Author: Luis De Miranda
Publisher: MIT Press
ISBN: 0262551985
Category : Art
Languages : en
Pages : 133
Book Description
A cultural and philosophical history of neon, from Paris in the twentieth century to the perpetually switched-on present day. For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. Being and Neonness is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an inspired journey through a century of night, deciphering the halos of the past and the reflections of the present to shed light on the future. Invented in Paris in 1912, neon first appeared on a modest but arresting sign outside a small barbershop; the sign lit up number 14, Boulevard Montmartre, attracting so many passersby that the barber's revenues soon doubled. A century later, neon is no longer just a sign; it is a mythic object—a metonymy of contemporary identity and a metaphor for the present, signifying the ubiquity of commerce and the tautology of hypermodernity. But perhaps the noble gas of neon whispers something more, something deeper? In ten short, poetic yet precise chapters, de Miranda explores the neon lights of the twentieth century. He considers, among other historical curiosities, the neon compulsions of the Italian Futurists; the Soviet program of “neonization”; the Nazi's deployment of neon for propaganda purposes; Baudelaire's “halo” and Benjamin's “aura”; neon as a gas and crystallized chaos; neon and power; neon and capitalism—all of this backlit by an original reading of Sartre's Being and Nothingness. This English edition has been thoroughly revised and adapted from the French edition, L'être et le neon.
Being and Neonness
Author: Luis De Miranda
Publisher: MIT Press
ISBN: 0262551985
Category : Art
Languages : en
Pages : 133
Book Description
A cultural and philosophical history of neon, from Paris in the twentieth century to the perpetually switched-on present day. For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. Being and Neonness is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an inspired journey through a century of night, deciphering the halos of the past and the reflections of the present to shed light on the future. Invented in Paris in 1912, neon first appeared on a modest but arresting sign outside a small barbershop; the sign lit up number 14, Boulevard Montmartre, attracting so many passersby that the barber's revenues soon doubled. A century later, neon is no longer just a sign; it is a mythic object—a metonymy of contemporary identity and a metaphor for the present, signifying the ubiquity of commerce and the tautology of hypermodernity. But perhaps the noble gas of neon whispers something more, something deeper? In ten short, poetic yet precise chapters, de Miranda explores the neon lights of the twentieth century. He considers, among other historical curiosities, the neon compulsions of the Italian Futurists; the Soviet program of “neonization”; the Nazi's deployment of neon for propaganda purposes; Baudelaire's “halo” and Benjamin's “aura”; neon as a gas and crystallized chaos; neon and power; neon and capitalism—all of this backlit by an original reading of Sartre's Being and Nothingness. This English edition has been thoroughly revised and adapted from the French edition, L'être et le neon.
Publisher: MIT Press
ISBN: 0262551985
Category : Art
Languages : en
Pages : 133
Book Description
A cultural and philosophical history of neon, from Paris in the twentieth century to the perpetually switched-on present day. For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. Being and Neonness is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an inspired journey through a century of night, deciphering the halos of the past and the reflections of the present to shed light on the future. Invented in Paris in 1912, neon first appeared on a modest but arresting sign outside a small barbershop; the sign lit up number 14, Boulevard Montmartre, attracting so many passersby that the barber's revenues soon doubled. A century later, neon is no longer just a sign; it is a mythic object—a metonymy of contemporary identity and a metaphor for the present, signifying the ubiquity of commerce and the tautology of hypermodernity. But perhaps the noble gas of neon whispers something more, something deeper? In ten short, poetic yet precise chapters, de Miranda explores the neon lights of the twentieth century. He considers, among other historical curiosities, the neon compulsions of the Italian Futurists; the Soviet program of “neonization”; the Nazi's deployment of neon for propaganda purposes; Baudelaire's “halo” and Benjamin's “aura”; neon as a gas and crystallized chaos; neon and power; neon and capitalism—all of this backlit by an original reading of Sartre's Being and Nothingness. This English edition has been thoroughly revised and adapted from the French edition, L'être et le neon.
