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Author: Suzanne Stewart-Steinberg
Publisher: Cornell University Press
ISBN: 150171774X
Category : Psychology
Languages : en
Pages : 237
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Book Description
When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering. Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-siècle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice."
Author: Suzanne Stewart-Steinberg
Publisher: Cornell University Press
ISBN: 150171774X
Category : Psychology
Languages : en
Pages : 237
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Book Description
When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering. Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-siècle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice."
Author: Cynthia Marshall
Publisher: JHU Press
ISBN: 0801876435
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts, Cynthia Marshall reconceptualizes the place and function of violence in Renaissance literature. During the Renaissance an emerging concept of the autonomous self within art, politics, religion, commerce, and other areas existed in tandem with an established, popular sense of the self as fluid, unstable, and volatile. Marshall examines an early modern fascination with erotically charged violence to show how texts of various kinds allowed temporary release from an individualism that was constraining. Scenes such as Gloucester's blinding and Cordelia's death in King Lear or the dismemberment and sexual violence depicted in Titus Andronicus allowed audience members not only a release but a "shattering"—as opposed to an affirmation—of the self. Marshall draws upon close readings of Shakespearean plays, Petrarchan sonnets, John Foxe's Acts and Monuments of the Christian Martyrs, and John Ford's The Broken Heart to successfully address questions of subjectivity, psychoanalytic theory, and identity via a cultural response to art. Timely in its offering of an account that is both historically and psychoanalytically informed, The Shattering of the Self argues for a renewed attention to the place of fantasy in this literature and will be of interest to scholars working in Renaissance and early modern studies, literary theory, gender studies, and film theory.
Author: L. A. Banks
Publisher: Macmillan + ORM
ISBN: 1429901403
Category : Fiction
Languages : en
Pages : 389
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Book Description
The Chairman of the Vampire Council is dead, and Lilith, the consort of the Unnamed One, and the Unnamed One himself are out for revenge against Damali Richards, the Vampire Huntress, and her lover, Carlos Rivera. A ruthless and carefully planned strategy---one that not even Damali will anticipate---has been developed. There is only one entity who can best Damali, send Carlos packing, and put the Guardian team at mortal risk. This powerful being was once banished into a forsaken land and possesses everything that would bring a Neteru to his or her knees. This time the fight is not so clear-cut, and it is not only Damali's soul in the balance but her body and heart as well.
Author: SARALA KURUP JAGAN
Publisher: Notion Press
ISBN: 1646786254
Category : Poetry
Languages : en
Pages : 98
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Book Description
This is a book of poetry created in spontaneity over a long period of time. It encapscules esteemed remembrances of love and laughter. These emotions leave indelible marks on the psyche that return as words to haunt the mind. The singular flow of words become the spontaneous poetry of the individual, a leitmotif of the artifices at play in the mind of the person - the specific rationale. The emotions are personal but the appeal is universal and shared. All of humanity revels in love and laughter. Today, there is a dearth of such innocent fun. This book is dedicated to all future generations who are forewarned that to overlook love and laughter is to invite at a heavy cost diseases into their life. To acknowledge the angst of life and to deal with it helps to open doorways of the mind to many novel experiences. Here's an anthology of spontaneous poetry.
