Stylistic Virtue and Victorian Fiction PDF Download
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Author: Matthew Sussman
Publisher: Cambridge University Press
ISBN: 1108832946
Category : History
Languages : en
Pages : 275
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Book Description
Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.
Author: Matthew Sussman
Publisher: Cambridge University Press
ISBN: 1108832946
Category : History
Languages : en
Pages : 275
Get Book Here
Book Description
Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.
Author: Matthew Sussman
Publisher:
ISBN: 9781108966436
Category :
Languages : en
Pages :
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Book Description
Author: Timothy Gao
Publisher: Cambridge University Press
ISBN: 1108944892
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Pondering the town he had invented in his novels, Anthony Trollope had 'so realised the place, and the people, and the facts' of Barset that 'the pavement of the city ways are familiar to my footsteps'. After his novels end, William Thackeray wonders where his characters now live, and misses their conversation. How can we understand the novel as a form of artificial reality? Timothy Gao proposes a history of virtual realities, stemming from the imaginary worlds created by novelists like Trollope, Thackeray, Charlotte Bronte, and Charles Dickens. Departing from established historical or didactic understandings of Victorian fiction, Virtual Play and the Victorian Novel recovers the period's fascination with imagined places, people, and facts. This text provides a short history of virtual experiences in literature, four studies of major novelists, and an innovative approach for scholars and students to interpret realist fictions and fictional realities from before the digital age. This title is also available as Open Access on Cambridge Core.
Author: Jessica Howell
Publisher: Cambridge University Press
ISBN: 1316999483
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The impact of malaria on humankind has been profound. Focusing on depictions of this iconic 'disease of empire' in nineteenth-century and postcolonial fiction, Jessica Howell shows that authors such as Charles Dickens, Henry James, H. Rider Haggard, Olive Schreiner and Rudyard Kipling did not simply adopt the discourses of malarial containment and cure offered by colonial medicine. Instead, these authors adapted and rewrote some common associations with malarial images such as swamps, ruins, mosquitoes, blood, and fever. They also made use of the unique potential of fiction by incorporating chronic, cyclical illness, bodily transformation and adaptation within the very structures of their novels. Howell's study also examines the postcolonial literature of Amitav Ghosh and Derek Walcott, arguing that these authors use the multivalent and subversive potential of malaria in order to rewrite the legacies of colonial medicine.
Author: Adam Abraham
Publisher: Cambridge University Press
ISBN: 1108493076
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Views the Victorian novel through the prism of literary imitations that it inspired.
Author: Gregory Vargo
Publisher: Cambridge University Press
ISBN: 1107197856
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Explores the journalism and fiction appearing in the early Victorian working-class periodical press and its influence on mainstream literature.
Author: Philip Steer
Publisher: Cambridge University Press
ISBN: 1108484425
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
A transnational study of how settler colonialism remade the Victorian novel and political economy by challenging ideas of British identity.
Author: Leila Neti
Publisher: Cambridge University Press
ISBN: 1108950744
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Situated at the intersection of law and literature, nineteenth-century studies and post-colonialism, Colonial Law in India and the Victorian Imagination draws on original archival research to shed new light on Victorian literature. Each chapter explores the relationship between the shared cultural logic of law and literature, and considers how this inflected colonial sociality. Leila Neti approaches the legal archive in a distinctly literary fashion, attending to nuances of voice, character, diction and narrative, while also tracing elements of fact and procedure, reading the case summaries as literary texts to reveal the common turns of imagination that motivated both fictional and legal narratives. What emerges is an innovative political analytic for understanding the entanglements between judicial and cultural norms in Britain and the colony, bridging the critical gap in how law and literature interact within the colonial arena.
Author: Daniel Tyler
Publisher: Cambridge University Press
ISBN: 1108583490
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Some writers of the Victorian period, as well as more recent critics, have argued that the prose style of Victorian fiction aims to efface itself or that an absence of style may in itself represent the nineteenth-century ideal. This collection provides a major assessment of style in Victorian fiction and demonstrates that style - the language, techniques and artistry of prose - is inseparable from meaning and that it is through the many resources of style that the full compass of meaning makes itself known. Leading scholars in the field present an engaging assessment of major Victorian novelists, illustrating how productive and illuminating close attention to literary style can be. Collectively, they build a fresh and nuanced understanding of how style functioned in the literature of the nineteenth century, and propose that the fiction of this era demands we think about what style does, as much as what style is.
Author: Charles LaPorte
Publisher: Cambridge University Press
ISBN: 1108853463
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.
