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Author: Jiaxiang Hu
Publisher: World Scientific
ISBN: 9813279443
Category : Philosophy
Languages : en
Pages : 541
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Book Description
The book features an in-depth analysis of pre-modern Chinese discourses on artistic style especially the concept of Vitality-Charm (氣韻). Adopting an interdisciplinary approach, the book examines Vitality-Charm and related topics from the perspectives of aesthetics, stylistics, semiotics, cosmology, art history, and socio-cultural history. It reviews the development of, and examines the relations between, the concepts of poetic vision, spiritual resonance, spiritual expressiveness, Vitality-Charm and so on in the tradition of Chinese art (including literature, music, dancing, and drama). The book also attempts to clarify confusions caused by the overlapping and indistinct demarcations between the concepts when they are used in the discourse of, and even the training of art — especially traditional Chinese art.
Author: Jiaxiang Hu
Publisher: World Scientific
ISBN: 9813279443
Category : Philosophy
Languages : en
Pages : 541
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Book Description
The book features an in-depth analysis of pre-modern Chinese discourses on artistic style especially the concept of Vitality-Charm (氣韻). Adopting an interdisciplinary approach, the book examines Vitality-Charm and related topics from the perspectives of aesthetics, stylistics, semiotics, cosmology, art history, and socio-cultural history. It reviews the development of, and examines the relations between, the concepts of poetic vision, spiritual resonance, spiritual expressiveness, Vitality-Charm and so on in the tradition of Chinese art (including literature, music, dancing, and drama). The book also attempts to clarify confusions caused by the overlapping and indistinct demarcations between the concepts when they are used in the discourse of, and even the training of art — especially traditional Chinese art.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
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Book Description
Author: Katharine P Burnett
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964562
Category : Art
Languages : en
Pages : 444
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Book Description
This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.
Author: Teen-hang Meen
Publisher: World Scientific
ISBN: 9811238731
Category : Computers
Languages : en
Pages : 432
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Book Description
This volume is the proceedings of the 3rd IEEE International Conference on Knowledge Innovation and Invention 2020 (IEEE ICKII 2020). The conference was organized by the IEEE Tainan Section Sensors Council (IEEE TSSC), the International Institute of Knowledge Innovation and Invention (IIKII), and the National University of Kaohsiung, Taiwan, and held on August 21-23, 2020 in Kaohsiung.This volume of Knowledge Innovation on Design and Culture selected 95 excellent papers from the IEEE ICKII 2020 conference in the topics of Innovative Design and Cultural Research and Knowledge Innovation and Invention. This proceedings presents the research results based on the interdisciplinary collaboration of social sciences and engineering technologies by international networking in the academic and industrial fields.
Author: Ling-ting Chiu
Publisher:
ISBN: 9780692043257
Category :
Languages : en
Pages :
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Book Description
Author: Jiaxiang Hu
Publisher: World Scientific
ISBN: 9813273909
Category : Philosophy
Languages : en
Pages : 681
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Book Description
Among world's three major philosophic traditions, Chinese philosophy excels in ethical discourse. As a collective wisdom on a par with Aristotle's 'Ethics' and Kant's 'Critique of Practical Reason', Chinese philosophy now needs to be systematized and developed. Today, Chinese philosophy per se has often been reduced to the historical approach to it, hence its slower development in comparison with European and Indian philosophies. The author of this book avails himself of Kant's model of human psychic structure, synthesizes the basic elements of Chinese philosophy into a rigorous theoretical framework, and presents a panoptic view of the edifice of traditional Chinese philosophy.
Author: Ci Lin
Publisher: Cambridge University Press
ISBN: 9780521186636
Category : Art
Languages : en
Pages : 174
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Book Description
Traditional Chinese painting was fundamentally an abstract art form. Artists did not seek to represent direct copies of the natural world; rather, traditional Chinese paintings sought to portray the harmony between the natural world and human emotion, evoking ancient Chinese philosophy. From ancient scroll paintings to Buddhist grottoes to modern art, Lin Ci explores the history, theory and development of distinctive styles of Chinese painting, illustrated throughout with full color examples of these unique, treasured works of art.
Author: Wu Hung
Publisher: Princeton University Press
ISBN: 069123101X
Category : Art
Languages : en
Pages : 352
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Book Description
A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history Throughout Chinese history, dynastic time—the organization of history through the lens of successive dynasties—has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new pathways for the consideration of not only Chinese art, but also the whole of art history. Wu Hung brings together ten case studies, ranging from the third millennium BCE to the early twentieth century CE, and spanning ritual and religious art, painting, sculpture, the built environment, and popular art in order to examine the deep-rooted patterns in the historical conceptualization of Chinese art. Elucidating the changing notions of dynastic time in various contexts, he also challenges the preoccupation with this concept as the default mode in art historical writing. This critical investigation of dynastic time thus constitutes an essential foundation to pursue new narrative and interpretative frameworks in thinking about art history. Remarkable for the sweep and scope of its arguments and lucid style, Chinese Art and Dynastic Time probes the roots of the collective imagination in Chinese art and frees us from long-held perspectives on how this art should be understood. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Author: HONGYIN WANG
Publisher: American Academic Press
ISBN: 1631819143
Category : Philosophy
Languages : en
Pages : 320
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Book Description
A Critique of Translation Theories in Chinese Tradition: From Dao’an to Fu Lei represents an attempt to review traditional Chinese translation theories, covering an intellectual history of about 2,000 years from Eastern Han Dynasty (25-220) in dynastic China up to contemporary China. Following an approach informed by the Western history of philosophy, this two-volume work makes detailed analysis and modern interpretation of ten major theories or theoretical argumentations, from the theory of Dao’an, an early Buddhist sutra translator and theorist, to that of Fu Lei, a contemporary Chinese translator of French literature. Throughout the critique in Volume One, a three-dimensional methodology is adopted in different theoretical contexts, that is, historical evaluation, theoretical explanation, and creative modern transformation of each theory, with regard to its basic propositions, concepts, and categories, from its classical form into a modern form. Presented in Volume Two is what the author has got in his exploration, by drawing on the traditional Chinese culture resources, into the modern Chinese translation theory now still in the making.
Author:
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Category :
Languages : en
Pages :
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