Author: Cristian Ciocan
Publisher: Romanian Society for Phenomenology
ISBN: 9735008793
Category :
Languages : en
Pages : 239
Book Description
Studia Phaenomenologica IV, 1-2 (2004)
Studia Phaenomenologica IV, 12 (2004)
Author:
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ISBN:
Category :
Languages : en
Pages :
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Publisher:
ISBN:
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Languages : en
Pages :
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Studia Phaenomenologica IV, 3-4 / 2004
Author: Paul Balogh
Publisher: Romanian Society for Phenomenology
ISBN: 973500979X
Category : Phenomenology
Languages : en
Pages : 296
Book Description
Publisher: Romanian Society for Phenomenology
ISBN: 973500979X
Category : Phenomenology
Languages : en
Pages : 296
Book Description
Studia PhÃ?nomenologica IV, No. 1-2 (2004)
Author: Cristian Ciocan
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Studia Phaenomenologica V (2005)
Author: Cristian Ciocan
Publisher: Romanian Society for Phenomenology
ISBN: 9735011425
Category : Phenomenology
Languages : en
Pages : 410
Book Description
Publisher: Romanian Society for Phenomenology
ISBN: 9735011425
Category : Phenomenology
Languages : en
Pages : 410
Book Description
Phenomenology 2005. Volume 3: Selected Essays from Euro-Mediterranean Area, part 2
Author: Copoeru, Ion
Publisher: Zeta Books
ISBN: 9738863341
Category : Phenomenology
Languages : en
Pages : 376
Book Description
Publisher: Zeta Books
ISBN: 9738863341
Category : Phenomenology
Languages : en
Pages : 376
Book Description
Recto Verso: Redefining the Sketchbook
Author: Angela Bartram
Publisher: Routledge
ISBN: 1317070003
Category : Architecture
Languages : en
Pages : 273
Book Description
Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
Publisher: Routledge
ISBN: 1317070003
Category : Architecture
Languages : en
Pages : 273
Book Description
Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
On Art and Science
Author: Shyam Wuppuluri
Publisher: Springer Nature
ISBN: 3030275779
Category : Science
Languages : en
Pages : 353
Book Description
Einstein once remarked "After a certain high level of technical skill is achieved, science and art tend to coalesce in aesthetics, plasticity, and form. The greatest scientists are always artists as well". In this volume, some of the world’s leading thinkers come together to expound on the interrelations between sciences and arts. While one can segregate art and place it outside the scientific realm, it is, nevertheless, inextricably linked to our essential cognitive/emotional/perceptual modalities and abilities, and therefore lies alongside and in close contact with the method of science and philosophy. What inspiration can scientists draw from art and how can scientific spirit foster our understanding and creation of aesthetic works? How are art and science grounded in our cognition? What role does perception play in science and art? Are criteria for beauty in art and science the same? How does evolution shape our understanding of art? How do science, art and scientifico-artistic frameworks shape society as a whole and help us address its pressing issues? The epistemological and ontological aspects haunt artists, philosophers and scientists alike. The essays in this volume address these manifold questions while also elucidating the pragmatic role they play in our daily life.
Publisher: Springer Nature
ISBN: 3030275779
Category : Science
Languages : en
Pages : 353
Book Description
Einstein once remarked "After a certain high level of technical skill is achieved, science and art tend to coalesce in aesthetics, plasticity, and form. The greatest scientists are always artists as well". In this volume, some of the world’s leading thinkers come together to expound on the interrelations between sciences and arts. While one can segregate art and place it outside the scientific realm, it is, nevertheless, inextricably linked to our essential cognitive/emotional/perceptual modalities and abilities, and therefore lies alongside and in close contact with the method of science and philosophy. What inspiration can scientists draw from art and how can scientific spirit foster our understanding and creation of aesthetic works? How are art and science grounded in our cognition? What role does perception play in science and art? Are criteria for beauty in art and science the same? How does evolution shape our understanding of art? How do science, art and scientifico-artistic frameworks shape society as a whole and help us address its pressing issues? The epistemological and ontological aspects haunt artists, philosophers and scientists alike. The essays in this volume address these manifold questions while also elucidating the pragmatic role they play in our daily life.
Studia PhÃ?nomenologica
Author: Gabriel Cercel
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Studia Phaenomenologica II, 12 (2002)
Author:
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ISBN:
Category :
Languages : en
Pages :
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Publisher:
ISBN:
Category :
Languages : en
Pages :
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