Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871682
Category : Performing Arts
Languages : en
Pages : 32
Book Description
This book contains the synopses and reviews of the darkest films in Stuart Gordon’s filmography. The movies are ranked.
Stuart Gordon's Filmography (2020)
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871682
Category : Performing Arts
Languages : en
Pages : 32
Book Description
This book contains the synopses and reviews of the darkest films in Stuart Gordon’s filmography. The movies are ranked.
Publisher: Tales of Terror
ISBN: 1778871682
Category : Performing Arts
Languages : en
Pages : 32
Book Description
This book contains the synopses and reviews of the darkest films in Stuart Gordon’s filmography. The movies are ranked.
Stuart Gordon
Author: Michael Doyle
Publisher: Univ. Press of Mississippi
ISBN: 1496837835
Category : Performing Arts
Languages : en
Pages : 306
Book Description
Animated by a singularly subversive spirit, the fiendishly intelligent works of Stuart Gordon (1947–2020) are distinguished by their arrant boldness and scab-picking wit. Provocative gems such as Re-Animator, From Beyond, Dolls, The Pit and the Pendulum, and Dagon consolidated his fearsome reputation as one of the masters of the contemporary horror film, bringing an unfamiliar archness, political complexity, and critical respect to a genre so often bereft of these virtues. A versatile filmmaker, one who resolutely refused to mellow with age, Gordon proved equally adept at crafting pointed science fiction (Robot Jox, Fortress, Space Truckers), sweet-tempered fantasy (The Wonderful Ice Cream Suit), and nihilistic thrillers (King of the Ants, Edmond, Stuck), customarily scrubbing the sharply drawn lines between exploitation and arthouse cinema. The first collection of interviews ever to be published on the director, Stuart Gordon: Interviews contains thirty-six articles spanning a period of fifty years. Bountiful in anecdote and information, these candid conversations chronicle the trajectory of a fascinating career—one that courted controversy from its very beginning. Among the topics Gordon discusses are his youth and early influences, his founding of Chicago’s legendary Organic Theatre (where he collaborated with such luminaries as Ray Bradbury, Kurt Vonnegut, and David Mamet), and his transition into filmmaking where he created a body of work that injected fresh blood into several ailing staples of American cinema. He also reveals details of his working methods, his steadfast relationships with frequent collaborators, his great love for the works of Lovecraft and Poe, and how horror stories can masquerade as sociopolitical commentaries.
Publisher: Univ. Press of Mississippi
ISBN: 1496837835
Category : Performing Arts
Languages : en
Pages : 306
Book Description
Animated by a singularly subversive spirit, the fiendishly intelligent works of Stuart Gordon (1947–2020) are distinguished by their arrant boldness and scab-picking wit. Provocative gems such as Re-Animator, From Beyond, Dolls, The Pit and the Pendulum, and Dagon consolidated his fearsome reputation as one of the masters of the contemporary horror film, bringing an unfamiliar archness, political complexity, and critical respect to a genre so often bereft of these virtues. A versatile filmmaker, one who resolutely refused to mellow with age, Gordon proved equally adept at crafting pointed science fiction (Robot Jox, Fortress, Space Truckers), sweet-tempered fantasy (The Wonderful Ice Cream Suit), and nihilistic thrillers (King of the Ants, Edmond, Stuck), customarily scrubbing the sharply drawn lines between exploitation and arthouse cinema. The first collection of interviews ever to be published on the director, Stuart Gordon: Interviews contains thirty-six articles spanning a period of fifty years. Bountiful in anecdote and information, these candid conversations chronicle the trajectory of a fascinating career—one that courted controversy from its very beginning. Among the topics Gordon discusses are his youth and early influences, his founding of Chicago’s legendary Organic Theatre (where he collaborated with such luminaries as Ray Bradbury, Kurt Vonnegut, and David Mamet), and his transition into filmmaking where he created a body of work that injected fresh blood into several ailing staples of American cinema. He also reveals details of his working methods, his steadfast relationships with frequent collaborators, his great love for the works of Lovecraft and Poe, and how horror stories can masquerade as sociopolitical commentaries.
