Author: Carlton Cooley
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 16
Book Description
Etude suite
Author: Carlton Cooley
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 16
Book Description
Suite for solo viola "1978"
Author: Duane Heller
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 24
Book Description
Flos campi
Author: Ralph Vaughan Williams
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices, 8 parts) with chamber orchestra
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices, 8 parts) with chamber orchestra
Languages : en
Pages : 48
Book Description
Suite
Author: Ernest Bloch
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 4
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 4
Book Description
Suite for Viola Solo (unfinished) (1958).
Author:
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 4
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 4
Book Description
Suite for Solo Viola
Author: Alan Shulman
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 5
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 5
Book Description
Three suites, op. 131d
Author: Max Reger
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 32
Book Description
3 Suites for Viola Solo Op. 131d: Sheet
Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 24
Book Description
These Suites for Viola solo (in G minor, D major and E minor) were published at the very end of his life in 1914/15, and reflect his admiration for the solo instrumental suite tradition starting with Bach.
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 24
Book Description
These Suites for Viola solo (in G minor, D major and E minor) were published at the very end of his life in 1914/15, and reflect his admiration for the solo instrumental suite tradition starting with Bach.
Suite for viola solo
Author: Ernest Bloch
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 16
Book Description
Three Suites for Viola Solo. Opus 131d
Author: Max Reger
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Three Suites for Viola solo, op. 131d by Max Reger (1873 - 1916), were written in the last year of his life, our version is based on the first printed edition of the Suites which was published in three volumes by N. Simrock, Berlin and Leipzig, in 1916. Fortunately, one of the copies of the first edition can be found at the National Endowment for the Humanities, located in Washington, DC, United States. The work of the Viola Suites solo, possibly completed a great idea of his work, because by then, in the difficult moments of the First World War, Reger had completed several works for violin and cello. Of which he dedicated the first suite to his friend Dr. Heinrich Walther, the second suite to Professor Richard Sahla, composer, virtuoso violinist and conductor of the Bückeburg court, and lastly, the third suite was dedicated to his friend from Munich, the violinist Josef Hösl, who frequently participated in premiere performances of Reger's music. On October 9, 1917, the violinist and violist Else Mendel-Oberüber originally from East Prussia (today Olsztyn in Poland), premiered at the Bechstein Hall in Berlin, the Three Suites for Viola solo. To preserve the faithful compositional intention, we place the volume dynamics and expressive dynamics, as logically as possible, following the movements of the melodic line; some nuances from the first edition are in places inaccurately, resulting in a deterioration or confusion for the interpretation, therefore, the editor has proposed to place the dynamics using the notehead as a guide. We have carefully removed several of Reger's many unnecessary accidental warnings in favor of a more modern musical spelling, yet we have considered and kept the clef changes suggested by the first edition. Some editor's suggestions have been placed in square brackets.
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Three Suites for Viola solo, op. 131d by Max Reger (1873 - 1916), were written in the last year of his life, our version is based on the first printed edition of the Suites which was published in three volumes by N. Simrock, Berlin and Leipzig, in 1916. Fortunately, one of the copies of the first edition can be found at the National Endowment for the Humanities, located in Washington, DC, United States. The work of the Viola Suites solo, possibly completed a great idea of his work, because by then, in the difficult moments of the First World War, Reger had completed several works for violin and cello. Of which he dedicated the first suite to his friend Dr. Heinrich Walther, the second suite to Professor Richard Sahla, composer, virtuoso violinist and conductor of the Bückeburg court, and lastly, the third suite was dedicated to his friend from Munich, the violinist Josef Hösl, who frequently participated in premiere performances of Reger's music. On October 9, 1917, the violinist and violist Else Mendel-Oberüber originally from East Prussia (today Olsztyn in Poland), premiered at the Bechstein Hall in Berlin, the Three Suites for Viola solo. To preserve the faithful compositional intention, we place the volume dynamics and expressive dynamics, as logically as possible, following the movements of the melodic line; some nuances from the first edition are in places inaccurately, resulting in a deterioration or confusion for the interpretation, therefore, the editor has proposed to place the dynamics using the notehead as a guide. We have carefully removed several of Reger's many unnecessary accidental warnings in favor of a more modern musical spelling, yet we have considered and kept the clef changes suggested by the first edition. Some editor's suggestions have been placed in square brackets.