. Turn-of-the-century writers of exoticism thus give voice to a deep nostalgia both for the values supposedly lost to the West in its process of modernization and for those once exotic places in which they found, with increasing disappointment, not pristine innocence but merely the traces of their own culture. The author concentrates on four writers - Jules Verne, Pierre Loti, Victor Segalen, and Joseph Conrad - although he touches on a number of other writers, and even painters, like Paul Gauguin. The works of these four writers foreground attitudes and assumptions useful for understanding a wide array of phenomena: an examination of these works shows how nostalgia for a cultural Other was built into the intellectual configuration of modernism, throws light on the early history of anthropology, and helps us understand features of our own cultural formation that are becoming increasingly important in today's global village. Making an explicit link between turn-of-the-century exoticism and the present day, the book concludes with a critical assessment of Pier Paolo Pasolini's neo-exoticist attachment to a supposedly revolutionary Third World in his poetry and literary criticism. The book's critical stance is noteworthy, drawing its basic assumptions from pensiero debole, the 'weak thought' of the contemporary Italian philosopher Gianni Vattimo, whose poststructuralist theories are only now becoming known in the United States. 'Weak thought' seeks to supersede outmoded, metaphysical categories of thought, not by replacing them with something new, but by an elegaic, recollective, and rhetorical dwelling within those categories. The author also makes creative use of narrative theory, and draws on the recent 'new historicism', reading literary texts to excellent effect against the historical events that made them possible.
