Author: Duck Baker
Publisher: Mel Bay Publications
ISBN: 1610656849
Category : Music
Languages : en
Pages : 153
Book Description
This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. the easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. the bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. for the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature.
Encyclopedia of Irish and American Fiddle Tunes
Author: Duck Baker
Publisher: Mel Bay Publications
ISBN: 1610656849
Category : Music
Languages : en
Pages : 153
Book Description
This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. the easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. the bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. for the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature.
Publisher: Mel Bay Publications
ISBN: 1610656849
Category : Music
Languages : en
Pages : 153
Book Description
This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. the easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. the bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. for the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature.
Melodic Banjo
Author: Tony Trischka
Publisher: Oak Publications
ISBN: 1783235047
Category : Music
Languages : en
Pages : 129
Book Description
Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.
Publisher: Oak Publications
ISBN: 1783235047
Category : Music
Languages : en
Pages : 129
Book Description
Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.
The Instrumentalist
Author:
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 540
Book Description
All Made of Tunes
Author: James Peter Burkholder
Publisher: Yale University Press
ISBN: 9780300102123
Category : Music
Languages : en
Pages : 572
Book Description
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
Publisher: Yale University Press
ISBN: 9780300102123
Category : Music
Languages : en
Pages : 572
Book Description
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
Strings Around the World -- Folk Songs of Australia
Author:
Publisher: Alfred Music Publishing
ISBN: 9780874877847
Category : Music
Languages : en
Pages : 20
Book Description
Strings Around the World, is designed for the student string orchestra, string quartet, or violin group. The arrangements often take the tunes a step further than their original musical intention but they are not technically difficult. Titles are: Barn Dance (Australian Folk Song) * The Black Velvet Band (Australian Folk Song) * Botany Bay (Australian Folk Song) * Brisbane Ladies (Australian Folk Song) * Click Go the Shears (Australian Folk Song) * Jim Jones at Botany Bay (Australian Folk Song) * Kookaburra (Sinclair) * Along the Road to Gundagai (O'Hagan) * A Thousand Miles Away (Australian Folk Song) * Waltzing Matilda (Cowan).
Publisher: Alfred Music Publishing
ISBN: 9780874877847
Category : Music
Languages : en
Pages : 20
Book Description
Strings Around the World, is designed for the student string orchestra, string quartet, or violin group. The arrangements often take the tunes a step further than their original musical intention but they are not technically difficult. Titles are: Barn Dance (Australian Folk Song) * The Black Velvet Band (Australian Folk Song) * Botany Bay (Australian Folk Song) * Brisbane Ladies (Australian Folk Song) * Click Go the Shears (Australian Folk Song) * Jim Jones at Botany Bay (Australian Folk Song) * Kookaburra (Sinclair) * Along the Road to Gundagai (O'Hagan) * A Thousand Miles Away (Australian Folk Song) * Waltzing Matilda (Cowan).
Wade Ward Clawhammer Banjo Master
Author: Bob Carlin
Publisher: Mel Bay Publications
ISBN: 1619110083
Category : Music
Languages : en
Pages : 65
Book Description
Wade Ward Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Wade Ward, with modern interpretations by Bob Carlin and Dan Levenson. This book is the second in a series of transcriptions of tunes from the old masters-in this case, Wade Ward-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.
Publisher: Mel Bay Publications
ISBN: 1619110083
Category : Music
Languages : en
Pages : 65
Book Description
Wade Ward Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Wade Ward, with modern interpretations by Bob Carlin and Dan Levenson. This book is the second in a series of transcriptions of tunes from the old masters-in this case, Wade Ward-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.
Fiddle Tunes for Flatpickers Guitar
Author: Bob Grant
Publisher: Oak Publications
ISBN: 1783235616
Category : Music
Languages : en
Pages : 40
Book Description
Flatpicking guitar style delivers the clean, sharp solo sound that defined some of the greatest bluegrass recordings of the 1950s. Now you can learn to play famous fiddle tunes specially arranged for guitar. Each song includes performance notes which give you helpful hints and tips on playing slides, double stops, fiddle shuffles, tremolos, ornaments, syncopations, and much more!
Publisher: Oak Publications
ISBN: 1783235616
Category : Music
Languages : en
Pages : 40
Book Description
Flatpicking guitar style delivers the clean, sharp solo sound that defined some of the greatest bluegrass recordings of the 1950s. Now you can learn to play famous fiddle tunes specially arranged for guitar. Each song includes performance notes which give you helpful hints and tips on playing slides, double stops, fiddle shuffles, tremolos, ornaments, syncopations, and much more!
Music Trades
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1404
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1404
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1156
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1156
Book Description
A History of the Trombone
Author: David M. Guion
Publisher: Rowman & Littlefield
ISBN: 0810874458
Category : Music
Languages : en
Pages : 269
Book Description
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.
Publisher: Rowman & Littlefield
ISBN: 0810874458
Category : Music
Languages : en
Pages : 269
Book Description
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.