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Author: August Strindberg
Publisher: Univ of California Press
ISBN: 0520341430
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Strindberg's most important and most frequently performed plays—The Father, Miss Julie, A Dream Play, The Dance of Death, and The Ghost Sonata—are gathered together here in translations praised for their fluency and their elegance.
Author: August Strindberg
Publisher: Univ of California Press
ISBN: 0520341430
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Strindberg's most important and most frequently performed plays—The Father, Miss Julie, A Dream Play, The Dance of Death, and The Ghost Sonata—are gathered together here in translations praised for their fluency and their elegance.
Author: August Strindberg
Publisher: Anchor
ISBN:
Category : Drama
Languages : en
Pages : 338
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Book Description
The Father; Miss Julie; The Stronger; Easter; A Dream Play; The Ghost Sonata.
Author: August Strindberg
Publisher: Courier Corporation
ISBN: 0486111970
Category : Drama
Languages : en
Pages : 65
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Book Description
One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface.
Author: August Strindberg
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 264
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Book Description
Author: Sue Prideaux
Publisher:
ISBN: 9780300198065
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
The author looks at the life of the playwright best known for the work Miss Julie, paying special attention to how real life inspired the ideas, premises and characters of his plays and other literary works.
Author: August Strindberg
Publisher: The Floating Press
ISBN: 1775450406
Category : Drama
Languages : en
Pages : 417
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Book Description
Swedish writer August Strinberg played a major role in introducing a more modernist sensibility into his native country's literature, producing several major novels and plays that are still regarded as some of the most significant works of twentieth-century Swedish literature. The Road to Damascus is a dramatic trilogy that broke new ground in stagecraft and characterization, touching on complex themes of spirituality and selfhood in the process.
Author: Michael Robinson
Publisher: Cambridge University Press
ISBN: 1139827448
Category : Drama
Languages : en
Pages : 227
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Book Description
August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognised novelist, autobiographer, and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg's highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the Naturalist Dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on much later twentieth-century drama. His plays are contextualised for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics, and the visual arts.
Author: Mary Carolyn Waldrep
Publisher: Courier Corporation
ISBN: 0486112527
Category : Drama
Languages : en
Pages : 226
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Book Description
This collection of royalty-free plays contains classics by well-known playwrights: Glaspell's Trifles, Synge's Riders to the Sea, Strindberg's The Stronger, plus works by Aristophanes, Chekhov, Yeats, Barrie, and others.
Author: August Strindberg
Publisher:
ISBN:
Category : Swedish drama
Languages : en
Pages : 168
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Book Description
Author: Stella Adler
Publisher: Vintage
ISBN: 0307787931
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk"). Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession"). She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth"). Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.
