Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Quartette, Vl 1 2 Va Vc KV 465
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
String Quartet [nr 18, in A,] K. 464
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Musiek
Languages : en
Pages : 27
Book Description
Publisher:
ISBN:
Category : Musiek
Languages : en
Pages : 27
Book Description
String Quartet in A Major, K.464
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
Book Description
String quartet no. 18 (5) in A major, K. 464
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 40
Book Description
String [quartet] in A.K. 464
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages :
Book Description
String quartet
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
String Quartet
Author: W. A. Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
Book Description
The String Quartets of Joseph Haydn
Author: Floyd Grave
Publisher: Oxford University Press
ISBN: 0199883912
Category : Music
Languages : en
Pages : 393
Book Description
Renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
Publisher: Oxford University Press
ISBN: 0199883912
Category : Music
Languages : en
Pages : 393
Book Description
Renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
String quartet[s]: No. 17 in B flat major, K 458.- -v.5 No. 18, in A major, K 464
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 36
Book Description
String Quartets in Beethoven’s Europe
Author: Nancy November
Publisher: Academic Studies PRess
ISBN: 1644697890
Category : Music
Languages : en
Pages : 346
Book Description
String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.
Publisher: Academic Studies PRess
ISBN: 1644697890
Category : Music
Languages : en
Pages : 346
Book Description
String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.