Being and Neonness, Translation and content revised, augmented, and updated for this edition by Luis de Miranda
Author: Luis De Miranda
Publisher: MIT Press
ISBN: 0262353067
Category : Art
Languages : en
Pages : 134
Book Description
A cultural and philosophical history of neon, from Paris in the twentieth century to the perpetually switched-on present day. For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. Being and Neonness is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an inspired journey through a century of night, deciphering the halos of the past and the reflections of the present to shed light on the future. Invented in Paris in 1912, neon first appeared on a modest but arresting sign outside a small barbershop; the sign lit up number 14, Boulevard Montmartre, attracting so many passersby that the barber's revenues soon doubled. A century later, neon is no longer just a sign; it is a mythic object—a metonymy of contemporary identity and a metaphor for the present, signifying the ubiquity of commerce and the tautology of hypermodernity. But perhaps the noble gas of neon whispers something more, something deeper? In ten short, poetic yet precise chapters, de Miranda explores the neon lights of the twentieth century. He considers, among other historical curiosities, the neon compulsions of the Italian Futurists; the Soviet program of “neonization”; the Nazi's deployment of neon for propaganda purposes; Baudelaire's “halo” and Benjamin's “aura”; neon as a gas and crystallized chaos; neon and power; neon and capitalism—all of this backlit by an original reading of Sartre's Being and Nothingness. This English edition has been thoroughly revised and adapted from the French edition, L'être et le neon.
Publisher: MIT Press
ISBN: 0262353067
Category : Art
Languages : en
Pages : 134
Book Description
A cultural and philosophical history of neon, from Paris in the twentieth century to the perpetually switched-on present day. For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. Being and Neonness is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an inspired journey through a century of night, deciphering the halos of the past and the reflections of the present to shed light on the future. Invented in Paris in 1912, neon first appeared on a modest but arresting sign outside a small barbershop; the sign lit up number 14, Boulevard Montmartre, attracting so many passersby that the barber's revenues soon doubled. A century later, neon is no longer just a sign; it is a mythic object—a metonymy of contemporary identity and a metaphor for the present, signifying the ubiquity of commerce and the tautology of hypermodernity. But perhaps the noble gas of neon whispers something more, something deeper? In ten short, poetic yet precise chapters, de Miranda explores the neon lights of the twentieth century. He considers, among other historical curiosities, the neon compulsions of the Italian Futurists; the Soviet program of “neonization”; the Nazi's deployment of neon for propaganda purposes; Baudelaire's “halo” and Benjamin's “aura”; neon as a gas and crystallized chaos; neon and power; neon and capitalism—all of this backlit by an original reading of Sartre's Being and Nothingness. This English edition has been thoroughly revised and adapted from the French edition, L'être et le neon.
La muerte y la nada
Author: Antonio Saura
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 52
Book Description
Paris, Capital of Modernity
Author: David Harvey
Publisher: Routledge
ISBN: 1135945861
Category : History
Languages : en
Pages : 385
Book Description
Collecting David Harvey's finest work on Paris during the second empire, Paris, Capital of Modernity offers brilliant insights ranging from the birth of consumerist spectacle on the Parisian boulevards, the creative visions of Balzac, Baudelaire and Zola, and the reactionary cultural politics of the bombastic Sacre Couer. The book is heavily illustrated and includes a number drawings, portraits and cartoons by Daumier, one of the greatest political caricaturists of the nineteenth century.
Publisher: Routledge
ISBN: 1135945861
Category : History
Languages : en
Pages : 385
Book Description
Collecting David Harvey's finest work on Paris during the second empire, Paris, Capital of Modernity offers brilliant insights ranging from the birth of consumerist spectacle on the Parisian boulevards, the creative visions of Balzac, Baudelaire and Zola, and the reactionary cultural politics of the bombastic Sacre Couer. The book is heavily illustrated and includes a number drawings, portraits and cartoons by Daumier, one of the greatest political caricaturists of the nineteenth century.
'isms: Understanding Architectural Styles
Author: Jeremy Melvin
Publisher: National Geographic Books
ISBN:
Category : Architecture
Languages : en
Pages : 170
Book Description
Following the success of Isms: Understanding Art, this engaging and informative guide to the significant "isms" of architectural history spans from the ancient Greeks, Romans, and the Renaissance up to the present day. Each spread is devoted to a distinct architectural movement and explains when it first emerged, the historical period to which it applies, the principal disputes over its applicability, and illustrates important structures, practitioners, key words, and distinctive features. From Hellenic Classicism and Expressionism to Brutalism and Blobism, with many stops along the way, these sixty well illustrated and clearly defined "isms" help put all of the "built environments" of the world into context.
