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Author: Peter Filichia
Publisher: Macmillan
ISBN: 1250018439
Category : Music
Languages : en
Pages : 302
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Book Description
"In Strippers, Showgirls, and Sharks, popular syndicated theatre critic Peter Filichia chronicles the American musical by looking at those shows that did not win the Tony Award. Every spring the American Theatre Wing bestows its annual Tony Awards. Only those shows that have reached Broadway are nominated and while all Tonys are created equal, the universally acknowledged biggest prize is the Best Musical Tony. But did the best musical always win Best Musical? And were there other factors that kept a more deserving show from winning? Filichia answers these questions and more as he looks at all 153 previous Best Musical Nominees that didn't win. In 1959 when Ethel Merman and a variety of strippers took the stage, there was a tie between 'The Sound of Music' and 'Fiorello'. In 1971, Stephen Sondheim's 'Follies' and its ghostly showgirls lost to a 'groovy' re-tuning of 'Two Gentlemen of Verona' best forgotten. And, in 1957, 'West Side Story' was bested by the fine people of River City Iowa singing their Americana hearts out in 'The Music Man'."--Publisher description.
Author: Peter Filichia
Publisher: Macmillan
ISBN: 1250018439
Category : Music
Languages : en
Pages : 302
Get Book Here
Book Description
"In Strippers, Showgirls, and Sharks, popular syndicated theatre critic Peter Filichia chronicles the American musical by looking at those shows that did not win the Tony Award. Every spring the American Theatre Wing bestows its annual Tony Awards. Only those shows that have reached Broadway are nominated and while all Tonys are created equal, the universally acknowledged biggest prize is the Best Musical Tony. But did the best musical always win Best Musical? And were there other factors that kept a more deserving show from winning? Filichia answers these questions and more as he looks at all 153 previous Best Musical Nominees that didn't win. In 1959 when Ethel Merman and a variety of strippers took the stage, there was a tie between 'The Sound of Music' and 'Fiorello'. In 1971, Stephen Sondheim's 'Follies' and its ghostly showgirls lost to a 'groovy' re-tuning of 'Two Gentlemen of Verona' best forgotten. And, in 1957, 'West Side Story' was bested by the fine people of River City Iowa singing their Americana hearts out in 'The Music Man'."--Publisher description.
Author: Peter Filichia
Publisher: Macmillan + ORM
ISBN: 1250018447
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
"Wait..Gypsy didn't win the Tony for Best Musical?" That's a question that gets asked over and over again, every time a new Rose takes to the runway in the Broadway classic "Gypsy". In "Strippers, Showgirls and Sharks", the popular syndicated theatre critic Peter Filichia chronicles the history of the American musical by looking at those shows that did not win the Tony Award for Best Musical. It happens every spring: The American Theatre Wing bestows its annual awards. Only those shows that have reached Broadway are nominated and while all Tony Awards are created equal in height, width and depth, the universally acknowledged biggest prize is the Best Musical Tony. The envelope is opened. The winner is announced and, then, the screeching begins. "Oh no! They gave it to that?" Did the best musical always win the Best Musical prize? Were there other factors that kept a more deserving show from copping the prize? Peter Filichia answers all these questions and more in "Strippers, Showgirls and Sharks" as he looks at many of the 153 previous Best Musical Nominees that didn't win the big prize. What were the biggest omissions? "Gypsy" had the distinct displeasure of not being either the first or second choice of the committee. In 1959 when Ethel Merman and a variety of strippers took the stage, the Tony for Best Musical was a tie between "The Sound of Music" and "Fiorello". In 1971, Stephen Sondheim's "Follies" and its ghostly showgirls lost to a "groovy" re-tuning of "Two Gentlemen of Verona" that hasn't passed the test of time. And, in 1957, "West Side Story", its Jets and Sharks, were bested by the fine people of River City Iowa singing their Americana hearts out in "The Music Man". If you love Broadway, scratch your head on Tony Award night and still can't figure out how a show you loathed won the Tony for Best Musical, you will love riding through the years with Peter Filichia, one of America's most respected and popular theatre critics.
Author: Stephen M. Silverman
Publisher: Black Dog & Leventhal
ISBN: 0762482362
Category : Performing Arts
Languages : en
Pages : 524
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Book Description
Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.
Author: Matt Windman
Publisher: McFarland
ISBN: 0786496703
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
What will happen to the theater when there are no more critics? With the decline of print media and the rise of online journalism, theater critics are facing hard times. As their influence fades, will the industry they cover be adversely affected or can bloggers and message boards fill the void? Can a new economic model be created for theater criticism? How can critics lucky enough to still have jobs stay relevant in the age of social media? Speaking of which, what does a theater critic really do, and how do you become one? In this book, Matt Windman, a theater critic himself, interviews more than 50 critics from New York and around the country, including Ben Brantley, Charles Isherwood, John Lahr, Terry Teachout, Linda Winer, Chris Jones, David Cote, John Simon and Peter Filichia. They discuss their long careers and the nightly process of evaluating plays and musicals, and offer their thoughts on the future of the profession.
Author: Stephen Purdy
Publisher: Bloomsbury Publishing
ISBN: 1472595106
Category : Drama
Languages : en
Pages : 313
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Book Description
Musical Theatre Song is a handbook for musical theatre performers, providing them with the wide-ranging skill set they need for success in today's competitive musical theatre environment. Breaking down the process into knowing how to select your song material based upon your individuality and how to prepare and perform it in a manner that best highlights your attributes, Stephen Purdy provides a succinct and personalized trajectory toward presentation, taking the reader through a series of challenges that is designed to evoke original, personal and vibrant song performances. Written by renowned Broadway and West End vocal and audition coach Stephen Purdy, Musical Theatre Song is a must-have guide for all performers who are looking to succeed in the musical theatre industry.
