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Author: Alexander Nagel
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
This volume focuses on early modern paintings, sculpture and other artworks in which subjects have been difficult to define, which constitute potentially or actually visual aporias. Using specific examples as case studies, contributors analyze borderline visual cases in which subjects are "smudged" either due to the convergence of discordant elements or to a dearth, insufficiency or ambivalence of iconographic components.
Author: Alexander Nagel
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
This volume focuses on early modern paintings, sculpture and other artworks in which subjects have been difficult to define, which constitute potentially or actually visual aporias. Using specific examples as case studies, contributors analyze borderline visual cases in which subjects are "smudged" either due to the convergence of discordant elements or to a dearth, insufficiency or ambivalence of iconographic components.
Author: Alexander Nagel
Publisher: Routledge
ISBN: 135154750X
Category : Art
Languages : en
Pages : 272
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Book Description
The studies in this volume focus on works of art that generate bafflement, and that make that difficulty of reading part of their rhetorical structure. These are works whose subjects are not easily identifiable or can be readily associated with more than one subject at the same time; works that take a subject into a new genre or format (pagan into Christian, for example, or vice versa), and thus destabilize the subject itself; works that concentrate on the marginal rather than the central episode; and works that introduce elements of the preparatory phase-the indeterminacy that are native to the sketch or drawing, for example-into the realm of finished works. Unable to settle on a single reading, the effort of interpretation doubles back on its own procedures. This aporia, according to Aristotle, serves as the initial impulse to philosophical inquiry. Although the works studied here are in many ways exceptional, the aporias they raise register larger structural problems belonging to the artistic culture as a whole. Between 1400 and 1700, we see the emergence of new formats, new genres, new subjects, and new techniques, as well as new venues for the display of art. It is an implicit thesis of this book that the systemic shifts occurring in the early modern period made the emergence of aporetic works of art, and of aporia as a problem for art, a structural inevitability.
Author: Arthur J. DiFuria
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513451
Category : Art
Languages : en
Pages : 435
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Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Author: DavidR. Smith
Publisher: Routledge
ISBN: 1351554980
Category : Art
Languages : en
Pages : 221
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Book Description
Dwelling on the rich interconnections between parody and festivity in humanist thought and popular culture alike, the essays in this volume delve into the nature and the meanings of festive laughter as it was conceived of in early modern art. The concept of 'carnival' supplies the main thread connecting these essays. Bound as festivity often is to popular culture, not all the topics fit the canons of high art, and some of the art is distinctly low-brow and occasionally ephemeral; themes include grobianism and the grotesque, scatology, popular proverbs with ironic twists, and a wide range of comic reversals, some quite profound. Many hinge on ideas of the world upside down. Though the chapters most often deal with Northern Renaissance and Baroque art, they spill over into other countries, times, and cultures, while maintaining the carnivalesque air suggested by the book's title.
Author: Valerie Gonzalez
Publisher: Routledge
ISBN: 1317184866
Category : Art
Languages : en
Pages : 415
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Book Description
The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Author:
Publisher: Hotei Publishing
ISBN: 9004292535
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
This volume deals with the enduring presence of one of Western culture's most fascinating and influential figures in ancient, modern, and postmodern art and literature: Venus/Aphrodite, the goddess of love, beauty, and sexuality. The collection, which is the first of its kind, seeks to explore Venus's significance as a figure of beauty and creativity across cultures and disciplines, engaging a range of media, theoretical approaches, and cultural perspectives. Thirteen international scholars—including Elisabeth Bronfen, Tom Conley, Laurence Rickels, and Barbara Vinken—illuminate Venus's lasting value as a multifaceted figure of the creative in Western culture, from Lucretius to Michel Serres.
Author: Sophie Chiari
Publisher: Edinburgh University Press
ISBN: 1474442552
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
The first comprehensive history of Byzantine warfare in the tenth century
Author: Ross King
Publisher: A&C Black
ISBN: 1408834278
Category : Art
Languages : en
Pages : 351
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Book Description
For more than five centuries The Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. And yet there is a very human story behind this artistic 'miracle'. Ross King's Leonardo and the Last Supper is both a 'biography' of one of the most famous works of art ever painted and a record of Leonardo da Vinci's last five years in Milan.
Author: Alexander Nagel
Publisher: University of Chicago Press
ISBN: 0226567729
Category : Art
Languages : en
Pages : 372
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Book Description
Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --
Author: Michael Saenger
Publisher: Springer
ISBN: 1137357398
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
This study emerges from an interdisciplinary conversation about the theory of translation and the role of foreign language in fiction and society. By analyzing Shakespeare's treatment of France, Saenger interrogates the cognitive borders of England - a border that was more dependent on languages and ideas than it was on governments and shorelines.
