Studi in onore di Luigi Grassi PDF Download
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Languages : it
Pages : 0
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Pages : 0
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Category : Art, Renaissance
Languages : en
Pages : 410
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Category :
Languages : it
Pages : 411
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Author: Miles L. Chappell
Publisher: Taylor & Francis
ISBN: 9788809036710
Category : Art
Languages : it
Pages : 472
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Book Description
Author: Rona Goffen
Publisher: Yale University Press
ISBN: 9780300105896
Category : Art
Languages : en
Pages : 540
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Book Description
For sixteenth-century Italian masters, the creation of art was a contest. They knew each other's work and patrons, were collegues and rivals. Survey of this artistic rivalry, the emotional and professional circumstances of their creations.
Author: Palazzo Ruspoli (Rome, Italy)
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882655044
Category : Art
Languages : en
Pages : 146
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Book Description
Author: Elizabeth D. Harvey
Publisher: University of Pennsylvania Press
ISBN: 9780812218299
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
"As histories of corporeal experience in the period become at one more specific and more focused, this signal collection will stand as a tribute to the general power of such a particular focus."—Studies in English Literature
Author: Anna Forlani Tempesti
Publisher: Galleria
ISBN:
Category : Art
Languages : it
Pages : 544
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Author: Maria Luisa Gatti Perer
Publisher:
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Category :
Languages : it
Pages : 1
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Author: Kelly Baum
Publisher: Metropolitan Museum of Art
ISBN: 1588395863
Category : Art
Languages : en
Pages : 342
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Book Description
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