Author: Rick Pender
Publisher: Rowman & Littlefield
ISBN: 1538115875
Category : Performing Arts
Languages : en
Pages : 654
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Book Description
Praise from Jesse Green, New York Times Chief Theater Critic, Arts, in the 2023 Holiday Gift Guide: “From A (the director George Abbott) to Y ('You Could Drive a Person Crazy'), The Stephen Sondheim Encyclopedia, by Rick Pender, offers an astonishingly comprehensive look, in more than 130 entries, at the late master’s colleagues, songs, shows and methods." The Stephen Sondheim Encyclopedia is a wonderfully detailed and comprehensive reference devoted to musical theater’s most prolific and admired composer and lyricist. Entries cover Sondheim’s numerous collaborators, from composers and directors to designers and orchestras; key songs, such as his Academy Award winner “Sooner or Later” (Dick Tracy); and major works, including Assassins, Company, Follies, Sweeney Todd, and West Side Story. The encyclopedia also profiles the actors who originated roles and sang Sondheim’s songs for the first time, including Ethel Merman, Angela Lansbury, Mandy Patinkin, and Bernadette Peters. Featuring a detailed biographical entry for Sondheim, a chronology of his career, a listing of his many awards, and discussions of his opinions on movies, opera, and more, this wide-ranging resource will attract musical theater enthusiasts again and again.
Author: William A. Everett
Publisher: Rowman & Littlefield
ISBN: 1442256699
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
The Broadway musical has greatly influenced both American and world culture. Shows such as Oklahoma! and Annie Get Your Gun are as American as apple pie, while the long runs of imports such as Cats, The Phantom of the Opera, and Les Misérables have broken records. Shows filled with rock and pop music such as Mamma Mia! and Wicked enthrall audiences, and revivals of beloved shows play an important role in contemporary Broadway culture. Actors Ethel Merman, Yul Brynner, Julie Andrews, Bernadette Peters, and Audra McDonald; composers and lyricists Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, John Kander, Fred Ebb, and Jeanine Tesori; and directors and choreographers George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman—to name only a few—have gained national and international recognition by way of the Broadway musical stage. This second edition of Historical Dictionary of the Broadway Musical contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on Broadway shows, composers, playwrights, directors, producers, designers, actors, and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about Broadway musicals.
Author: William A. Everett
Publisher: Cambridge University Press
ISBN: 1108228631
Category : Music
Languages : en
Pages : 503
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Book Description
The expanded and updated third edition of this acclaimed Companion provides an accessible, broadly based survey of one of the liveliest and most popular forms of musical performance. It ranges from the American musical of the nineteenth century to the most recent productions on Broadway, in London's West End, and many other venues, and includes key information on singers, audiences, critical reception, and traditions. Contributors approach the subject from a wide variety of perspectives, including historical concerns, artistic aspects, important trends, attention to various genres, the importance of stars, the influence of race, the various disciplines of theatrical production, the musical in varied media, and changes in technology. Chapters related to the contemporary musical have been updated, and two new chapters cover the television musical and the British musical since 1970. Carefully organised and highly readable, it will be welcomed by enthusiasts, students, and scholars alike.
Author: Luke Yankee
Publisher: Bloomsbury Publishing
ISBN: 1350155594
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Filled with practical advice from an award-winning playwright, with a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to write like a seasoned theatre professional, including: * how to analyze and break down a script * how to write a wide range of plays * how to critique a theatre production * how to construct and craft critical essays, cover letters, and theatrical resumes This thorough introduction is supplemented with exercises and new interviews with a host of internationally acclaimed playwrights, lyricists, and critics, including Marsha Norman, Beth Henley, Lyn Gardner, Octavio Solis, Ismail Khalidi, and David Zippel, among many others. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.
Author: Peter Filichia
Publisher: Macmillan
ISBN: 1250051355
Category : Music
Languages : en
Pages : 303
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Book Description
It was the Broadway season when Barbra Streisand demanded "Don't Rain on My Parade" and Carol Channing heard the waiters at the Harmonia Gardens say "Hello, Dolly!". From June 1, 1963 through the final day of May 31, 1964, theatergoers were offered 68 different productions: 24 new plays, 15 new comedies, 14 new musicals, 5 revivals of plays, 3 revues, 3 plays in Yiddish, 2 in French, 1 double-bill and even 1 puppet show. Peter Filichia's The Great Parade will look at what a Broadway season looked like a half-century ago analyzing the hits, the flops, the trends, the surprises, the disappointments, the stars and even how the assassination of JFK and the arrival of the Beatles affected Broadway. The Great Parade is a chronicle of a Broadway season unprecedented in the star power onstage: Barbara Streisand, Carol Channing, Claudette Colbert. Colleen Dewhurst, Hal Holbrook, Mary Martin, Christopher Plummer, Robert Preston, Julie Harris, Jason Robards, Jr., Carol Burnett, Tallulah Bankhead, Alec Guinness, Kirk Douglas, Albert Finney, Paul Newman, Joanne Woodward, Richard Burton, Mary Martin, Beatrice Lillie, Hermione Gingold, Robert Redford and many more. Neil Simon and Stephen Sondheim burst on to the Broadway stage with Barefoot in the Park and Anyone Can Whistle. The '63-'64 season was one of Broadway's greatest and in The Great Parade, Peter Filichia gives us another classic.