Brian Yuzna's Filmography (2020)
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871658
Category : Performing Arts
Languages : en
Pages : 38
Book Description
This book contains the synopses and reviews of the darkest films in Brian Yuzna’s filmography. The movies are ranked.
Publisher: Tales of Terror
ISBN: 1778871658
Category : Performing Arts
Languages : en
Pages : 38
Book Description
This book contains the synopses and reviews of the darkest films in Brian Yuzna’s filmography. The movies are ranked.
Re-Animator
Author: Eddie Falvey
Publisher: Liverpool University Press
ISBN: 1800858159
Category : Performing Arts
Languages : en
Pages : 132
Book Description
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that were taking place within the context of 1980s American horror production. He uses Re-Animator to explore the rise and fall of Charles Band’s Empire Pictures, the revival of the mad science sub-genre, the emergent popularity of both gore aesthetics and horror-comedies, as well as a new appetite for the works of H.P. Lovecraft in adaptation. Falvey also tracks the film's legacies, observing not only how Re-Animator’s success gave rise to a new Lovecraftian cycle fronted by Stuart Gordon, but also how its cult status has continued to grow, marked by sequels, spin-offs, parodies and re-releases. As such, Falvey's book promises to be a book both about Re-Animator itself and about the various contexts that birthed it and continue to reflect its influence.
Publisher: Liverpool University Press
ISBN: 1800858159
Category : Performing Arts
Languages : en
Pages : 132
Book Description
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that were taking place within the context of 1980s American horror production. He uses Re-Animator to explore the rise and fall of Charles Band’s Empire Pictures, the revival of the mad science sub-genre, the emergent popularity of both gore aesthetics and horror-comedies, as well as a new appetite for the works of H.P. Lovecraft in adaptation. Falvey also tracks the film's legacies, observing not only how Re-Animator’s success gave rise to a new Lovecraftian cycle fronted by Stuart Gordon, but also how its cult status has continued to grow, marked by sequels, spin-offs, parodies and re-releases. As such, Falvey's book promises to be a book both about Re-Animator itself and about the various contexts that birthed it and continue to reflect its influence.
Charles Band's Filmography (2020)
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 177887164X
Category : Performing Arts
Languages : en
Pages : 88
Book Description
This book contains the synopses and reviews of the darkest films in Charles Band’s filmography. The movies are ranked.
Publisher: Tales of Terror
ISBN: 177887164X
Category : Performing Arts
Languages : en
Pages : 88
Book Description
This book contains the synopses and reviews of the darkest films in Charles Band’s filmography. The movies are ranked.
Masters of Terror 2020
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778870759
Category : Performing Arts
Languages : en
Pages : 561
Book Description
This book contains the synopses and reviews of the darkest movies in the filmography of ten legendary masters of terror: Stephen King, Wes Craven, Clive Barker, John Carpenter, George A. Romero, Tobe Hooper, Charles Band, Brian Yuzna, Lloyd Kaufman, and Stuart Gordon. The movies are ranked.
Publisher: Tales of Terror
ISBN: 1778870759
Category : Performing Arts
Languages : en
Pages : 561
Book Description
This book contains the synopses and reviews of the darkest movies in the filmography of ten legendary masters of terror: Stephen King, Wes Craven, Clive Barker, John Carpenter, George A. Romero, Tobe Hooper, Charles Band, Brian Yuzna, Lloyd Kaufman, and Stuart Gordon. The movies are ranked.