Publisher: National Geographic Books
ISBN:
Category : Architecture
Languages : en
Pages : 170
Book Description
Following the success of Isms: Understanding Art, this engaging and informative guide to the significant "isms" of architectural history spans from the ancient Greeks, Romans, and the Renaissance up to the present day. Each spread is devoted to a distinct architectural movement and explains when it first emerged, the historical period to which it applies, the principal disputes over its applicability, and illustrates important structures, practitioners, key words, and distinctive features. From Hellenic Classicism and Expressionism to Brutalism and Blobism, with many stops along the way, these sixty well illustrated and clearly defined "isms" help put all of the "built environments" of the world into context.
Hand-atlas of Human Anatomy
Author: Werner Spalteholz
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 272
Book Description
A Cross-section Anatomy
Author: Albert Chauncey Eycleshymer
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 240
Book Description
In the Face of the Absolute
Author: Frithjof Schuon
Publisher: World Wisdom, Inc
ISBN: 1936597411
Category : Religion
Languages : en
Pages : 218
Book Description
Religion scholar Huston Smith called Frithjof Schuon “the most important religious thinker of [the 20th] century.” In the first section of this revised edition of his classic work, Schuon provides striking insights to age-old religious and philosophical controversies such as the problem of evil, predestination and free will, and the meaning of eternity in heaven and hell. In the second section, Schuon masterfully harmonizes the divergent theological claims of the three main branches of Christianity—Orthodoxy, Catholicism, and Protestantism—in the light of universal metaphysical truth. The final section contains several chapters relating to Islamic esoterism and concludes with a remarkable chapter on the spiritual substance of the Prophet. This new edition contains 60 pages of completely new material, including a fully revised translation from the French original and previously unpublished selections from Schuon’s letters and other private writings. Also included are editor’s notes, a glossary, and an index.
Publisher: World Wisdom, Inc
ISBN: 1936597411
Category : Religion
Languages : en
Pages : 218
Book Description
Religion scholar Huston Smith called Frithjof Schuon “the most important religious thinker of [the 20th] century.” In the first section of this revised edition of his classic work, Schuon provides striking insights to age-old religious and philosophical controversies such as the problem of evil, predestination and free will, and the meaning of eternity in heaven and hell. In the second section, Schuon masterfully harmonizes the divergent theological claims of the three main branches of Christianity—Orthodoxy, Catholicism, and Protestantism—in the light of universal metaphysical truth. The final section contains several chapters relating to Islamic esoterism and concludes with a remarkable chapter on the spiritual substance of the Prophet. This new edition contains 60 pages of completely new material, including a fully revised translation from the French original and previously unpublished selections from Schuon’s letters and other private writings. Also included are editor’s notes, a glossary, and an index.
Manual of Surgical Anatomy
Author: United States. Surgeon-General's Office
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 408
Book Description
Sublimism
Author: Nathan Coppedge
Publisher: CreateSpace
ISBN: 9781508564188
Category : Art
Languages : en
Pages : 92
Book Description
Something of a manifesto, this work is themed on collecting examples of Sublimist art and literature. The author draws entirely from his own work as an artist, poet, and philosopher. More than just several graphical illustrations are present here expressing something like what a genuine Sublimist movement would be----or, nay, IS. Coppedge draws on several examples from Romanticism and the modern poets to support his claim that history has projected all the way into the sublime. He also provides instructions aimed towards training the reader in the art of the sublime. For those interested in Nathan Coppedge's Hyper-Cubism, here is another prospective movement which is not entirely without redeeming virtue.
Publisher: CreateSpace
ISBN: 9781508564188
Category : Art
Languages : en
Pages : 92
Book Description
Something of a manifesto, this work is themed on collecting examples of Sublimist art and literature. The author draws entirely from his own work as an artist, poet, and philosopher. More than just several graphical illustrations are present here expressing something like what a genuine Sublimist movement would be----or, nay, IS. Coppedge draws on several examples from Romanticism and the modern poets to support his claim that history has projected all the way into the sublime. He also provides instructions aimed towards training the reader in the art of the sublime. For those interested in Nathan Coppedge's Hyper-Cubism, here is another prospective movement which is not entirely without redeeming virtue.