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Author: Charles Davidson
Publisher:
ISBN:
Category : Bible plays, English
Languages : en
Pages : 188
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Book Description
Author: Charles Davidson
Publisher:
ISBN:
Category : Bible plays, English
Languages : en
Pages : 188
Get Book Here
Book Description
Author: Charles Davidson
Publisher:
ISBN: 9781429790727
Category :
Languages : en
Pages : 180
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Book Description
Author: Charles Davidson
Publisher:
ISBN: 9781290263290
Category :
Languages : en
Pages : 0
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Book Description
Author: Charles Davidson
Publisher: Nabu Press
ISBN: 9781294677215
Category :
Languages : en
Pages : 182
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Studies In The English Mystery Plays: A Thesis Presented To The Philosophical Faculty Of Yale University Charles Davidson Yale University, 1892 English drama; Mysteries and miracle-plays
Author: Charles Davidson
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 184
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Book Description
Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Charles Davidson
Publisher: Forgotten Books
ISBN: 9780364217818
Category : Religion
Languages : en
Pages : 176
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Book Description
Excerpt from Studies in the English Mystery Plays: A Thesis Presented to the Philosophical Faculty of Yale University In some form singing of psalms had been a feature of the church worship from the first. There had been some definite assignment of musical parts in temple and synagogue worship moreover, Psalms 24 and 134 appear to have been composed for antiphonal singing. Philo speaks of such singing among the Essenes, in language which agrees closely with that used by Basil, Bishop of Caesarea, in 370 A. D., when he says, And now, divided into two parts, they sing alternately to each other. Afterwards they commit the leading of the melody to one, and the rest follow him. Pliny's statement that the Christians sang amongst themselves in turn proves its survival among the Christians. Nevertheless, whatever the method of singing may have been, that lively alternation, which gives movement and interest to antiphonal singing, must have been lacking. Indeed there are signs that music itself fell into disuse or was of little prominence, for no writer after St. Chrysostom could have omitted, as did Justin Martyr, all men tion of it, in a description of the service. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Charles Davidson
Publisher: Franklin Classics
ISBN: 9780343515041
Category :
Languages : en
Pages : 180
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Kurt A. Schreyer
Publisher: Cornell University Press
ISBN: 080145509X
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare’s plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare’s connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city’s cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects—as vital and direct agents and not merely as precursors—to the Shakespearean stage.As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeare’s theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeare’s stage—including the ass’s head of A Midsummer Night’s Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbeth—were in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.
Author: Hans-Jurgen Diller
Publisher: Cambridge University Press
ISBN: 0521320623
Category : Drama
Languages : en
Pages : 354
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Book Description
A major study of the mystery plays of medieval England, focusing on the function of their speech and dramatic form.