Darkening the Italian Screen
Author: Eugenio Ercolani
Publisher: McFarland
ISBN: 1476635382
Category : Performing Arts
Languages : en
Pages : 335
Book Description
The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
Publisher: McFarland
ISBN: 1476635382
Category : Performing Arts
Languages : en
Pages : 335
Book Description
The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
Watching the World Die
Author: Mike Bogue
Publisher: McFarland
ISBN: 1476650705
Category : Performing Arts
Languages : en
Pages : 270
Book Description
During the 1980s, popular fear of World War III spurred moviemakers to produce dozens of nuclear threat films. Categories ranged from monster movies to post-apocalyptic adventures to realistic depictions of nuclear war and its immediate aftermath. Coverage of atomic angst films isn't new, but this is the first book to solely analyze 1980s nuclear threat movies as a group. Entries range from classics such as The Day After and WarGames to obscurities such as Desert Warrior and Massive Retaliation. Chronological coverage of the 121 films released between 1980 and 1990 includes production details, chapter notes, and critical commentaries.
Publisher: McFarland
ISBN: 1476650705
Category : Performing Arts
Languages : en
Pages : 270
Book Description
During the 1980s, popular fear of World War III spurred moviemakers to produce dozens of nuclear threat films. Categories ranged from monster movies to post-apocalyptic adventures to realistic depictions of nuclear war and its immediate aftermath. Coverage of atomic angst films isn't new, but this is the first book to solely analyze 1980s nuclear threat movies as a group. Entries range from classics such as The Day After and WarGames to obscurities such as Desert Warrior and Massive Retaliation. Chronological coverage of the 121 films released between 1980 and 1990 includes production details, chapter notes, and critical commentaries.
Naked Theatre and Uncensored Horrors
Author: Stuart Gordon
Publisher:
ISBN: 9781913051235
Category :
Languages : en
Pages : 0
Book Description
In this engaging candid memoir, horror legend Stuart Gordon gives a vivid account of his remarkable journey, from a student manning the barricades during the civil unrest of the 1960s, via an infamous stint as an experimental theater maverick, to ultimately becoming an iconic figure in cult cinema. While he'd started his professional career as a theater director, Gordon's first love was cinema, and in 1985 he shocked the world with his wickedly witty debut feature Re-Animator. The film established an unofficial Gordon repertory company, including the actors Jeffrey Combs and Barbara Crampton, producer Brian Yuzna, and writer Dennis Paoli. It also established Gordon as the pre-eminent cinematic interpreter of legendary horror author H.P. Lovecraft, a writer many had previously regarded as largely unfilmable. Gordon went on to undertake a succession of horror, science fiction, and thriller productions that saw him working across the globe, from Italy (Castle Freak), Hungary (Daughter of Darkness) and Australia (Fortress), to Ireland (Space Truckers) and Spain (Dagon). In these pages, Gordon recalls a wealth of anecdotes, revealing what it was like to direct acclaimed actors such as Anthony Perkins, Dennis Hopper, Oliver Reed, Edward J. Olmos, Lance Henriksen and William H. Macy. Gordon also spills the beans on working with Roy Disney and Jeffrey Katzenberg on the family comedy Honey, I Shrunk the Kids at Disney Studios. Stuart Gordon's memoir is authentically funny, disarmingly honest, and unexpectedly touching - a compelling glimpse into the life of a director happiest in Hollywood's hinterlands, pushing the limits of what the mainstream would accept. It's the story of a bona fide original, an uncompromising artist with the common touch, and of a loving family man who delighted in disturbing us all with his restless, brilliant imagination. Gordon's filmography ranges from the iconic Lovecraftian horror From Beyond (1986), to science fiction action flicks including Robot Jox (1990), gruelling period pieces such as The Pit and the Pendulum (1998), the noir thriller King of the Ants(2003), and his David Mamet adaptation Edmond (2005). Naked Theater & Uncensored Horror is Stuart Gordon's final completed work, presented here unexpurgated, and fully endorsed and approved by the Gordon family trust.
