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Author: Sue Prideaux
Publisher:
ISBN: 9780300198065
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
The author looks at the life of the playwright best known for the work Miss Julie, paying special attention to how real life inspired the ideas, premises and characters of his plays and other literary works.
Author: Sue Prideaux
Publisher:
ISBN: 9780300198065
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
The author looks at the life of the playwright best known for the work Miss Julie, paying special attention to how real life inspired the ideas, premises and characters of his plays and other literary works.
Author: August Strindberg
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 119
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Book Description
"Legends: Autobiographical Sketches" by August Strindberg. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Michael Leverson Meyer
Publisher: Random House (NY)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 712
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Book Description
Author: Linda Haverty Rugg
Publisher: University of Chicago Press
ISBN: 0226731480
Category : Photography
Languages : en
Pages : 302
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Book Description
Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As Linda Haverty Rugg convincingly shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act. Rugg tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself. Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored Berliner Kindheit um 1900. And Christa Wolf's narrator in Patterns of Childhood attempts to reclaim her childhood from the Nazis by reconstructing mental images of lost family photographs. Confronted with multiple and conflicting images of themselves, all four of these writers are torn between the knowledge that texts, photographs, and indeed selves are haunted by undecidability and the desire for the returned glance of a single self.
Author:
Publisher: BRILL
ISBN: 9004456236
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
The recent sesquicentennial of August Strindberg's (1849-1912) birth was an appropriate occasion for investigating the role of this towering figure in Nordic literature. By Eugene O'Neill once labeled the most modern of moderns, Strindberg the playwright has commanded a prophetic influence on 20th century drama and theater, and his voluminous production in several other genres continues to constitute a watershed and some of the highpoints in Swedish letters. Yet, Strindberg remains as controversial today as he was in his lifetime. The nature and degree of his modernity are still under discussion, and so is the impact of his remarkable genre-proliferation and border-transgressing Swedishness. Once considered too unruly for the pillars of society and too pious for the radicals, his artistic and existential points of gravity remain in critical dispute. Generally subjected to traditional modes of inquiry, Strindberg's complexity calls for new critical approaches. Strindberg and the Other brings together scholars, younger and older, from Scandinavia and abroad, who either venture such new approaches or engage their practitioners in fruitful dialogue. Especially promising among the volume's methodological and theoretical propositions is the notion of the 'other' and 'otherness.' Indeed, the image of August Strindberg himself is quite an-other at this millennium than it was just half a century ago.
Author: August Strindberg
Publisher: Courier Corporation
ISBN: 0486111970
Category : Drama
Languages : en
Pages : 65
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Book Description
One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface.
Author: Michael Robinson
Publisher: Cambridge University Press
ISBN: 1139827448
Category : Drama
Languages : en
Pages : 227
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Book Description
August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognised novelist, autobiographer, and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg's highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the Naturalist Dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on much later twentieth-century drama. His plays are contextualised for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics, and the visual arts.
Author: August Strindberg
Publisher: The Floating Press
ISBN: 1775450406
Category : Drama
Languages : en
Pages : 417
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Book Description
Swedish writer August Strinberg played a major role in introducing a more modernist sensibility into his native country's literature, producing several major novels and plays that are still regarded as some of the most significant works of twentieth-century Swedish literature. The Road to Damascus is a dramatic trilogy that broke new ground in stagecraft and characterization, touching on complex themes of spirituality and selfhood in the process.
Author: August Strindberg
Publisher: Library of Alexandria
ISBN: 146559437X
Category : Fiction
Languages : en
Pages : 190
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Book Description
An American critic says "Strindberg is the greatest subjectivist of all time." Certainly neither Augustine, Rousseau, nor Tolstoy have laid bare their souls to the finest fibre with more ruthless sincerity than the great Swedish realist. He fulfilled to the letter the saying of Robertson of Brighton, "Woman and God are two rocks on which a man must either anchor or be wrecked." His four autobiographical works, The Son of a Servant, The Confessions of a Fool, Inferno, and Legends, are four segments of an immense curve tracing his progress from the childish pietism of his early years, through a period of atheism and rebellion, to the sombre faith in a "God that punishes" of the sexagenarian. In his spiritual wanderings he grazed the edge of madness, and madmen often see deeper into things than ordinary folk. At the close of the Inferno he thus sums up the lesson of his life's pilgrimage: "Such then is my life: a sign, an example to serve for the improvement of others; a proverb, to show the nothingness of fame and popularity; a proverb, to show young men how they ought not to live; a proverbÑbecause I who thought myself a prophet am now revealed as a braggart." It is strange that though the names of Ibsen and Nietzsche have long been familiar in England, Strindberg, whom Ibsen is reported to have called "One greater than I," as he pointed to his portrait, and with whom Nietzsche corresponded, is only just beginning to attract attention, though for a long time past most of his works have been accessible in German. Even now not much more is known about him than that he was a pessimist, a misogynist, and writer of Zolaesque novels. To quote a Persian proverb, "They see the mountain, but not the mine within it." No man admired a good wife and mother more than he did, but he certainly hated the Corybantic, "emancipated" women of the present time. No man had a keener appreciation of the gentle joys of domesticity, and the intensity of his misogyny was in strict proportion to the keenness of his disappointment. The Inferno relates how grateful and even reverential he was to the nurse who tended him in hospital, and to his mother-in-law. He felt profoundly the charm of innocent childhood, and paternal instincts were strong in him. All his life long he had to struggle with four terrible inner foesÑdoubt, suspicion, fear, sensuality. His doubts destroyed his early faith, his ceaseless suspicions made it impossible for him to be happy in friendship or love, his fear of the "invisible powers," as he calls them, robbed him of all peace of mind, and his sensuality dragged him repeatedly into the mire.
Author: August Strindberg
Publisher: BoD - Books on Demand
ISBN: 9180804721
Category : Fiction
Languages : en
Pages : 226
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Book Description
"I'll tell you what, Ygberg, I believe one has to be very unscrupulous if one wants to get on in the world." That's how The Red Room could be summarised through one of its sentences. Through a number of cultural workers Strindberg asks the question of how life should be lived. As a young person, you can pretend to be an ardent idealist; as an older, somewhat sober person, you can come to realise that what you from the beginning thought to be idealistic may not really be. Through its straightforward language The Red Room (1879) is often called the first modern novel in Swedish. It constitutes a representation of Stockholm in the 1870s and is known for its depictions of the urban environment as well as its satire. The book is an attempt to stand by the lower classes by humorously attacking the hypocrisy of the higher classes. The Red Room was described as dirt by contemporary critics, but it was an immediate success. This edition of The Red Room constitutes the first novel in the cluster text style, which could be 20 percent better than ordinary texts, and is intended to function as a kind of survey for how we look at text, reading and book design. This book, in Swedish, was made as an entry for Svensk bokkonst, which every year rewards good examples of book design. The winners get to participate in Stiftung Buchkunt's Best Book Design from all over the World which in German is called Schönste Bücher aus aller Welt. This difference captures an important gap. Book design has long been about designing beautiful books. Now we'll see how Svensk bokkonst and possibly Stiftung Buchkunst see this. What do you think? Should we read cluster texts? You will get an answer to that question by reading this edition of The Red Room. PLEASE NOTE that the text in this book, i.e. cluster text, cannot be reflown and therefore needs to be read on tablets/screens at least 13 centimetres wide, which can handle line lengths of 95 characters (i.e. smaller screens are not suitable).
