Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 576
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Book Description
This is the first of two volumes to consider in detail the architecture of Islam, from Spain to India, from the 7th century to the present day. Hillenbrand's particular interests are Iranian buildings from the Saljuq period (11th to 12th centuries) and the Umayyad monuments in the Levant (660-750 AD). This volume considers the architecure of Cordoba, Syria, Pakistan and Britain and America and includes Islamic and Oriental art, The second volume, predominantly concerned with Iran, is also available. Volume I Contents: Preface The Legacy of the Dome of the Rock The Ornament of the World - Cordoba A Pair of Medieval Tomb Towers in Van La dolce vita in Early Islamic Syria: the Evidence of Later Umayyad Palaces Islamic Art at the Crossroads: East and West at Mshatta Some Observations on the Use of Space in Medieval Islamic Buildings Eastern Islamic Influneces in Syria: Raqqa and Qal'at Ja'bar in the Later Twelfth Century Islamic Art, Architecture and Archaeology The Classical Heritage in Islamic Art: the Case of Medieval Architecture The Use of Spatial Devices in the Great Mosque of Cordoba Islamic Art and Architecture Political Symbolism in Early Indo-Muslim Mosque Architecture: the Case of Ajmir Qur'anic Epigraphy in Medieval Islamic Architecture Cresswell and Contemporary Central European Scholarship Turco-Iranian Elements in the Medieval Architecture of Pakistan - the Case of the Tomb of Rukn-i 'Alam at Multan Mamluk Caravansarais in Galilee The Dervish Lodge. Architecture, Art and Sufism in Ottoman Turkey Reflections on O. Aslanapa's Turkish Art and Architecture Traditional Architecture in the Arabian Peninsula Musalla Qasr Kharana re-examined Occidental Oriental: Islamic Influences in the Art of Britain and America Splendour and Austerity. Islamic Architectural Ornament. The Monument Reviews of M. Meinecke, Die Madrasa des Amir Mitqal C. Ewert and J.-P. Wisshak, Forschungen zur almohadischen Moschee. I. Vorstafen E. C. Dodd and S. Khairallah, The Image of the World.
Author: Robert Hillenbrand
Publisher:
ISBN: 9781899828760
Category : Architecture
Languages : en
Pages : 0
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Book Description
This is the second of two volumes which consider in detail the art and architecture of Islam, from Spain to India, from the 7th century to the present day. This volume reflects Hillenbrand's principal interest: the architecture of Iran during the Seljuq period (11th to 12th centuries). Papers include discussions of mosques, mausolea, dome chambers, domestic architecture and tilework amongst many other subjects. The first volume, also available, encompasses a broad overview of the art and architecture of the Islamic world. Volume II Contents: Safavid Architecture The Islamic Architecture of Persia Islamic Monuments in Northern Iran Mosques and Mausolea in Khurasan and Central Iran Saljuq Monuments in Iran I Saljuq Monuments in Iran II. The 'Pir' Mausoleum at Takistan The Development of Saljuq Mausolea in Iran Kazwin. II. Monuments Saljuq Monuments in Iran III. The Domed Masjid-i Gami' at Sugas Saljuq Dome Chambers in North-West Iran Saljuq Monuments in Iran IV. The Mosques of Nushabad The Use of Glazed Tilework in Iranian Islamic Architecture Abarquh. II. Monuments The Flanged Tomb Tower at Bastam The Role of Tradition in Qajar Religious Architecture Archaeology. VI. Islamic Iran Architecture. VI. Islamic, Safavid to Qajar Ardestan. II. Monuments Ashtarjan Saljuq Monuments in Iran V. The Imamzada Nur, Gurgan Aspects of Timurid Architecture in Central Asia Abbasid Mosques in Iran Mazandaran Domestic Architecture in Nineteenth-century Iran: the Manzil-i Sartip Sidihi near Isfahan A Safavid Tile Panel Nishapur. Some Early Islamic Buildings and their Decoration The Mausoleum of 'A'isha Bibi and the Central Asian Tradition of Funerary Architecture Reviews of L. Bier, Sarvistan Y. Kiani, The Islamic City of Gurgan Additional Notes Index.
Author: Glaire D. Anderson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409449430
Category : Art
Languages : en
Pages : 262
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Book Description
Case study of Córdoban aristocratic estates during the Umayyad dynastic period (756-1031), synthesizing archaeological evidence unearthed from the 1980s up to 2009 with extant works of Andalusi art and architecture as well as evidence from medieval Arabic texts; incorporating material and insights from the fields of agricultural, economic, social and political history; and offering a fuller picture of secular architecture and social history in the caliphal lands and the Mediterranean.
Author: Oleg Grabar
Publisher: Variorum Publishing
ISBN:
Category : Art
Languages : en
Pages : 394
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Book Description
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Margaret S. Graves
Publisher: Oxford University Press
ISBN: 0190695935
Category : Art
Languages : en
Pages : 572
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Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 702
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Book Description
Professor Hillenbrand has written extensively over the last 25 years on Islamic architecture from Spain to India and from the 7th to the 20th century. He has paid consistent attention to the architecture of Iran. This illustrated volume provides additional notes on studies in medieval Islamic architecture.
Author: DIANA. DARKE
Publisher: Oxford University Press
ISBN: 1911723472
Category :
Languages : en
Pages : 484
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Book Description
Author: Josef W. Meri
Publisher: Routledge
ISBN: 1135456038
Category : History
Languages : en
Pages : 980
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Book Description
Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the seventh and sixteenth century. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, art history, history, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. This reference provides an exhaustive and vivid portrait of Islamic civilization including the many scientific, artistic, and religious developments as well as all aspects of daily life and culture. For a full list of entries, contributors, and more, visit www.routledge-ny.com/middleages/Islamic.
Author: Christiane J. Gruber
Publisher:
ISBN: 9781783206391
Category : Islamic architecture
Languages : en
Pages : 264
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Book Description
Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.