Publisher:
ISBN: 9781913051235
Category :
Languages : en
Pages : 0
Book Description
In this engaging candid memoir, horror legend Stuart Gordon gives a vivid account of his remarkable journey, from a student manning the barricades during the civil unrest of the 1960s, via an infamous stint as an experimental theater maverick, to ultimately becoming an iconic figure in cult cinema. While he'd started his professional career as a theater director, Gordon's first love was cinema, and in 1985 he shocked the world with his wickedly witty debut feature Re-Animator. The film established an unofficial Gordon repertory company, including the actors Jeffrey Combs and Barbara Crampton, producer Brian Yuzna, and writer Dennis Paoli. It also established Gordon as the pre-eminent cinematic interpreter of legendary horror author H.P. Lovecraft, a writer many had previously regarded as largely unfilmable. Gordon went on to undertake a succession of horror, science fiction, and thriller productions that saw him working across the globe, from Italy (Castle Freak), Hungary (Daughter of Darkness) and Australia (Fortress), to Ireland (Space Truckers) and Spain (Dagon). In these pages, Gordon recalls a wealth of anecdotes, revealing what it was like to direct acclaimed actors such as Anthony Perkins, Dennis Hopper, Oliver Reed, Edward J. Olmos, Lance Henriksen and William H. Macy. Gordon also spills the beans on working with Roy Disney and Jeffrey Katzenberg on the family comedy Honey, I Shrunk the Kids at Disney Studios. Stuart Gordon's memoir is authentically funny, disarmingly honest, and unexpectedly touching - a compelling glimpse into the life of a director happiest in Hollywood's hinterlands, pushing the limits of what the mainstream would accept. It's the story of a bona fide original, an uncompromising artist with the common touch, and of a loving family man who delighted in disturbing us all with his restless, brilliant imagination. Gordon's filmography ranges from the iconic Lovecraftian horror From Beyond (1986), to science fiction action flicks including Robot Jox (1990), gruelling period pieces such as The Pit and the Pendulum (1998), the noir thriller King of the Ants(2003), and his David Mamet adaptation Edmond (2005). Naked Theater & Uncensored Horror is Stuart Gordon's final completed work, presented here unexpurgated, and fully endorsed and approved by the Gordon family trust.
The Eternal Future of the 1950s
Author: Dennis R. Cutchins
Publisher: McFarland
ISBN: 1476649278
Category : Performing Arts
Languages : en
Pages : 312
Book Description
Science fiction cinema, once relegated to the undervalued "B" movie slot, has become one of the dominant film genres of the 21st century, with Hollywood alone producing more than 400 science fiction films annually. Many of these owe a great deal of their success to the films of one defining decade: the 1950s. Essays in this book explore how classic '50s science fiction films have been recycled, repurposed, and reused in the decades since their release. Tropes from Don Siegel's Invasion of the Body Snatchers (1956), for instance, have found surprising new life in Netflix's wildly popular Stranger Things. Interstellar (2014) and Arrival (2016) have clear, though indirect roots in the iconic 1950s science fictions films Rocketship X-M (1950) and The Day the Earth Stood Still (1951), and The Shape of Water (2017) openly recalls and reworks the major premises of The Creature From the Black Lagoon (1954). Essays also cover 1950's sci-fi influences on video game franchises like Fallout, Bioshock and Wolfenstein.
Publisher: McFarland
ISBN: 1476649278
Category : Performing Arts
Languages : en
Pages : 312
Book Description
Science fiction cinema, once relegated to the undervalued "B" movie slot, has become one of the dominant film genres of the 21st century, with Hollywood alone producing more than 400 science fiction films annually. Many of these owe a great deal of their success to the films of one defining decade: the 1950s. Essays in this book explore how classic '50s science fiction films have been recycled, repurposed, and reused in the decades since their release. Tropes from Don Siegel's Invasion of the Body Snatchers (1956), for instance, have found surprising new life in Netflix's wildly popular Stranger Things. Interstellar (2014) and Arrival (2016) have clear, though indirect roots in the iconic 1950s science fictions films Rocketship X-M (1950) and The Day the Earth Stood Still (1951), and The Shape of Water (2017) openly recalls and reworks the major premises of The Creature From the Black Lagoon (1954). Essays also cover 1950's sci-fi influences on video game franchises like Fallout, Bioshock and Wolfenstein.