Author: M.Rajendran
Publisher: Pustaka Digital Media
ISBN:
Category : Fiction
Languages : en
Pages : 134
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Book Description
ம. இராசேந்திரன் தஞ்சை தமிழ்ப்பல்கலைக் கழகத்தின் துணைவேந்தராகப் பொறுப்பு வகித்தவர். தமிழ்ப் பேராசிரியர். எழுத்தாளர். கணையாழி இதழின் வெளியீட்டாளர். கோயம்புத்தூரில் 2010 ஆம் ஆண்டில் நடந்த உலகத் தமிழ்ச் செம்மொழி மாநாட்டின் ஆய்வரங்க ஒருங்கிணைப்பாளர். இவர் மெக்கன்சியின் சுவடிகளில் ஆய்வுசெய்து முனைவர் பட்டம் பெற்றார். ம. இராசேந்திரன் தமிழ்நாடு அரசில் பல பொறுப்புகளை வகித்துள்ளார் - குறள் பீடம் பொறுப்பாளர், மொழிபெயர்ப்புத் துறையின் துணை இயக்குநர், அரசினர் கீழ்த்திசைச் சுவடிகள் ஆய்வு நூலகப் பணி, தமிழ்ப் பல்கலைக் கழகச் சிறப்புத்தகைமை விரிவுரையாளர் உலகத் தமிழாராய்ச்சி நிறுவன ஆய்வுப்பணி தனிஅலுவலர், மொழிபெயர்ப்புத்துறை இயக்குநர் அகரமுதலித் திட்டப் பொறுப்பு இயக்குநர் தமிழ் வளர்ச்சித்துறை இயக்குநர் உலகத் தமிழாராய்ச்சி நிறுவன இயக்குநர் திராவிட மொழியியல் பள்ளி, திருவனந்தபுரம், இயக்குநர் தஞ்சைத் தமிழ்ப் பல்கலைக் கழகத்தின் துணைவேந்தர் ஆவார். இவர் தற்போது சென்னையில் வசித்து வருகிறார்.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
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Book Description
Author: Philip Blond
Publisher: Routledge
ISBN: 1134860412
Category : Philosophy
Languages : en
Pages : 213
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Book Description
Post-Secular Philosophy is one of the first volumes to consider how God has been approached by modern philosophers and consider the links between theology and postmodern thought.
Author: Max Shulman
Publisher: University of Iowa Press
ISBN: 1609388461
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
The American Pipe Dream examines the many iterations of addiction as it was performed over the first half of the twentieth century, working from a massive archive of previously ignored material. Because the stage-addict became the primary way the U.S. public learned about addiction and drug use, Shulman argues that performance was essential in creating the addict in America’s cultural imagination. He demonstrates how modern-day perceptions of addiction and of the addict emerge from a complex history of accumulation and revision that spanned the Progressive Era, the Roaring Twenties, and the Great Depression. Chapters look at how theatre, film, and popular culture linked the Chinese immigrant and opium smoking; the early attacks on doctors for their part in the creation of addicts; the legislation of addiction as a criminal condition; the comic portrayals of addiction; the intersection of Black, jazz, and drug cultures through cabaret performance; and the linkage between narcotic inebriation and artistic inspiration. The American Pipe Dream creates active connections between these case studies, demonstrating how this history has influenced our contemporary understanding, treatment, and legislation of drug use and addiction.
Author: Suzanne Stewart-Steinberg
Publisher: Cornell University Press
ISBN: 0801463343
Category : Psychology
Languages : en
Pages : 257
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Book Description
In Impious Fidelity, Suzanne Stewart-Steinberg investigates the legacy of Anna Freud at the intersection between psychoanalysis as a mode of thinking and theorizing and its existence as a political entity. Stewart-Steinberg argues that because Anna Freud inherited and guided her father's psychoanalytic project as an institution, analysis of her thought is critical to our understanding of the relationship between the psychoanalytic and the political. This is particularly the case given that many psychoanalysts and historians of psychiatry charge that Anna Freud’s emphasis on defending the supremacy of the ego against unconscious drives betrayed her father’s work. Are the unconscious and the psychoanalytic project itself at odds with the stable ego deemed necessary to a democratic politics? Hannah Arendt famously (and influentially) argued that they are. But Stewart-Steinberg maintains that Anna Freud’s critics (particularly disciples of Melanie Klein) have simplified her thought and misconstrued her legacy. Stewart-Steinberg looks at Anna Freud's work with wartime orphans, seeing that they developed subjectivity not by vertical (through the father) but by lateral, social ties. This led Anna Freud to revise her father's emphasis on Oedipal sexuality and to posit a revision of psychoanalysis that renders it compatible with democratic theory and practice. Stewart-Steinberg gives us an Anna Freud who "betrays" the father even as she protects his legacy and continues his work in a new key.
Author: Ralf Haekel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393409
Category : Literary Criticism
Languages : en
Pages : 770
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Book Description
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.
