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Author: Eitel Friedrich Timm
Publisher: Boydell & Brewer
ISBN: 9781879751286
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
This anthology of critical essays pursues a field of scholarship that has only recently caught fire: the dark side of the German Enlightenment. The most prominent of German enlightened poets and thinkers - Goethe, Schiller, Lichtenberg, Tieck, among others - were conspicuously prone to the ideology of shamans, occultists, and charlatans of modern science and psychology. And yet the studies published here for the first time argue that the fascination with magic and the occult are not symptoms of a dying age but subversively productive elements, so that the subversiveness of irrationalism may be said to have become a progressive rather than a reactionary force.
Author: Eitel Friedrich Timm
Publisher: Boydell & Brewer
ISBN: 9781879751286
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
This anthology of critical essays pursues a field of scholarship that has only recently caught fire: the dark side of the German Enlightenment. The most prominent of German enlightened poets and thinkers - Goethe, Schiller, Lichtenberg, Tieck, among others - were conspicuously prone to the ideology of shamans, occultists, and charlatans of modern science and psychology. And yet the studies published here for the first time argue that the fascination with magic and the occult are not symptoms of a dying age but subversively productive elements, so that the subversiveness of irrationalism may be said to have become a progressive rather than a reactionary force.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1604134437
Category : Electronic books
Languages : en
Pages : 315
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Book Description
The sublime in literature is described as the sense of awe that is evoked in the presence of great power and grandeur in nature or in art. In this engaging new volume, the role of the sublime is discussed in ""Emma"", ""Ode to the West Wind"", ""Song of Myself"", and many other works. Featuring original essays and excerpts from previously published critical analyses, each book in the new Bloom's ""Literary Themes"" series gives students valuable insight into the title's subject theme.
Author: Sandra E. Greene
Publisher: Indiana University Press
ISBN: 9780253108890
Category : History
Languages : en
Pages : 228
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Book Description
"Greene gives the reader a vivid sense of the Anlo encounter with western thought and Christian beliefs... and the resulting erasures, transferences, adaptations, and alterations in their perceptions of place, space, and the body." -- Emmanuel Akyeampong Sandra E. Greene reconstructs a vivid and convincing portrait of the human and physical environment of the 19th-century Anlo-Ewe people of Ghana and brings history and memory into contemporary context. Drawing on her extensive fieldwork, early European accounts, and missionary archives and publications, Greene shows how ideas from outside forced sacred and spiritual meanings associated with particular bodies of water, burial sites, sacred towns, and the human body itself to change in favor of more scientific and regulatory views. Anlo responses to these colonial ideas involved considerable resistance, and, over time, the Anlo began to attribute selective, varied, and often contradictory meanings to the body and the spaces they inhabited. Despite these multiple meanings, Greene shows that the Anlo were successful in forging a consensus on how to manage their identity, environment, and community.
Author: Ernst van Alphen
Publisher: Stanford University Press
ISBN: 9780804729154
Category : Art
Languages : en
Pages : 252
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Book Description
In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch is the subject of inquiry that propels this study.
Author: James Maynard
Publisher: University of New Mexico Press
ISBN: 082635890X
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This study examines the theoretical underpinnings of Robert Duncan’s poetry and poetics. The author’s overriding concern is Duncan’s understanding of excess in relation to poetry and the philosophies of Alfred North Whitehead, William James, and John Dewey.
Author: Sam Hirst
Publisher: Anthem Press
ISBN: 1839981555
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Theology in the Early British and Irish Gothic, 1764–1832 reassesses the relationship between contemporary theology and the Gothic. Investigating Gothic aesthetics, depictions of the supernatural and portrayals of religious organisations, it explores how the Gothic engages with contemporary theologies, both Dissenting and Anglican. Moving away from the emphasis on either a monolithic Protestantism or on the Gothic as a secular mode, it shows the ways in which the Gothic exploration of the transcendent and the obscure cannot be separated from the diverse theologies of its day. The project maps how the Gothic not only reflects but actively engages in the theological debates and controversies contemporary to its efflorescence.
Author: Thomas Nugent
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 650
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Book Description
Author: Cian Duffy
Publisher: Cambridge University Press
ISBN: 1009032623
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion considers the Romantic sublime in both European and American contexts and features essays by leading scholars from a range of national backgrounds and subject specialisms, including state-of-the-art perspectives in digital and environmental humanities. An accessible, wide-ranging, and thorough introduction, aimed at researchers, students, and general readers alike, and including extensive suggestions for further reading, The Cambridge Companion to the Romantic Sublime is the go-to book on the subject.
Author: Anneleen Masschelein
Publisher: State University of New York Press
ISBN: 143843555X
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
The Unconcept is the first genealogy of the concept of the Freudian uncanny, tracing the development, paradoxes and movements of this negative concept through various fields and disciplines from psychoanalysis, literary theory and philosophy to film studies, genre studies, sociology, religion, architecture theory, and contemporary art. Anneleen Masschelein explores the vagaries of this 'unconcept' in the twentieth century, beginning with Freud's seminal essay 'The Uncanny,' through a period of conceptual latency, leading to the first real conceptualizations in the 1970s and then on to the present dissemination of the uncanny to exotic fields such as hauntology, the study of ghosts, robotics and artificial intelligence. She unearths new material on the uncanny from the English, French and German traditions, and sheds light on the specific status of the concept in contemporary theory and practice in the humanities. This essential reference book for researchers and students of the uncanny is written in an accessible style. Through the lens of the uncanny, the familiar contours of the intellectual history of the twentieth century appear in a new and exciting light.
Author: Irene Montori
Publisher: Edizioni Studium S.r.l.
ISBN: 8838250219
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
Milton, the Sublime and Dramas of Choice challenges readers and scholars to rethink Milton’s relationship to the sublime in terms of ethics. The book demonstrates that Milton’s sublimity merges the early modern reception of Longinus with classical, medieval, and Renaissance categories of magnanimity, wonder, and inspiration to investigate the relations between human and divine agency. Under the influence of early modern models of sublimity, including Spenser and Shakespeare, Milton speaks through his fictional characters about the making of heroic and literary virtue. In turn, the work also sheds light on the importance of tragedy as an additional source to the formation of the Renaissance sublime. Milton’s tragic plots illustrate how the character’s virtue is tested, strengthened, and eventually transformed into an experience of elevation. The study explores the heroic path from dramatic choice to self-realisation, offering extensive treatments of Milton’s dramas – A Maske and Samson Agonistes. The redefinition of the pairing “Milton and the sublime” in this work aims to relocate the poet within the English literary history as the climax of earlier traditions and receptions of the sublime, but also as the starting point of modern sublimity
