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Author: Julian Budden
Publisher: Oxford University Press
ISBN: 0190273984
Category : Biography & Autobiography
Languages : en
Pages : 439
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Book Description
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.
Author: Julian Budden
Publisher: Oxford University Press
ISBN: 0190273984
Category : Biography & Autobiography
Languages : en
Pages : 439
Get Book Here
Book Description
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.
Author: Scott L. Balthazar
Publisher: Cambridge University Press
ISBN: 1139825836
Category : Music
Languages : en
Pages : 368
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Book Description
This 2004 Companion provides a biographical, theatrical and social-cultural background for Verdi's music, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process and critical reception are explored in essays by highly reputed specialists. Individual chapters address themes in Verdi's life, his role in transforming the theater business, and his relationship to Italian Romanticism and the Risorgimento. Chapters on four operas representative of the different stages of Verdi's career, Ernani, Rigoletto, Don Carlos and Otello synthesize analytical themes introduced in the more general chapters and illustrate the richness of Verdi's creativity. The Companion also includes chapters on Verdi's non-operatic songs and other music, his creative process, and scholarly writing about Verdi from the nineteenth-century to the present day.
Author: Gilles de Van
Publisher: University of Chicago Press
ISBN: 9780226143705
Category : Biography & Autobiography
Languages : en
Pages : 444
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Book Description
But in the musical drama reality begins to blur, the musical forms lose their excessively neat patterns, and doubt and ambiguity undermine characters and situations, reflecting the crisis of character typical of modernity. Indeed, much of the interest and originality of Verdi's operas lie in his adherence to both these contradictory systems, allowing the composer/dramatist to be simultaneously classical and modern, traditionalist and innovator.
Author: Philip Gossett
Publisher: W. W. Norton & Company
ISBN: 9780393303612
Category : Music
Languages : en
Pages : 372
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Book Description
These five biographies provide the first complete survey of Italian opera from the early buffo operas of Rossini to Verdi's great masterpieces, Otello and Falstaff, and the verismo operas of Puccini. Andrew Porter has been highly praised for his original and enlightening account of Verdi, and Philip Gossett has received similar acclaim for his treatment of Rossini. Porter, Gossett, William Ashbrooke, Julian Budden, Mosco Carner, and Friedrich Lippmann, all acknowledged experts in the field of Italian opera, combine to offer insight into the traditions and workings of one of the most fascinating periods in the history of opera. Book jacket.
Author: Giulia Magazzù
Publisher: Cambridge Scholars Publishing
ISBN: 1527557189
Category : Social Science
Languages : en
Pages : 201
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Book Description
Offering compelling insights into the Italian adaptation of diversified English products, this volume is addressed to both scholars and students wishing to delve into the field of reception studies. It focuses on literary, multimedia and audiovisual translation due to the conviction that the modalities through which the imprinting of “Italianness” is marked upon several English hypertexts are still worth investigating today. The contributions here highlight how some choices may, in some instances, alter the meaning as much as the success of some English aesthetic texts, by directing, if not possibly undermining, the audience reception.
Author: Martin Chusid
Publisher: University of Chicago Press
ISBN: 0226106586
Category : Music
Languages : en
Pages : 448
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Book Description
During the middle phase of his career, 1849-1859, Verdi created some of his best-loved and most frequently performed operas, including Luisa Miller, Rigoletto, Il trovatore, La traviata, and Un ballo in maschera. This was also the period in which he wrote his first completely original French grand opera, Les Vepres siciliennes; the first version of Simon Boccanegra; and the intensely dramatic Stiffelio, until recent years the most neglected of all Verdi's mature works for the operatic stage. Featuring contributions from many of the most active Verdi scholars in the United States and Europe, Verdi's Middle Period explores the operas composed during this period from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception. Both musicologists and serious opera buffs will enjoy this distinguished collection.
Author: Geoffrey Edwards
Publisher: Scarecrow Press
ISBN: 1461674166
Category : Music
Languages : en
Pages : 228
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Book Description
New in paperback! This book comes at a time when opera-lovers, singers, directors, and critics alike are taking a new look at the dramatic soprano heroines created by Giuseppe Verdi and Giacomo Puccini, endeavoring to delve beyond inherited scholarly interpretation and gain a richer understanding of these compelling female characters. Artistically limited by the bel canto musical tradition popular at the time, Verdi launched a new style dramma per musica which also demanded a new soprano archetype. This book illustrates the musical evolution of the Verdi and Puccini soprano while illuminating the dramatic scope and power of these great heroines. Avoiding critical reductionism, Verdi and Puccini Heroines provides an unprecedented and probing discussion of how these great soprano roles were conceived and executed. Accordingly, the authors take a three-dimensional look at these heroines, examining seven operas: Il Trovatore, La Forza del Destino, Aida, La Bohème, Tosca, Madama Butterfly, and Turandot. The chapters, which are fully self-contained analyses, contain translations, illustrative musical examples, supplementary notes, and references to each opera's literary sources. The musical analysis, while thorough, is descriptive and accessible to all levels of readers.
Author: George Whitney Martin
Publisher: Hal Leonard Corporation
ISBN: 9780879101602
Category : Biography & Autobiography
Languages : en
Pages : 556
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Book Description
(Limelight). This book relates the life and experiences of composer Giuseppe Verdi, from his birth in 1813 to his death in 1901. Besides documenting Verdi's life and the music he created, it also goes further in discussing the times and culture in which he was living in 19th century Italy, both socially and politically. "A complete life-to-death biography, wonderfully comprehensive on both life and art, wonderfullly sensible, and splendidly gotten up." The Boston Herald
Author: George Whitney Martin
Publisher: Hal Leonard Corporation
ISBN: 9780879101725
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
This collection of original essays ranges widely among the composer's interests and achievements: from his religious views to his skill as a cook, from the politics that galvanized him to the poetry that inspired him, from his earliest compositions to his final masterwork, Falstaff, completed at the age of 80. Drawing on original research and scholarship, this book also contains two of Verdi's early works, never before published in this form; a translated collection of his letters, also heretofore unpublished; the text of the Requiem with indications of Verdi's emphases; and a directory of his operas with sources, casts, theatres, and premiere dates.
Author: Caroline Ellsmore
Publisher: Routledge
ISBN: 1351731637
Category : Music
Languages : en
Pages : 431
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Book Description
This investigation offers new perspectives on Giuseppe Verdi’s attitudes to women and the functions which they fulfilled for him. The book explores Verdi’s professional and personal relationship with women who were exceptional within the traditional socio-sexual structure of patria potestà, in the context of women’s changing status in nineteenth-century Italian society. It focusses on two women; the singers Giuseppina Strepponi, who supported and enhanced Verdi’s creativity at the beginning of his professional life and Teresa Stolz, who sustained his sense of self-worth at its end. Each was an essential emotional benefactor without whom Verdi’s career would not have been the same. The subject of the Strepponi-Verdi marriage and the impact of Strepponi’s past deserve further detailed and nuanced discussion. This book demonstrates Verdi’s shifting power-balance with Strepponi as she sought to retain intellectual self-respect while his success and control increased. The negative stereotypes concerning operatic ‘divas’ do not withstand scrutiny when applied either to Strepponi or to Stolz. This book presents a revisionist appraisal of Stolz through close examination of her letters. Revealing Stolz’s value to Verdi, they also provide contemporary operatic criticism and behind-the-scenes comment, some excerpts of which are published here in English for the first time.
